The Pulps in the Consumer’s Republic

J. P. Telotte
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Abstract

Abstract: Chapter 2 considers the sort of advertising typically found in the SF pulps. During the formative pre-war years, advertising was seldom about the movies, but it frequently implicated and even exploited a developing film consciousness in the pulp readership. And although some have argued that, in comparison to the numerous “slick” magazines of the period, advertising was not very important to the pulps, this chapter argues otherwise, particularly noting the various film-related ads that were common to all the SF magazines, including education in film-related occupations; placement of film scripts; opportunities for screen tests; and films, cameras, and projectors that were already being marketed to the pulp readers. Those readers were seen as part of what Lizabeth Cohen has termed the new “Consumer’s Republic” of America, with its tastes and desires in consumption already being partly shaped by their experience of the new modernist art of the movies.
消费者共和国的纸浆
摘要:第二章探讨了科幻纸浆中常见的广告类型。在战前的形成时期,广告很少是关于电影的,但它经常暗示甚至利用纸浆读者中正在发展的电影意识。尽管有些人认为,与那个时期众多的“光滑”杂志相比,广告对纸浆并不是很重要,但本章的观点与此相反,特别是注意到各种与电影相关的广告在所有科幻杂志中都很常见,包括电影相关职业的教育;放置电影剧本;试镜机会;胶卷、照相机和投影仪已经被推销给了纸浆读者。这些读者被视为伊丽莎白·科恩(elizabeth Cohen)所称的美国新“消费者共和国”的一部分,他们对新现代主义电影艺术的体验已经在一定程度上塑造了他们的消费品味和欲望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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