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IF 0.3 2区 文学
Romanticism Pub Date : 2022-04-01 DOI: 10.3366/rom.2022.0531
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引用次数: 0
Deborah Weiss The Female Philosopher and her Afterlives: Mary Wollstonecraft, the British Novel, and the Transformation of Feminism, 1796–1811 《女哲学家和她的来世:玛丽·沃斯通克拉夫特、英国小说和女权主义的转变，1796-1811》
IF 0.3 2区 文学
Romanticism Pub Date : 2022-04-01 DOI: 10.3366/rom.2022.0543
J. Wharton
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引用次数: 0
Polidori’s ‘The Vampyre’: Composition, Publication, Deception 波利多利的《吸血鬼》:创作、出版、欺骗
IF 0.3 2区 文学
Romanticism Pub Date : 2022-04-01 DOI: 10.3366/rom.2022.0536
Nick Groom
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引用次数: 0
‘Less gross than bodily’: Berkeleian Idealism in ‘This Lime-Tree Bower my Prison’ “没有身体那么恶心”：《这棵酸橙树在监狱里》中的伯克利理想主义
IF 0.3 2区 文学
Romanticism Pub Date : 2022-04-01 DOI: 10.3366/rom.2022.0534
Jacob Lloyd
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引用次数: 0
A Bookish Intervention: Thomas Bewick’s British Birds and the Reconfiguration of Illustrated Natural History 书卷气的介入:托马斯·比威克的《英国鸟类》和绘本自然史的重新配置
IF 0.3 2区 文学
Romanticism Pub Date : 2022-04-01 DOI: 10.3366/rom.2022.0538
I. Ferris
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引用次数: 0
Richard Marggraf Turley Keats’s Places Richard Marggraf Turley济慈故居
IF 0.3 2区 文学
Romanticism Pub Date : 2022-04-01 DOI: 10.3366/rom.2022.0540
R. Jarvis
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引用次数: 0
Richard C. Sha Imagination and Science in Romanticism 《浪漫主义中的想象与科学》
IF 0.3 2区 文学
Romanticism Pub Date : 2022-04-01 DOI: 10.3366/rom.2022.0542
Kurtis Hessel
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引用次数: 0
Emily Senior The Caribbean and the Medical Imagination, 1764–1834: Slavery, Disease and Colonial Modernity and Nikki Hessell Romantic Literature and the Colonised World: Lessons from Indigenous Translations 《加勒比和医学想象，1764-1834:奴隶制、疾病和殖民现代性》和《浪漫主义文学和殖民世界:来自土著翻译的教训》
IF 0.3 2区 文学
Romanticism Pub Date : 2022-04-01 DOI: 10.3366/rom.2022.0541
D. Coleman
{"title":"Emily Senior The Caribbean and the Medical Imagination, 1764–1834: Slavery, Disease and Colonial Modernity and Nikki Hessell Romantic Literature and the Colonised World: Lessons from Indigenous Translations","authors":"D. Coleman","doi":"10.3366/rom.2022.0541","DOIUrl":"https://doi.org/10.3366/rom.2022.0541","url":null,"abstract":"","PeriodicalId":42939,"journal":{"name":"Romanticism","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48804140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Neoclassical Wordsworth 新古典主义华兹华斯
IF 0.3 2区 文学
Romanticism Pub Date : 2022-04-01 DOI: 10.3366/rom.2022.0535
B. Graver
{"title":"Neoclassical Wordsworth","authors":"B. Graver","doi":"10.3366/rom.2022.0535","DOIUrl":"https://doi.org/10.3366/rom.2022.0535","url":null,"abstract":"This essay looks at Wordsworth’s ‘Laodamía’ as an example of a neoclassical phase that his writings took, beginning in 1814 and continuing for about a decade. I examine Wordsworth’s verse form, an adaptation of the stanza Shakespeare used in ‘Venus and Adonis’, and also look at the ways in which he modifies his classical sources, especially Ovid’s Heroides xiii. The essay then considers the style of the poem, especially how Wordsworth incorporates translations and paraphrases of passages from Virgil’s Aeneid, which is itself one of his classical sources. The essay ends with an analysis of the revisions he made, over several years, to the conclusion of the poem.","PeriodicalId":42939,"journal":{"name":"Romanticism","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46958272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Far more deeply interfused’: ‘Tintern Abbey’ between Burkean and Kantian Sublimity “更加深入地融合”:《丁丁修道院》介于伯克和康德的崇高
IF 0.3 2区 文学
Romanticism Pub Date : 2022-04-01 DOI: 10.3366/rom.2022.0533
Tim Sommer
{"title":"‘Far more deeply interfused’: ‘Tintern Abbey’ between Burkean and Kantian Sublimity","authors":"Tim Sommer","doi":"10.3366/rom.2022.0533","DOIUrl":"https://doi.org/10.3366/rom.2022.0533","url":null,"abstract":"This essay traces the presence of eighteenth-century aesthetics in Wordsworth’s ‘Tintern Abbey’. It argues that the poem’s use of the term ‘sublime’ is more than just accidental. Rather than merely rehearsing a contemporary aesthetic commonplace, Wordsworth’s references to the sublime are intertextually linked to two eighteenth-century models of the concept, the one outlined in Edmund Burke’s A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757), the other developed in Immanuel Kant’s Critique of Judgement (1790). Proceeding from a delineation of the Burkean and Kantian semantics of sublimity and a reading of their reverberations in Wordsworth’s prose fragment ‘The Sublime and the Beautiful’, the essay suggests that ‘Tintern Abbey’ juxtaposes a sensationist sublime modelled on Burke’s Enquiry with the intellectualist understanding of the term formulated in Kant’s third Critique.","PeriodicalId":42939,"journal":{"name":"Romanticism","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45116502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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