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The Master and His Camera- Joco Žnidaršič: Tito and the Camera 大师和他的相机- Joco Žnidaršič:铁托和相机
IF 0.2 1区 艺术学
MASTER DRAWINGS Pub Date : 2020-01-01 DOI: 10.47659/m9.004.rev
Jaka Gerčar
{"title":"The Master and His Camera- Joco Žnidaršič: Tito and the Camera","authors":"Jaka Gerčar","doi":"10.47659/m9.004.rev","DOIUrl":"https://doi.org/10.47659/m9.004.rev","url":null,"abstract":"Among older generations within the territory of former Yugoslavia, May 25th is still remembered as Youth Day; the holiday that once marked the birthday of the federation’s life-long leader, Marshal Tito. An exhibition of Tito as a photographer by his personal photographer Joco Žnidaršič opened on May 25th, 2020 at Galerija Fotografija in Ljubljana – incidentally, just a few kilometres away from the hospital where Tito had died exactly four decades ago on May 4, 1980.","PeriodicalId":43077,"journal":{"name":"MASTER DRAWINGS","volume":"13 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76672716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Behind the Figure of the Master Lies the Threat of Death” - How Hegel Cut into the History of Sovereignty: Interview with Mladen Dolar “大师的形象背后隐藏着死亡的威胁”——黑格尔如何切入主权的历史:对拉登·美元的访谈
IF 0.2 1区 艺术学
MASTER DRAWINGS Pub Date : 2020-01-01 DOI: 10.47659/m9.012.int
Luka Savić, Mladen Dolar
{"title":"“Behind the Figure of the Master Lies the Threat of Death” - How Hegel Cut into the History of Sovereignty: Interview with Mladen Dolar","authors":"Luka Savić, Mladen Dolar","doi":"10.47659/m9.012.int","DOIUrl":"https://doi.org/10.47659/m9.012.int","url":null,"abstract":"In the chapter “Self-consciousness”, found in his most important work The Phenomenology of Spirit (1807), Hegel presents his famous thesis on the master-slave dialectic. The relationship between the two is reciprocal as one’s self-consciousness is acknowledged only through the other’s self-consciousness. In a combat relation, one of these self-consciousness’s gives way, while the other rises from the fight as a master. The idea of a master-slave dialectic was one of Hegel’s most influential ones; most notably, it inspired Marx in his formulation of the historical struggle between the bourgeoisie and the proletariat. Much later, Kojève pointed out that Marx, in his formulation, omitted a key element found in Hegel’s equation: knowledge/truth is always on the side of the slave/proletariat. This gap that influenced the great French thinkers could not have come at a better time. Following the French Revolution, the structure of sovereignty changed radically, as the new social structures required a different kind of sovereignty. Up until the times of Freud, who witnessed the last “true” monarch, Franz Joseph, the remaining powerful father figures were slowly losing their power. The disappearance of traditional authorities provoked changes in the social structure. Society became mediatized hand in hand with political populism, however, this mediatization received its antipode in modern art.  Keywords: Hegel, dialectic, domination, modernity, mediatization","PeriodicalId":43077,"journal":{"name":"MASTER DRAWINGS","volume":"20 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73263697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Gift, and Especially the Obligation to Return It - Jasmina Cibic’ Foundation of Endeavour 礼物，尤其是归还的义务——贾斯米娜·西比克的“奋进基金会”
IF 0.2 1区 艺术学
MASTER DRAWINGS Pub Date : 2020-01-01 DOI: 10.47659/m9.018.rev
Jaka Gerčar
{"title":"The Gift, and Especially the Obligation to Return It - Jasmina Cibic’ Foundation of Endeavour","authors":"Jaka Gerčar","doi":"10.47659/m9.018.rev","DOIUrl":"https://doi.org/10.47659/m9.018.rev","url":null,"abstract":"Foundation of Endeavour centres on Jasmina Cibic’s ongoing investigation into the idea of political gifts of culture, exploring their role within national and political structures during moments of European crisis in the 20th century. The exhibition in the Museum of Contemporary Art in Ljubljana (MSUM), curated by Igor Španjol, comprises several of Cibic’s recent works: All the Power that Melts into Noise, Foundation of Endeavour, The Spirit of Our Needs, and the 20’ art film project The Gift. The author argues that the multipartite exhibition succeeds in conveying often overlooked manifestations of “soft power” formidably well, thus shedding light onto the historical, anthropological and sociological facets of political gifts and also suggesting relevant considerations on the significance of notions such as “public art”, “internationalism”, and “national culture”.","PeriodicalId":43077,"journal":{"name":"MASTER DRAWINGS","volume":"9 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74448069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Velázquez to Bloomberg 2020: The Portrait as a Representation of Power 从Velázquez到彭博2020:作为权力代表的肖像
IF 0.2 1区 艺术学
MASTER DRAWINGS Pub Date : 2020-01-01 DOI: 10.47659/m9.088.art
J. Amorim
{"title":"From Velázquez to Bloomberg 2020: The Portrait as a Representation of Power","authors":"J. Amorim","doi":"10.47659/m9.088.art","DOIUrl":"https://doi.org/10.47659/m9.088.art","url":null,"abstract":"When one visits the rooms dedicated to Velásquez in the Museum of Prado, it is extraordinary how portraits of kings and those of jesters and peasants are laid side-by-side. The nobility and dignity given to the lower members of the court exemplifies an early example of a revolution in the politics of representation. In the antipodes of this example, we analyse how the campaign of the millionaire Michael Bloomberg to be the Democratic Candidate for the 2020 elections hired companies to produce nonsense memes and digital propaganda. Our hypothesis is that on the center of its strategy the goal was to create an image of Bloomberg that besides viral would be relatable and humorous. The article overviews the evolution of the portrait as an element of political of representation and reflects on how the development of modern and contemporary art transformed the art of political portraiture. Furthermore it deliberates on the two-way appropriation of representation techniques between art movements and political movements. Keywords: Politics of representation, digital propaganda, Diego Velázquez, Michael Bloomberg, aestheticization of politics","PeriodicalId":43077,"journal":{"name":"MASTER DRAWINGS","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83102945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What Renders the Master’s House Unrecognizable? An Interview with Kajri Jain 是什么让大师的房子变得无法辨认?采访Kajri Jain
IF 0.2 1区 艺术学
MASTER DRAWINGS Pub Date : 2020-01-01 DOI: 10.47659/m9.096.int
Alisha Sett, Kajri Jain
{"title":"What Renders the Master’s House Unrecognizable? An Interview with Kajri Jain","authors":"Alisha Sett, Kajri Jain","doi":"10.47659/m9.096.int","DOIUrl":"https://doi.org/10.47659/m9.096.int","url":null,"abstract":"I spoke with Kajri Jain over Zoom during the early days of the pandemic in 2020. Our conversation began with a discussion of her early fieldwork in the bazaars in India, probing into Jain’s own education and formative experiences. It then detoured into a critical unpacking of art history’s “sacred cows’, the need to fundamentally rethink the discipline’s deep intertwining with colonialism, and the many forms of baggage that non-Western art historians must carry on their shoulders. Jain’s suspicion of medium specific approaches led to a productive dialogue about anthropologist Michael Taussig’s work, theory fetishism, and several facets of contemporary photography in South Asia. We agreed about the need to continue to critique an elitist discourse that misunderstands the importance of religion, and the embedded nature of caste, in any reading of aesthetics and mass culture in the subcontinent. Ending with the question of how to decolonize, provincialize and globalize when engaged in pedagogy, Jain left us with much to contemplate. Keywords: visual anthropology, art history and decolonialization, Indian aesthetics, secularism and religion","PeriodicalId":43077,"journal":{"name":"MASTER DRAWINGS","volume":"6 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75203744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Negative Thinking - A History of the Photographic Negative as a Repressed Other: Conversation with Geoffrey Batchen 消极思考——摄影底片作为被压抑的他者的历史:与杰弗里·巴琴对话
IF 0.2 1区 艺术学
MASTER DRAWINGS Pub Date : 2020-01-01 DOI: 10.47659/m9.106.int
Olena Chervonik, G. Batchen
{"title":"Negative Thinking - A History of the Photographic Negative as a Repressed Other: Conversation with Geoffrey Batchen","authors":"Olena Chervonik, G. Batchen","doi":"10.47659/m9.106.int","DOIUrl":"https://doi.org/10.47659/m9.106.int","url":null,"abstract":"Olena Chervonik talks with Geoffrey Batchen about his two most recent publications: Apparitions: Photography and Dissemination, that reached bookshelves in 2018, and Negative/Positive: A History of Photography, slated for release later in 2020. The conversation revolves around the photographic condition of reproducibility, repetition and difference, embedded in the medium from the time of its inception. While Apparitions explores photography’s relation to various newsprint outlets of the nineteenth century, Negative/Positive traces a comprehensive history of the medium’s propensity for multiplication, predicated on the dependence of photographs on the function of a negative, which, according to Batchen, seems to be a repressed Other in photographic history. A vehicle that enables reproducibility, a photographic negative is rarely discussed in critical literature and even more rarely reproduced or featured in the exhibition space. Batchen ponders this occlusion of a medium’s critical component, suggesting that a negative is linked to photography’s operation as capitalist mode of production. By omitting to profile a negative, we naturalize capitalism’s operational logic – a condition that clearly needs to be upset by directing a critical, revelatory, and thus politically engaged spotlight on photography’s predilection for image massification. Keywords: photography, negative, reproducibility, commodification, massification, capitalism, politics of resistance","PeriodicalId":43077,"journal":{"name":"MASTER DRAWINGS","volume":"66 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76674067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Master as a Transnational Figure: Jawaharlal Nehru in The Soviet Union 大师作为一个跨国人物:贾瓦哈拉尔·尼赫鲁在苏联
IF 0.2 1区 艺术学
MASTER DRAWINGS Pub Date : 2020-01-01 DOI: 10.47659/m9.078.art
Krupa Desai
{"title":"The Master as a Transnational Figure: Jawaharlal Nehru in The Soviet Union","authors":"Krupa Desai","doi":"10.47659/m9.078.art","DOIUrl":"https://doi.org/10.47659/m9.078.art","url":null,"abstract":"India’s Independence from the colonial rule saw the nation’s first Prime Minister Jawaharlal Nehru emerge as a powerful visual presence. At the peak of his popularity, in June 1955, he made a highly publicised 16-day visit to the USSR. This visit, made in the backdrop of the Cold War and the impending Big Four Conference, was covered in detail by the Indian and foreign press, as well as both government’s official photographers and camerapersons. Paper addresses an official album made after this iconic visit to investigate the role of photography within India-Soviet diplomatic networks. Casting Nehru as the Master persona, it delves into the function of photography in recasting his image as an international traveller, a crusader for peace, a negotiator, and a friend of the Soviet. Considering India’s and Soviet’s differing political stance and international position in that period, the article questions what does the presence of these official photographs reveal about emerging trans-national networks and if there were there any deviations in this careful reconstruction of the Master and his ally. Keywords: Nehru, photography album, diplomatic visit, Soviet Union","PeriodicalId":43077,"journal":{"name":"MASTER DRAWINGS","volume":"30 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82775880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Kind Master is Petting Puppies - Transmutation of the Simplified Populist Rhetoric into Instagram Photography 善良的主人正在抚摸小狗——将简化的民粹主义修辞转化为Instagram摄影
IF 0.2 1区 艺术学
MASTER DRAWINGS Pub Date : 2020-01-01 DOI: 10.47659/m9.028.ess
Teja Miholič
{"title":"The Kind Master is Petting Puppies - Transmutation of the Simplified Populist Rhetoric into Instagram Photography","authors":"Teja Miholič","doi":"10.47659/m9.028.ess","DOIUrl":"https://doi.org/10.47659/m9.028.ess","url":null,"abstract":"The communication power of the social network Instagram is important to address due to its relaxed nature of presenting details from the ordinary lives of individuals. A comparison of the manners in which influencers and politicians represent themselves brings to front a changed dynamic of social power, as it is available online to anyone who can persuade followers to identify with them or to wish to do so in the future. Two ways of identification with an influencer are assumed, namely increasing and decreasing of distance between them and their followers. The text focuses on the latter, where politicians approach the people by showing the banality of their everyday lives. After reviewing the profiles of two Slovenian politicians, a noticeable pattern is that they most often do so with photographs of puppies and kittens. Keywords: populists’ rhetoric, master, Instagram, politics, pets, selfie","PeriodicalId":43077,"journal":{"name":"MASTER DRAWINGS","volume":"62 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76600818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Arousal and Elicitation: Photographic Performativity in FinDom 唤醒与启发:芬兰的摄影表演
IF 0.2 1区 艺术学
MASTER DRAWINGS Pub Date : 2020-01-01 DOI: 10.47659/m9.070.art
N. Yang
{"title":"Arousal and Elicitation: Photographic Performativity in FinDom","authors":"N. Yang","doi":"10.47659/m9.070.art","DOIUrl":"https://doi.org/10.47659/m9.070.art","url":null,"abstract":"Financial domination (findom) is a fetish practice in which a submissive derives erotic pleasure from sending money to a dominant or a cashmaster. Cashmasters produce photographs meant to elicit this desire in cashslaves, essentially arousing the desire to send money. This essay approaches this emergent genre of seemingly self-promotional photography as a genre of photographic performativity (Levin 2009). Rather than the desire to capture or represent (Batchen 1999), these images evidence a choreography of photographic performativity including both masters (as makers) and slaves (as viewers). Though the compliance with form and economic practice tempts the interpretation that masters are now slaves, this essay suggests that these images invite performances of domination, submission, and critique into wider performatives of arousal and elicitation. What critics and social analysts perceive as power (economic, erotic, or otherwise) are, in fact, desire at its seams, in the process of active and cooperative composition. Keywords: desire, fetish, photographic performativity, critique, masculinity, financial domination","PeriodicalId":43077,"journal":{"name":"MASTER DRAWINGS","volume":"63 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78843009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Image Deities and Devotees 形象的神和信徒
IF 0.2 1区 艺术学
MASTER DRAWINGS Pub Date : 2020-01-01 DOI: 10.47659/m9.036.ess
Balaji Maheshwar, K. Subramanian
{"title":"Image Deities and Devotees","authors":"Balaji Maheshwar, K. Subramanian","doi":"10.47659/m9.036.ess","DOIUrl":"https://doi.org/10.47659/m9.036.ess","url":null,"abstract":"Maruthar Gopalan Ramachandran (popularly known as MGR) was the Chief Minister of Tamil Nadu between 1977 and 1987. But before his famous tenure as a politician began, MGR had already cemented himself in the Tamil imagination through decades of playing the hero-saviour in blockbuster Tamil films, a suite of movies still re-watched with veneration today. Half a century prior to the pervasive social media environment we inhabit today, that turns on an equivalence between image and self, figures like MGR consciously used their star status to convert a fan following into a voter base. In this conversation, Balaji Maheshwar and Karthik Subramanian, two photographers from Tamil Nadu who are both making work exploring MGR’s legacy, open up questions around image worship, image deities and devotees, and the role of cinema in shaping our most intimate memories. Keywords: Maruthar Gopalan Ramachandran, Jayaram Jayalalitha, Tamil cinema, image worship, MGR fan clubs","PeriodicalId":43077,"journal":{"name":"MASTER DRAWINGS","volume":"83 3 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80070354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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