{"title":"Nuevos datos sobre la autoría de la iglesia de San Pedro Apóstol de Peñaflor (Sevilla).","authors":"José Manuel Higuera Meléndez","doi":"10.12795/la.2019.i31.23","DOIUrl":"https://doi.org/10.12795/la.2019.i31.23","url":null,"abstract":"","PeriodicalId":43219,"journal":{"name":"Laboratorio de Arte","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66085508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Praedicatio, passio y traslatio: un ciclo jacobeo en las pinturas murales de la iglesia de Santiago el Viejo de Sevilla.","authors":"Javier Gómez Darriba","doi":"10.12795/la.2019.i31.27","DOIUrl":"https://doi.org/10.12795/la.2019.i31.27","url":null,"abstract":"","PeriodicalId":43219,"journal":{"name":"Laboratorio de Arte","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66085690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Las Indias en la vida y negocios de Murillo.","authors":"José Manuel Cruz Valdovinos","doi":"10.12795/la.2019.i31.17","DOIUrl":"https://doi.org/10.12795/la.2019.i31.17","url":null,"abstract":"","PeriodicalId":43219,"journal":{"name":"Laboratorio de Arte","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66085184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nuevas atribuciones de escultura genovesa en el sur de España.","authors":"José Miguel Sánchez Peña","doi":"10.12795/la.2019.i31.25","DOIUrl":"https://doi.org/10.12795/la.2019.i31.25","url":null,"abstract":"","PeriodicalId":43219,"journal":{"name":"Laboratorio de Arte","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66085292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Juan Chacón, un pintor casi desconocido en la Sevilla del XVI: un recorrido por su vida y obra.","authors":"Elena Escuredo Barrado","doi":"10.12795/la.2019.i31.09","DOIUrl":"https://doi.org/10.12795/la.2019.i31.09","url":null,"abstract":"","PeriodicalId":43219,"journal":{"name":"Laboratorio de Arte","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66084436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Un viaje de canteros sajones de Naumburgo a Burgos.","authors":"R. Cómez Ramos","doi":"10.12795/la.2019.i31.03","DOIUrl":"https://doi.org/10.12795/la.2019.i31.03","url":null,"abstract":"","PeriodicalId":43219,"journal":{"name":"Laboratorio de Arte","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66084036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El Estanque de Mercurio del Alcázar de Sevilla (1572-1577): un balance de pérdidas.","authors":"A. Pleguezuelo","doi":"10.12795/la.2019.i31.12","DOIUrl":"https://doi.org/10.12795/la.2019.i31.12","url":null,"abstract":"espanolEl proposito principal de este ensayo es hacer una lectura critica de la documentacion publicada sobre la reforma renacentista de este fragmento de los jardines del Alcazar. Se hace aqui una detallada descripcion del proceso de obras y esta narracion permite descubrir los cambios operados con el paso del tiempo y el progresivo deterioro de este espacio. El conjunto ha ido perdiendo elementos formales, rasgos cromaticos y planteamientos hidraulicos que tuvieron en el pasado una belleza y una sofisticacion que podria ser recuperada en gran parte con una restauracion que pudiera ser planteada al mismo nivel del proyecto inicial EnglishThe main purpose of this essay is to make a critical reading of the published documentation on the Renaissance reform of this fragment of the gardens of the Alcazar. A detailed description of the process of works is made here and this narration allows us to discover the changes that took place with the passage of time and the progressive deterioration of this space. The ensemble has been losing formal elements, chromatic features and hydraulic approaches that had in the past a sophistication that could be recovered largely with a restoration that could be raised to the same level of the initial project.","PeriodicalId":43219,"journal":{"name":"Laboratorio de Arte","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66084328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bailes boleros y flamencos en la pintura costumbrista sevillana.","authors":"R. Plaza Orellana","doi":"10.12795/la.2019.i31.31","DOIUrl":"https://doi.org/10.12795/la.2019.i31.31","url":null,"abstract":"","PeriodicalId":43219,"journal":{"name":"Laboratorio de Arte","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66085714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Una imagen firmada por el escultor sevillano Diego Roldán: la Virgen del Valle de Estepa.","authors":"José Manuel Moreno Arana","doi":"10.12795/la.2019.i31.40","DOIUrl":"https://doi.org/10.12795/la.2019.i31.40","url":null,"abstract":"espanolEn este trabajo se presenta a la Virgen del Valle de Estepa (Sevilla) como una nueva obra de Diego Roldan (c. 1700-1766), escultor sevillano barroco afincado en Jerez de la Frontera (Cadiz). Se estudia el posible contexto en el que fue realizado el encargo y se hace una aproximacion historica, tecnica y formal a esta pieza, firmada en 1759 y procedente de Utrera (Sevilla). EnglishThis paper presents the Virgen del Valle of Estepa (Seville) as a new work by Diego Roldan (c.1700-1766), a Baroque Sevillian sculptor settled in Jerez de la Frontera (Cadiz). We study the possible context of the commission and make a historical, technical and stylistic approach to this work, signed in 1759 and coming from Utrera (Seville)","PeriodicalId":43219,"journal":{"name":"Laboratorio de Arte","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66085873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El culto al apóstol Santiago el Mayor en la catedral de Santiago de Chile: imágenes y documentos.","authors":"Ana Pérez Varela","doi":"10.12795/la.2019.i31.11","DOIUrl":"https://doi.org/10.12795/la.2019.i31.11","url":null,"abstract":"","PeriodicalId":43219,"journal":{"name":"Laboratorio de Arte","volume":"123 15 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66084694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}