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Movies, Modernism, and the Science Fiction Pulps最新文献

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Of War and Beyond 战争与超越
Movies, Modernism, and the Science Fiction Pulps Pub Date : 2019-09-26 DOI: 10.1093/OSO/9780190949655.003.0006
J. P. Telotte
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引用次数: 0
Convergence and the Rhetoric of Scientifilm 趋同与科学电影的修辞
Movies, Modernism, and the Science Fiction Pulps Pub Date : 2019-09-26 DOI: 10.1093/OSO/9780190949655.003.0004
J. P. Telotte
{"title":"Convergence and the Rhetoric of Scientifilm","authors":"J. P. Telotte","doi":"10.1093/OSO/9780190949655.003.0004","DOIUrl":"https://doi.org/10.1093/OSO/9780190949655.003.0004","url":null,"abstract":"Abstract: Film, Francesco Casetti argues, provided a common “field of convergence for different dimensions” of the popular imagination in the early twentieth century. We can see evidence of the extent of that “convergence” in the sort of discourse that unfolded in various other internal features of the pulps. Editorials, readers’ letters, and film reviews converge to demonstrate a sense of enthusiasm about the ability of films to supplement the work of SF by visualizing or realizing the genre’s ideas for reshaping the world and the self. That enthusiasm would bring repeated calls for the film industry to produce more SF-themed films, even to adapt favorite stories from the pulps. But as reviews of SF films began to proliferate in the pulps, particularly in the late 1930s, they would increasingly attest to a frustration or dissatisfaction with the sense of reality that was being achieved by the SF film and point to a rift beginning between the films and the world of SF literature.","PeriodicalId":430776,"journal":{"name":"Movies, Modernism, and the Science Fiction Pulps","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130996730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Pulps in the Consumer’s Republic 消费者共和国的纸浆
Movies, Modernism, and the Science Fiction Pulps Pub Date : 2019-09-26 DOI: 10.1093/OSO/9780190949655.003.0002
J. P. Telotte
{"title":"The Pulps in the Consumer’s Republic","authors":"J. P. Telotte","doi":"10.1093/OSO/9780190949655.003.0002","DOIUrl":"https://doi.org/10.1093/OSO/9780190949655.003.0002","url":null,"abstract":"Abstract: Chapter 2 considers the sort of advertising typically found in the SF pulps. During the formative pre-war years, advertising was seldom about the movies, but it frequently implicated and even exploited a developing film consciousness in the pulp readership. And although some have argued that, in comparison to the numerous “slick” magazines of the period, advertising was not very important to the pulps, this chapter argues otherwise, particularly noting the various film-related ads that were common to all the SF magazines, including education in film-related occupations; placement of film scripts; opportunities for screen tests; and films, cameras, and projectors that were already being marketed to the pulp readers. Those readers were seen as part of what Lizabeth Cohen has termed the new “Consumer’s Republic” of America, with its tastes and desires in consumption already being partly shaped by their experience of the new modernist art of the movies.","PeriodicalId":430776,"journal":{"name":"Movies, Modernism, and the Science Fiction Pulps","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127294463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Real Thing 真实的东西
Movies, Modernism, and the Science Fiction Pulps Pub Date : 2019-08-22 DOI: 10.1093/OSO/9780190949655.003.0003
J. P. Telotte
{"title":"The Real Thing","authors":"J. P. Telotte","doi":"10.1093/OSO/9780190949655.003.0003","DOIUrl":"https://doi.org/10.1093/OSO/9780190949655.003.0003","url":null,"abstract":"Abstract: Chapter Three traces out how film and a filmic consciousness entered into the fiction that was, ostensibly, the SF pulps’ primary reason for existence. It begins by recognizing the extent to which a cinematic rhetoric filtered into SF writing, which readily drew metaphors, similes, and key images or references from the world of the movies. The chapter then considers how film technology—cameras, sound recording devices, screens, etc.—took a place alongside other sorts of fascinating modern technology as proper subjects for SF narratives. Finally, it examines a variety of the stories that focus specifically on the film industry—of the present and the future—with a special emphasis on the work of neglected SF author Henry Kuttner.","PeriodicalId":430776,"journal":{"name":"Movies, Modernism, and the Science Fiction Pulps","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126324906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cover Stories 封面故事
Movies, Modernism, and the Science Fiction Pulps Pub Date : 2019-08-22 DOI: 10.1093/oso/9780190949655.003.0005
J. P. Telotte
{"title":"Cover Stories","authors":"J. P. Telotte","doi":"10.1093/oso/9780190949655.003.0005","DOIUrl":"https://doi.org/10.1093/oso/9780190949655.003.0005","url":null,"abstract":"Abstract: One of the most famous aspects of early pulps such as Amazing, Astounding, and Wonder Stories was their visually arresting covers, drawn by popular artists like Frank R. Paul, Howard V. Brown, and Hans Wesso. This chapter examines how those covers, as well as the magazines’ interior illustrations, drew on a kind of cinematic logic, with their style recalling that of movie posters, their images evoking the practices of movie-viewing, their subjects often including elements of film technology, and, late in the period, their designs even imitating specific films or film images. Like the movies, these illustrations drew readers out of their everyday experience, while starkly visualizing the ability of both the SF and cinematic imaginations to let us see other worlds, other beings, and other technologies.","PeriodicalId":430776,"journal":{"name":"Movies, Modernism, and the Science Fiction Pulps","volume":"22 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125685764","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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