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EIGHTEENTH-CENTURY LIFE最新文献

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Finance, Fiction, and Loss 金融、小说和损失
IF 0.1 3区 文学
EIGHTEENTH-CENTURY LIFE Pub Date : 2023-01-01 DOI: 10.1215/00982601-10200020
David Alff
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引用次数: 0
The Influence of William Hogarth on Later Generations 威廉·贺加斯对后世的影响
IF 0.1 3区 文学
EIGHTEENTH-CENTURY LIFE Pub Date : 2023-01-01 DOI: 10.1215/00982601-10199968
Robert L. S. Cowley
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引用次数: 0
Patronage or Friendship? Charlotte Lennox and the Fifth Earl of Orrery 赞助还是友谊?夏洛特·伦诺克斯和奥瑞伯爵五世
IF 0.1 3区 文学
EIGHTEENTH-CENTURY LIFE Pub Date : 2023-01-01 DOI: 10.1215/00982601-10199929
Patricia Hamilton
{"title":"Patronage or Friendship? Charlotte Lennox and the Fifth Earl of Orrery","authors":"Patricia Hamilton","doi":"10.1215/00982601-10199929","DOIUrl":"https://doi.org/10.1215/00982601-10199929","url":null,"abstract":"Abstract:In the front matter of The Greek Theatre of Father Brumoy, Charlotte Lennox conflates the language of patronage and friendship to refer to John Boyle, the fifth Earl of Orrery. Her conflation points to the unusual relationship the two writers forged between 1752 and 1760. Whereas patronage focused on exchanges resulting in mutual economic benefit, friendship typically involved disinterested, mutual service based on shared interests. Orrery seized on the notion of instrumentality inherent in friendship to exchange his patronal role for a place on the translation team Lennox was supervising—a remarkable reversal of the usual power dynamics of the period. The pair’s professional relationship offers insight into both the strategies by which Lennox negotiated her career and the earl’s motivation for entering the commercial marketplace.","PeriodicalId":43296,"journal":{"name":"EIGHTEENTH-CENTURY LIFE","volume":"143 1","pages":"35 - 62"},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89225819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Face Value: Toward a Theory of Eighteenth-Century Portraiture 表面价值:走向十八世纪肖像画理论
IF 0.1 3区 文学
EIGHTEENTH-CENTURY LIFE Pub Date : 2023-01-01 DOI: 10.1215/00982601-10199916
B. Mudge
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引用次数: 0
Affective Profit 情感的利润
IF 0.1 3区 文学
EIGHTEENTH-CENTURY LIFE Pub Date : 2023-01-01 DOI: 10.1215/00982601-10199981
Peter Degabriele
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引用次数: 0
Revising the Eighteenth-Century Novel 修改十八世纪的小说
IF 0.1 3区 文学
EIGHTEENTH-CENTURY LIFE Pub Date : 2023-01-01 DOI: 10.1215/00982601-10199955
M. Krueger
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引用次数: 0
Transcript of “Frances Burney's Legacy Duty Account” “弗朗西丝·伯尼遗产责任报告”实录
IF 0.1 3区 文学
EIGHTEENTH-CENTURY LIFE Pub Date : 2022-09-01 DOI: 10.1215/00982601-9955298
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引用次数: 0
Capturing the Queen: Establishing Agency through Narrative Strategies and Royal Materiality in Charlotte Papendiek's Memoirs 捕捉女王:在夏洛特·帕彭迪克的回忆录中通过叙事策略和皇室物质性建立代理
IF 0.1 3区 文学
EIGHTEENTH-CENTURY LIFE Pub Date : 2022-09-01 DOI: 10.1215/00982601-9955311
S. Howard
{"title":"Capturing the Queen: Establishing Agency through Narrative Strategies and Royal Materiality in Charlotte Papendiek's Memoirs","authors":"S. Howard","doi":"10.1215/00982601-9955311","DOIUrl":"https://doi.org/10.1215/00982601-9955311","url":null,"abstract":"Abstract:Writing in the popular nineteenth-century genre of queens' lives, Charlotte Papendiek's memoirs, published under the title Court and Private Life in the Time of Queen Charlotte, chronicle both the life of the queen as well as that of Papendiek. Papendiek establishes her agency within the court of King George III and Queen Charlotte in the 1780s at Windsor by narrating the parallels between her life and the lives of the royals, the points of intersection between them, and the material exchanges with them that enhance her status in society and emphasize her centrality in her memoirs. She explores the bond between her family and the royal family: her father was one of three servants Queen Charlotte brought with her from her home when she came to England in 1761, her husband was page to the princess royal, and she herself was playmate to princes as a child and servant to the queen in her later years; she shows how this bond is represented by gifts given and received, by furniture and musical instruments bought from the royals and displayed or played in the Papendiek home, and by occasions upon which she stands proxy for the queen. Papendiek exploits her connection with the royals in her narrative, and, in particular, with Queen Charlotte, in order to solidify her own importance in her memoirs. She thereby achieves the centrality that the lives of queens insisted upon for their subjects and modeled for their female readers.","PeriodicalId":43296,"journal":{"name":"EIGHTEENTH-CENTURY LIFE","volume":"2014 1","pages":"30 - 51"},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86442303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Art of Imperial Maternity: Pierre-Paul Prud'hon, Empress Marie-Louise, and The King of Rome Sleeping 皇家母性的艺术:皮埃尔-保罗·普鲁昂、玛丽-路易丝皇后和沉睡的罗马国王
IF 0.1 3区 文学
EIGHTEENTH-CENTURY LIFE Pub Date : 2022-09-01 DOI: 10.1215/00982601-9955351
Amanda Strasik
{"title":"The Art of Imperial Maternity: Pierre-Paul Prud'hon, Empress Marie-Louise, and The King of Rome Sleeping","authors":"Amanda Strasik","doi":"10.1215/00982601-9955351","DOIUrl":"https://doi.org/10.1215/00982601-9955351","url":null,"abstract":"Abstract:In 1811, Pierre-Paul Prud'hon painted an allegorical portrait of the infant Napoleon II for Empress Marie-Louise, Napoleon's second wife and the child's mother, that was exhibited publicly at the Paris Salon the following year. Prud'hon's painting is distinctive because it lacks conventional imperial attributes that characterized Napoleonic imagery at the time. On one level, the portrait can be understood according to Christian iconography or as an allegory of the new French order according to ancient Roman mythology. I argue, however, that Prud'hon subscribed to early nineteenth-century Romantic ideals, freely interpreting traditional artistic conventions to show the unity between childhood innocence, women, and nature. This pictorial approach appealed to Marie-Louise, who faced an increasingly unfavorable reputation in the wake of Napoleon's 1809 divorce and mounting public suspicion of the emperor's character. The empress utilized Prud'hon's romanticized image of her son to cast herself as the ideal Napoleonic woman and mother, thereby demonstrating her inherent virtue, reassuring the public of the empire's stability, and legitimizing her place at court on her own terms. Importantly, Prud'hon centralizes Marie-Louise's position as the heir's protector to imply her imperial significance—a dynamic role for the consort in this painting that has remained unexplored until now.","PeriodicalId":43296,"journal":{"name":"EIGHTEENTH-CENTURY LIFE","volume":"20 1","pages":"101 - 122"},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78838933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sancho Panza in Eighteenth-Century English Theater: Disrupting the Path of the English Knight-Errant 18世纪英国戏剧中的桑乔·潘扎:打乱英国侠客之路
IF 0.1 3区 文学
EIGHTEENTH-CENTURY LIFE Pub Date : 2022-09-01 DOI: 10.1215/00982601-9955364
Diana S. Solomon
{"title":"Sancho Panza in Eighteenth-Century English Theater: Disrupting the Path of the English Knight-Errant","authors":"Diana S. Solomon","doi":"10.1215/00982601-9955364","DOIUrl":"https://doi.org/10.1215/00982601-9955364","url":null,"abstract":"Abstract:Widely translated and adapted in eighteenth-century England, Don Quixote inspired some of the period's greatest fiction. Yet while literary adaptations of Cervantes's novel often render its humor \"amiable\" and accommodate it to polite society, dramatic adaptations instead accentuate its low comedy and farce. This paper argues that dramatic entertainments should factor into discussions of the novel's extraordinary influence in eighteenth-century England. Thomas D'Urfey's popular trilogy, The Comical History of Don Quixote (1694–95), and several of its successors augment the base characteristics of Sancho and employ physical violence and cruelty to women and lower characters, showing that low comedy thrived in not only marginalized genres like jestbooks and comic illustrations, but also popular drama.","PeriodicalId":43296,"journal":{"name":"EIGHTEENTH-CENTURY LIFE","volume":"10 1","pages":"123 - 143"},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84648692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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