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Alexander Freer, Wordsworth’s Unremembered Pleasure 亚历山大-弗里尔，《华兹华斯的难忘之乐
IF 0.3 2区 文学
Romanticism Pub Date : 2024-07-01 DOI: 10.3366/rom.2024.0652
Nick Dodd
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引用次数: 0
‘The poetry of earth is never dead’: Meteorology and Myth in Keats’s Grasshopper Sonnet 大地的诗歌永不逝去"：济慈《蚱蜢十四行诗》中的气象学与神话
IF 0.3 2区 文学
Romanticism Pub Date : 2024-07-01 DOI: 10.3366/rom.2024.0642
Noah Comet
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引用次数: 0
Fanny Brawne and Criticism 范妮-布朗恩与评论
IF 0.3 2区 文学
Romanticism Pub Date : 2024-07-01 DOI: 10.3366/rom.2024.0639
Anahid J. Nersessian
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引用次数: 0
On Seeing the Price of Keats’s Bread: or John Bull Buying the Elgin Marbles in a Time of Climate Crisis, 1816 论济慈面包的价格：或约翰-布尔在气候危机时期购买埃尔金大理石，1816 年
IF 0.3 2区 文学
Romanticism Pub Date : 2024-07-01 DOI: 10.3366/rom.2024.0643
Lauren Cooper
{"title":"On Seeing the Price of Keats’s Bread: or John Bull Buying the Elgin Marbles in a Time of Climate Crisis, 1816","authors":"Lauren Cooper","doi":"10.3366/rom.2024.0643","DOIUrl":"https://doi.org/10.3366/rom.2024.0643","url":null,"abstract":"This article situates John Keats’s 1817 sonnet ‘On Seeing the Elgin Marbles’ within the context of 1816–1819’s climate catastrophe and subsistence crisis. Countering received readings of Keats’s sonnet as about artistic vocation; I argue that it is more about the opportunity cost of expending public funds on ancient art during a climate-exacerbated economic crisis. This reading emerges by placing the poem in dialogue with a political cartoon by George Cruikshank, ‘ The Elgin Marbles! or John Bull buying stones at the time his numerous family want bread!!’ that critiques the British Government’s purchase of the Parthenon sculptures in these terms. I contend that both sonnet and cartoon stage the purchase of the sculptures not in terms of their artistic merits, but instead in terms of the opportunity cost of public relief and the potential ‘waste’ status of art in the face of a depressed labour market and skyrocketing grain prices.","PeriodicalId":42939,"journal":{"name":"Romanticism","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141699404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Publication of Hellas 希腊出版物
IF 0.3 2区 文学
Romanticism Pub Date : 2024-04-01 DOI: 10.3366/rom.2024.0630
Michael Rossington
{"title":"The Publication of Hellas","authors":"Michael Rossington","doi":"10.3366/rom.2024.0630","DOIUrl":"https://doi.org/10.3366/rom.2024.0630","url":null,"abstract":"This article considers the publication of Hellas, the last major poem of Shelley's that appeared in his lifetime. First, it focusses on the press-copy, the poem's most important textual witness (and arguably the basis of any modern edition), recovering from it a hitherto unnoticed but apparently authoritative reading. Second, it discusses Charles Ollier's unexpurgated edition, identifying passages that were removed from, or altered in, the first edition published in 1822. Third, it traces the gradual emergence of the suppressed passages in editions of the poem published between 1829 and 2002. Finally, with reference to ‘A Defence of Poetry’ and the first (authorised) posthumous edition of the poem, by Mary Shelley, published in 1839, it considers how the textual history of Hellas may illustrate Shelley's view that the meaning of a poem may not be realised in an author's lifetime. In her ‘Note on Hellas’ Mary Shelley appears to have identified the poem's awareness of itself as yet to be fully understood with a subtlety matched in the criticism of the late Michael O’Neill, one of Shelley's finest readers whose loss we continue to mourn.","PeriodicalId":42939,"journal":{"name":"Romanticism","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140352726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Madeleine Callaghan, Eternity in British Romantic Poetry Madeleine Callaghan，《英国浪漫主义诗歌中的永恒
IF 0.3 2区 文学
Romanticism Pub Date : 2024-04-01 DOI: 10.3366/rom.2024.0632
Jennifer G. Jesse
{"title":"Madeleine Callaghan, Eternity in British Romantic Poetry","authors":"Jennifer G. Jesse","doi":"10.3366/rom.2024.0632","DOIUrl":"https://doi.org/10.3366/rom.2024.0632","url":null,"abstract":"","PeriodicalId":42939,"journal":{"name":"Romanticism","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140355801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Brian McGrath, Look Round for Poetry: Untimely Romanticisms 布莱恩-麦格拉斯，《寻找诗歌》：不合时宜的浪漫主义
IF 0.3 2区 文学
Romanticism Pub Date : 2024-04-01 DOI: 10.3366/rom.2024.0634
Ewan Jones
{"title":"Brian McGrath, Look Round for Poetry: Untimely Romanticisms","authors":"Ewan Jones","doi":"10.3366/rom.2024.0634","DOIUrl":"https://doi.org/10.3366/rom.2024.0634","url":null,"abstract":"","PeriodicalId":42939,"journal":{"name":"Romanticism","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140356879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Queen Mab and the Origins of Economic Value 玛布王后与经济价值的起源
IF 0.3 2区 文学
Romanticism Pub Date : 2024-04-01 DOI: 10.3366/rom.2024.0629
Paul Stephens
{"title":"Queen Mab and the Origins of Economic Value","authors":"Paul Stephens","doi":"10.3366/rom.2024.0629","DOIUrl":"https://doi.org/10.3366/rom.2024.0629","url":null,"abstract":"Scholarship on Shelley’s economic thought has long acknowledged his embrace of the labour theory of value. This essay offers a more probing account of the poet’s investigations into the origins of economic value. Focusing on Queen Mab (1813), it situates Shelley’s value theory in relation to competing theories and examines his engagement with his cited sources, including works by Jean-Jacques Rousseau and William Godwin. It argues that Shelley moves beyond this work to encompass unacknowledged sources, including John Locke’s theory of property rights and Adam Smith’s discussion of value in the Wealth of Nations, enabling him to formulate his own version of the pure labour theory of value. The essay thus provides a richer examination of the philosophical foundations of Shelley’s early economic thought, connecting these ideas to aspects of his ethics and epistemology.","PeriodicalId":42939,"journal":{"name":"Romanticism","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140352993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
P. B. Shelley, George William Tighe, and the Irish Roots of ‘The Sensitive-Plant’ P.B. 雪莱、乔治-威廉-蒂格和《敏感的植物》的爱尔兰根源
IF 0.3 2区 文学
Romanticism Pub Date : 2024-04-01 DOI: 10.3366/rom.2024.0627
Elisa Cozzi
{"title":"P. B. Shelley, George William Tighe, and the Irish Roots of ‘The Sensitive-Plant’","authors":"Elisa Cozzi","doi":"10.3366/rom.2024.0627","DOIUrl":"https://doi.org/10.3366/rom.2024.0627","url":null,"abstract":"This essay investigates the literary exchanges between the Irish poet and agronomist George William Tighe and Percy Bysshe Shelley in Pisa, where the former lived with Margaret King Mount Cashell, alias ‘Mrs Mason’, a radical Irish writer and former pupil of Mary Wollstonecraft. After moving to Pisa in 1820, Shelley began daily visits to the Mason-Tighe household, sourcing from Tighe's library a wealth of reading material on agricultural chemistry and botany, alongside Irish political and historical titles. Tighe's previously unexamined papers showcase his interests in Irish and Italian literature, republicanism, botany, and agriculture and reveal his links with the Lunar Society of Birmingham. Taking as a case study the first poem Shelley composed in Pisa, I argue that Tighe's agricultural pursuits shaped Shelley's political and botanical imagination in ‘The Sensitive-Plant’ and exerted a significant influence on Shelley's later poetry as a whole.","PeriodicalId":42939,"journal":{"name":"Romanticism","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140356716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Thomas Medwin's Indian Journal and Shelley's ‘visioned wanderings’ 托马斯-梅德文的《印第安人日志》和雪莱的 "憧憬的漫游
IF 0.3 2区 文学
Romanticism Pub Date : 2024-04-01 DOI: 10.3366/rom.2024.0626
Natalie Tal Harries
{"title":"Thomas Medwin's Indian Journal and Shelley's ‘visioned wanderings’","authors":"Natalie Tal Harries","doi":"10.3366/rom.2024.0626","DOIUrl":"https://doi.org/10.3366/rom.2024.0626","url":null,"abstract":"In his final years, Shelley's primary sources of information on India were the first-hand accounts of his friends, starting with Thomas Medwin. Following his return from India, Medwin revived his friendship with Shelley and they engaged in a creative exchange of ideas, criticism, and encouragement which began in their correspondence of 1819–1820, and developed during Medwin's stay with the Shelleys in Pisa from October 1820 to February 1821. Medwin reads from his Indian Journal and entertains Shelley with tales of India during his visit. Shelley assists him with the revision and publication of his Indian poems and, in the latter half, they work concurrently on two projects – Shelley's Epipsychidion and Medwin's article on the temple caves of Ellora for the Bibliothèque Universelle, based on extracts from his journal. There are significant correspondences between the works of both writers during this period and their intertextual relationship will also be examined.","PeriodicalId":42939,"journal":{"name":"Romanticism","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140353512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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