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Haggard and woe-begone: The Arundels’ Tomb and John Keats’s ‘La Belle Dame Sans Merci’ 憔悴和悲伤:阿伦德尔的坟墓和约翰·济慈的《美丽的Dame Sans Merci》
IF 0.3 2区 文学
Romanticism Pub Date : 2022-07-01 DOI: 10.3366/rom.2022.0551
Richard Marggraf Turley, Jennifer S. Squire
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引用次数: 0
Keats’s Noises Off 济慈的喧嚣
IF 0.3 2区 文学
Romanticism Pub Date : 2022-07-01 DOI: 10.3366/rom.2022.0548
S. Perry
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引用次数: 0
Jonathan Mulrooney Romanticism and Theatrical Experience: Kean, Hazlitt, and Keats in the Age of Theatrical News 浪漫主义与戏剧经验:戏剧新闻时代的基恩、黑兹利特和济慈
IF 0.3 2区 文学
Romanticism Pub Date : 2022-07-01 DOI: 10.3366/rom.2022.0555
D. Taylor
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引用次数: 0
‘Patient Travail’: Keats and Samson Agonistes “耐心的痛苦”:济慈和参孙阿冈尼司提斯
IF 0.3 2区 文学
Romanticism Pub Date : 2022-07-01 DOI: 10.3366/rom.2022.0549
Meiko O’Halloran
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引用次数: 0
Beatrice Turner Romantic Childhood, Romantic Heirs: Reproduction and Retrospection, 1820–1850 比阿特丽斯·特纳浪漫的童年，浪漫的继承人:再现与回顾，1820-1850
IF 0.3 2区 文学
Romanticism Pub Date : 2022-07-01 DOI: 10.3366/rom.2022.0558
Joanna E. Taylor
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引用次数: 0
From Cloudy Trophies to Quiet Power: Keats’s Hyperions, the 1819 Odes, and Michael O’Neill’s Late Poetry 从多云的奖杯到安静的力量:济慈的海伯利翁，1819年的颂歌，和迈克尔·奥尼尔的晚期诗歌
IF 0.3 2区 文学
Romanticism Pub Date : 2022-07-01 DOI: 10.3366/rom.2022.0550
H. Thomson
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引用次数: 0
Sap(p)hos and Phaons: Robert Merry, Mary Robinson and the Romantic History of the Lesbian Poet 萨普(p)霍斯和Phaons:罗伯特·梅里，玛丽·罗宾逊和女同性恋诗人的浪漫史
IF 0.3 2区 文学
Romanticism Pub Date : 2022-04-01 DOI: 10.3366/rom.2022.0539
C. Knowles
{"title":"Sap(p)hos and Phaons: Robert Merry, Mary Robinson and the Romantic History of the Lesbian Poet","authors":"C. Knowles","doi":"10.3366/rom.2022.0539","DOIUrl":"https://doi.org/10.3366/rom.2022.0539","url":null,"abstract":"Robert Merry is now infamous as the ringleader of the Della Cruscan school of poets, whose poetry, nurtured in the pages of newspapers like the World and the Oracle, became something of a phenomenon in the 1780s and 90s. In 1783, however, he was just another young British dilettante in Florence whose first book Poems by R***** M**** (Florence, 1783) appears to have made little impact on the literary scene. In this essay, I examine a poem from this collection, ‘Sapho to Phaon: an Epistle’, and suggest that it is quite possible this early poem of Merry’s was an influence on Mary Robinson’s far more famous sonnet sequence, Sappho and Phaon (1796). Sappho and Phaon is typically regarded as Robinson’s most accomplished and overtly feminist works; the virtual antithesis of her ephemeral Della Cruscan productions. This essay suggests, however, that the sequence might also be seen productively as a continuation of the poet’s intertextual dialogue with Robert Merry. Viewed in this light, Sappho and Phaon’s Della Cruscan legacy becomes clear.","PeriodicalId":42939,"journal":{"name":"Romanticism","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44293193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘A sense sublime’: The Harmony of Hearing and Re-Hearing in Wordsworth’s ‘Tintern Abbey’ “崇高感”：华兹华斯《廷特恩修道院》中听觉与听觉的和谐
IF 0.3 2区 文学
Romanticism Pub Date : 2022-04-01 DOI: 10.3366/rom.2022.0532
Yimon Lo
{"title":"‘A sense sublime’: The Harmony of Hearing and Re-Hearing in Wordsworth’s ‘Tintern Abbey’","authors":"Yimon Lo","doi":"10.3366/rom.2022.0532","DOIUrl":"https://doi.org/10.3366/rom.2022.0532","url":null,"abstract":"In a close reading of ‘Lines Written a Few Miles Above Tintern Abbey’, my article examines the poem’s musical quality that is central to our understanding of the theme of revisitation and memory. My article posits a significant coherence between readers’ aural involvement with the poem’s formal musicality and the poet-speaker’s own hearing and re-hearing experience within the poem. Situating the performative nature of ‘Tintern Abbey’ in relation to the theory of musical meaning and emotion inaugurated by music psychologist and philosopher, Leonard B. Meyer, my article presents a novel perspective on how the associative process of Wordsworth’s auditory memory shapes the poet’s unique definition and representation of harmony. By reading the poet’s associative auditory experience and the poem’s musical expressiveness as manifestations of the constructive tension between Wordsworth’s tragic consciousness and personal optimism, I argue that ‘Tintern Abbey’ does not create harmony by diminishing and dissipating dissonance, but by sounding and sustaining a range of possibilities and varieties.","PeriodicalId":42939,"journal":{"name":"Romanticism","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49169271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Front matter 前页
IF 0.3 2区 文学
Romanticism Pub Date : 2022-04-01 DOI: 10.3366/rom.2022.0531
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引用次数: 0
Deborah Weiss The Female Philosopher and her Afterlives: Mary Wollstonecraft, the British Novel, and the Transformation of Feminism, 1796–1811 《女哲学家和她的来世:玛丽·沃斯通克拉夫特、英国小说和女权主义的转变，1796-1811》
IF 0.3 2区 文学
Romanticism Pub Date : 2022-04-01 DOI: 10.3366/rom.2022.0543
J. Wharton
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引用次数: 0
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