{"title":"Of War and Beyond","authors":"J. P. Telotte","doi":"10.1093/OSO/9780190949655.003.0006","DOIUrl":null,"url":null,"abstract":"Abstract: As a conclusion, this chapter considers how the impact of that popular cinematic imagination changed during the war and immediate post-war years, that is, in the lead-up to SF’s coming of age in the 1950s, a coming of age that would be accompanied by film’s own explosion of SF narratives. The chapter argues that film had, during this period, become much more of a cultural “given,” a fact of life, and one that no longer evoked the same sort of SF-like “wonder” that it had during the pre-war era. While still visible in the rhetoric of SF and to a lesser extent in story content, film and the film industry would increasingly move in a different direction in this time, with SF literature, in both its pulp and hardcover forms, finding a new significance and respectability, while that burgeoning SF cinema would struggle to achieve a similarly respectable status.","PeriodicalId":430776,"journal":{"name":"Movies, Modernism, and the Science Fiction Pulps","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Movies, Modernism, and the Science Fiction Pulps","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780190949655.003.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract: As a conclusion, this chapter considers how the impact of that popular cinematic imagination changed during the war and immediate post-war years, that is, in the lead-up to SF’s coming of age in the 1950s, a coming of age that would be accompanied by film’s own explosion of SF narratives. The chapter argues that film had, during this period, become much more of a cultural “given,” a fact of life, and one that no longer evoked the same sort of SF-like “wonder” that it had during the pre-war era. While still visible in the rhetoric of SF and to a lesser extent in story content, film and the film industry would increasingly move in a different direction in this time, with SF literature, in both its pulp and hardcover forms, finding a new significance and respectability, while that burgeoning SF cinema would struggle to achieve a similarly respectable status.