Proceedings of the SIGGRAPH Asia 2022 Art Gallery最新文献_第2页

Human-like non-human – HAOS human electrical cognition liberation project Ver 1.0 类人非人类- HAOS人类电子认知解放项目1.0版

Proceedings of the SIGGRAPH Asia 2022 Art Gallery Pub Date : 2022-12-06 DOI: 10.1145/3550470.3558450

Jiun Ting Lai

引用次数: 0

Proceedings of the SIGGRAPH Asia 2022 Art Gallery Pub Date : 2022-12-06 DOI: 10.1145/3550470.3558429

Qing Zhang, Fan Xie, Yifei Huang, Yun Suen Pai, G. Chernyshov, Jing Huang, Xiongqi Wang, Jamie A. Ward, K. Kunze

{"title":"Inner self drawing machine","authors":"Qing Zhang, Fan Xie, Yifei Huang, Yun Suen Pai, G. Chernyshov, Jing Huang, Xiongqi Wang, Jamie A. Ward, K. Kunze","doi":"10.1145/3550470.3558429","DOIUrl":"https://doi.org/10.1145/3550470.3558429","url":null,"abstract":"Besides men and women, people can be neither man nor woman, fluid identity, transgender, and agender. Not only that, in terms of sexual orientation, besides heterosexuals, there are homosexuals, bisexuals, pansexuals, and asexuals as well. However, ignorance and lacking empathetic understanding of those sexual minorities make their lives harsh and suffering. For instance, in the case of transgender people, 28% of them postponed their health care due to discrimination, 19% of them refused medical care altogether, and 28% of them experienced verbal harassment by medical professionals, according to a 2011 national transgender discrimination survey (USA). Unluckily, we are apt to generate a basic understanding of others based on their gender expressions and use such irresponsible and heuristic findings to deal with others. Thus, we decided to create an installation to at least minimize the gap for a moment when the audience can enjoy themselves by watching the drawing performance of their idea portrait (inner-self). Regarding the AI portrait painter, we leverage StyleGAN to generate the continuous gender spectrum of each participant based on their facial features, in which they can choose their ideal gender representation that reflects their inner self the most. Then our AI portrait painter \"draws\" the selected \"self\" on the canvas. In general professional painters can detect and draw the most confident and beautiful us, on the other hand, we tend to exaggerate our flaws and ignore our attractive parts. When the drawing performance finishes, the audience can receive the drawing result as a well-printed portrait simultaneously. The printed portrait also works as a souvenir of participating in our exhibition. Our work aims to raise an empathic understanding of the various sexual minorities for a more inclusive, preferable, and sustainable world.","PeriodicalId":434115,"journal":{"name":"Proceedings of the SIGGRAPH Asia 2022 Art Gallery","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117281691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

River Concert 河音乐会

Proceedings of the SIGGRAPH Asia 2022 Art Gallery Pub Date : 2022-12-06 DOI: 10.1145/3550470.3558433

Siou-Ming Wu

引用次数: 0

Origami Tessellations Induced by Growth 由生长诱导的折纸镶嵌

Proceedings of the SIGGRAPH Asia 2022 Art Gallery Pub Date : 2022-12-06 DOI: 10.1145/3550470.3558440

Tomohiro Tachi, Junichiro Horikawa, Daiki Kanaoka

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Window 窗口

Proceedings of the SIGGRAPH Asia 2022 Art Gallery Pub Date : 2022-12-06 DOI: 10.1145/3550470.3558452

Borou Yu, Jiajian Min, Mengying Zeng

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Lizardians 蜥蜴人

Proceedings of the SIGGRAPH Asia 2022 Art Gallery Pub Date : 2022-12-06 DOI: 10.1145/3550470.3558442

Young Joo Lee

引用次数: 0

Remembrance: Magma 记忆:岩浆

Proceedings of the SIGGRAPH Asia 2022 Art Gallery Pub Date : 2022-12-06 DOI: 10.1145/3550470.3558425

Chanee Choi

引用次数: 0

Nippo-Latin American Land 尼波-拉丁美洲大陆

Proceedings of the SIGGRAPH Asia 2022 Art Gallery Pub Date : 2022-12-06 DOI: 10.1145/3550470.3558437

Marita Ibañez Sandoval

引用次数: 0

Chandra X 钱德拉X

Proceedings of the SIGGRAPH Asia 2022 Art Gallery Pub Date : 2022-12-06 DOI: 10.1145/3550470.3558419

Inhwa Yeom, Seogsung Jang

{"title":"Chandra X","authors":"Inhwa Yeom, Seogsung Jang","doi":"10.1145/3550470.3558419","DOIUrl":"https://doi.org/10.1145/3550470.3558419","url":null,"abstract":"Chandra X is a series of artistic diagnoses on the state of Planetary, implemented as WebXR(2021) and 3D Performative Apparatus-Environment(2022). The series speculates on how the natural environment and biodiversity still functions as a large capital in the near future. Inspecting the multilayers of remote surveillance system powered by virtualreal networks and neo-colonialist interactions, the artwork reimagines the audience's performative engagement as a counterbalance to such system. In Chandra X, audiences are invited to perform as meta-authorities to Chandra(they/them), who are interplanetary network environment manager(s) living in a near future, authorized with a certain degree of access to bio-resources in the universe. Remotely accessing the planets in charge, Chandra perform a set of labor such as Wielding, Archiving, Supervising, Detecting ('WASD') the planetarian's production and use of resources, for which Chandra earn 'hyper-capital' from their meta-authorities. As meta-authorities to Chandra, the audience-performers are also remotely connected to the labor of Chandra(s), infinitely doubling their acts of Wielding, Archiving, Supervising, Detecting. The technical mise-en-scene of Chandra X is defined as \"3D Performative Apparatus-Environment\". This setting comprises 1) WebXR as a 3D virtual labor-scape and, 2) mobile-based AR as an intervention tool. These apparatuses together serve as audiovisual diegeses that are inter-connected via cross-device interactions, hence interoperate. In such a setting, audiences can connect and intervene in each other's experiences in real-time, across the heterogeneous realities in heterogeneous device network environments; give and receive interaction and feedback on their performative behaviors. In the 3D Performative Apparatus-Environment, Chandra X intends to constantly re-situate the audience-performers amid the indeterminate states of being colonized and/or colonizing; of being autonomous and/or subordinate to a predesigned labor and belief system; and as a contemporaneous being in AD 2022 who receives the SOS message and alerts sent by Chandra themselves.","PeriodicalId":434115,"journal":{"name":"Proceedings of the SIGGRAPH Asia 2022 Art Gallery","volume":"265 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133694517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Zeroth: The self-awareness sense embodied by facing the coexistence of the physical and virtual bodies in the mirror Zeroth:通过面对镜子中实体和虚拟身体的共存而体现的自我意识

Proceedings of the SIGGRAPH Asia 2022 Art Gallery Pub Date : 2022-12-06 DOI: 10.1145/3550470.3558426

Ami Miura, Hiroki Uchida, Takayuki Kawamura, K. Zempo

{"title":"Zeroth: The self-awareness sense embodied by facing the coexistence of the physical and virtual bodies in the mirror","authors":"Ami Miura, Hiroki Uchida, Takayuki Kawamura, K. Zempo","doi":"10.1145/3550470.3558426","DOIUrl":"https://doi.org/10.1145/3550470.3558426","url":null,"abstract":"\"Itadakimasu\" is a gesture performed before a meal in Japan. It is meant to express gratitude for the cycle of life and the upstream supply chain. Still, it is also meant to express gratitude for the awareness of the boundary between self and others before eating a piece of life and using it as one's own flesh and blood. This ritual, which we all perform almost unconsciously without question, is a ritual that has become customary in recent years thanks to the invention of the radio, which allows us to share the same topics of conversation even when we are far away from each other. Today, physical reality and the XR/metaverse, here and there, are being connected without seams. As a result, the boundaries between oneself and others, oneself and the world have become blurred, and the loss of the \"self\" recognized by each living in this society is not far away. In the present age, when anyone can easily make discrete phase transitions anywhere, we believe it is necessary to perform appropriate rituals to recognize the boundaries between self and others, rather than just connecting without difficulty blindly. We sense and recognize all signals from the world through our five senses. It is a recursive structure in which one perceives one's existence for the first time as a contrast to the world one smells, and one can sense the world only through one's existence. In this art Zeroth, the user confronts himself in physical reality and himself in XR simultaneously. This experience allows the user to consider the appropriate ritual actions.","PeriodicalId":434115,"journal":{"name":"Proceedings of the SIGGRAPH Asia 2022 Art Gallery","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114394016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0