Of War and Beyond

J. P. Telotte
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Abstract

Abstract: As a conclusion, this chapter considers how the impact of that popular cinematic imagination changed during the war and immediate post-war years, that is, in the lead-up to SF’s coming of age in the 1950s, a coming of age that would be accompanied by film’s own explosion of SF narratives. The chapter argues that film had, during this period, become much more of a cultural “given,” a fact of life, and one that no longer evoked the same sort of SF-like “wonder” that it had during the pre-war era. While still visible in the rhetoric of SF and to a lesser extent in story content, film and the film industry would increasingly move in a different direction in this time, with SF literature, in both its pulp and hardcover forms, finding a new significance and respectability, while that burgeoning SF cinema would struggle to achieve a similarly respectable status.
战争与超越
摘要:作为结论,本章探讨了在战争期间和战后的几年里,流行的电影想象力的影响是如何变化的,也就是说,在20世纪50年代科幻小说成熟之前,这一成熟将伴随着电影本身的爆炸。这一章认为,在这一时期,电影已经更多地成为一种文化“给予”,一种生活的事实,它不再像战前时代那样唤起科幻小说般的“奇迹”。虽然在科幻小说的修辞和故事内容上仍然可见,但电影和电影工业在这段时间里将越来越多地朝着不同的方向发展,科幻文学,无论是纸浆还是精装形式,都找到了新的意义和尊重,而新兴的科幻电影将努力达到同样受人尊敬的地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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