{"title":"Tradición e hibridismo en la transmisión de la literatura española de los Siglos de Oro: géneros y formatos. Prólogo","authors":"Claudia Demattè, María Moya García","doi":"10.13035/h.2023.11.01.29","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.29","url":null,"abstract":"","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"55 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90656825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La virtud y la igualdad de oportunidades en unos tratados del Siglo de Oro y en Gracián","authors":"C. Strosetzki","doi":"10.13035/h.2023.11.01.64","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.64","url":null,"abstract":". What chances of advancement did someone from a lower class have in the Golden Age? What role do nobility, the military, crafts and farm work, soul and body play? What examples do ancient Rome, Juan Benito Guardiola, Francisco Miranda Villafant and Gracián offer? Does virtud in this context refer to morality or to goodness, efficiency, value and strength?","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82931155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Páginas previas de Hipogrifo 11.1, 2023","authors":"Mariela Insúa","doi":"10.13035/h.2023.11.01.01","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.01","url":null,"abstract":"","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135938407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Actualización de un perfil censor: Juan Navarro de Espinosa en la base de datos CLEMIT","authors":"Jorge Ferreira Barrocal","doi":"10.13035/h.2023.11.01.11","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.11","url":null,"abstract":") base includes new pieces related to Navarro, and registers the last bibliography appeared, improving considerably Ruano’s essay. Having taken this into account, we will study Navarro’s career through the CLEMIT database in order to renew our vision about his practices.","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72894692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Las representaciones ante el pueblo en el Coliseo del Buen Retiro en la década de 1680: reflexiones a partir de la base de datos CATCOM","authors":"Irene Pacheco","doi":"10.13035/h.2023.11.01.22","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.22","url":null,"abstract":". In the documents that have survived to date, Coliseo del Buen Retiro stagings are registered either as courtly «fiestas» performed for kings or as performances directed to a larger audience called «pueblo». Searches on CATCOM indicate that there is a spike in the latter in the 1680s. Starting from here, this study has, on the one hand, investigated what may have motivated this type of performance and, on the other hand, gotten closer to text that was presented to the people when the palace opened its doors to share its best stage with them.","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"208 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80558431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Entre el juego y el coleccionismo: las muñecas de las reinas e infantas de España (1560-1621)","authors":"J. F. Fernández Fernández","doi":"10.13035/h.2023.11.01.53","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.53","url":null,"abstract":"","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"7 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81624842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La recepción de Terencio en la temprana imprenta manual y su repercusión sobre la caracterización genérica de «Celestina»: una perspectiva visual","authors":"Amaranta Saguar García","doi":"10.13035/h.2023.11.01.34","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.34","url":null,"abstract":"","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"66 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90172927","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hibridismos y mezclas en el teatro del Siglo de Oro","authors":"I. Arellano","doi":"10.13035/h.2023.11.01.30","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.30","url":null,"abstract":". The article examines the confluences of dramatic genres; rather than hybridism in its strict biological sense, one finds in Golden Age comedy a whole multiplicity of mixtures of elements corresponding to different models and genres, some possible (for instance, comic elements —marginal— in tragic schemes), others impossible (tragic elements in comic schemes)","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"68 1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90116665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La adaptación sonora de Lope de Vega. «La dama boba», radioteatro y audiolibro","authors":"Virginia Guarinos","doi":"10.13035/h.2023.11.01.58","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.58","url":null,"abstract":"","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135938905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"«La confusión de un retrato», de «Francisco de Medina»: autoría, título y representaciones","authors":"Clara Monzó Ribes","doi":"10.13035/h.2023.11.01.20","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.20","url":null,"abstract":"A finales del siglo XVII, La confusión de un retrato se llevó a los escenarios en un buen número de ocasiones, pero la acogida que experimentó por parte del público no ha evitado que esta comedia haya caído en el olvido en nuestros días. Son varias las incógnitas que envuelven a esta obra: por un lado, La confusión de un retrato se imprimió a nombre de «Francisco de Medina», escritor del que apenas conocemos un puñado de poemas y un auto sacramental; por otro, la comedia mantiene un extraño vínculo con Donde hay agravios no hay celos de Rojas Zorrilla. En este artículo, en primer lugar trazaremos un panorama sobre las representaciones de La confusión de un retrato y trataremos de resolver el embrollo respecto a la pieza de Rojas. A continuación, mediante un primer análisis textual y bibliográfico, filiaremos las tres ediciones sueltas de la obra y localizaremos la procedencia de alguna de ellas. Finalmente, a partir de un examen de la métrica, las rimas, la lengua poética y la ortología, y con el apoyo de ETSO, demostraremos que el Francisco de Medina conocido hasta ahora no puede ser el autor de La confusión de un retrato .","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135938916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}