“Behind the Figure of the Master Lies the Threat of Death” - How Hegel Cut into the History of Sovereignty: Interview with Mladen Dolar

IF 0.1 1区 艺术学 0 ART
Luka Savić, Mladen Dolar
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Abstract

In the chapter “Self-consciousness”, found in his most important work The Phenomenology of Spirit (1807), Hegel presents his famous thesis on the master-slave dialectic. The relationship between the two is reciprocal as one’s self-consciousness is acknowledged only through the other’s self-consciousness. In a combat relation, one of these self-consciousness’s gives way, while the other rises from the fight as a master. The idea of a master-slave dialectic was one of Hegel’s most influential ones; most notably, it inspired Marx in his formulation of the historical struggle between the bourgeoisie and the proletariat. Much later, Kojève pointed out that Marx, in his formulation, omitted a key element found in Hegel’s equation: knowledge/truth is always on the side of the slave/proletariat. This gap that influenced the great French thinkers could not have come at a better time. Following the French Revolution, the structure of sovereignty changed radically, as the new social structures required a different kind of sovereignty. Up until the times of Freud, who witnessed the last “true” monarch, Franz Joseph, the remaining powerful father figures were slowly losing their power. The disappearance of traditional authorities provoked changes in the social structure. Society became mediatized hand in hand with political populism, however, this mediatization received its antipode in modern art.  Keywords: Hegel, dialectic, domination, modernity, mediatization
“大师的形象背后隐藏着死亡的威胁”——黑格尔如何切入主权的历史:对拉登·美元的访谈
在他最重要的著作《精神现象学》(1807)中的“自我意识”一章中,黑格尔提出了他著名的关于主仆辩证法的论点。两者之间的关系是相互的,因为一个人的自我意识只有通过另一个人的自我意识才能得到承认。在战斗关系中,其中一种自我意识让步,而另一种自我意识则以主人的身份从战斗中崛起。主仆辩证法是黑格尔最具影响力的思想之一;最值得注意的是,它启发了马克思关于资产阶级和无产阶级之间的历史斗争的构想。很久以后,koj指出,马克思在他的公式中忽略了在黑格尔的等式中发现的一个关键因素:知识/真理总是站在奴隶/无产阶级一边。这一影响了法国伟大思想家的鸿沟出现的时机再好不过了。法国大革命之后,主权结构发生了根本性的变化,因为新的社会结构需要一种不同的主权。直到弗洛伊德时代,他见证了最后一位“真正的”君主弗朗茨·约瑟夫,剩下的强大的父亲形象正在慢慢失去他们的权力。传统权威的消失引起了社会结构的变化。社会随着政治民粹主义而被媒介化,然而,这种媒介化在现代艺术中得到了它的对立面。关键词:黑格尔,辩证法,统治,现代性,媒介化
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