Vanderbilt e-Journal of Luso-Hispanic Studies最新文献

{"title":"Introducción","authors":"Katarzyna Moszczyńska-Dürst, Karen Genschow","doi":"10.15695/vejlhs.v11i1.5043","DOIUrl":"https://doi.org/10.15695/vejlhs.v11i1.5043","url":null,"abstract":"","PeriodicalId":428595,"journal":{"name":"Vanderbilt e-Journal of Luso-Hispanic Studies","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122592218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Índice","authors":"Karen Genschow, Katarzyna Moszczyńska-Dürst","doi":"10.15695/vejlhs.v11i1.5042","DOIUrl":"https://doi.org/10.15695/vejlhs.v11i1.5042","url":null,"abstract":"","PeriodicalId":428595,"journal":{"name":"Vanderbilt e-Journal of Luso-Hispanic Studies","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115202101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Afectos y efectos del archivo ‒ 'Los Archivos del Cardenal' y la (mass)mediación de la memoria","authors":"Karen Genschow","doi":"10.15695/VEJLHS.V11I1.5051","DOIUrl":"https://doi.org/10.15695/VEJLHS.V11I1.5051","url":null,"abstract":"","PeriodicalId":428595,"journal":{"name":"Vanderbilt e-Journal of Luso-Hispanic Studies","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116838500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ese hermoso deshielo y su olor a podrido. Isabel Coixet lo ha vuelto a hacer","authors":"Joana Sabadell-Nieto","doi":"10.15695/VEJLHS.V11I1.5044","DOIUrl":"https://doi.org/10.15695/VEJLHS.V11I1.5044","url":null,"abstract":"","PeriodicalId":428595,"journal":{"name":"Vanderbilt e-Journal of Luso-Hispanic Studies","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126718990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El imaginario afectivo y epocal del movimiento secundario de los 80 en la narrativa y el documental chilenos recientes","authors":"M. A. Franken","doi":"10.15695/VEJLHS.V11I1.5050","DOIUrl":"https://doi.org/10.15695/VEJLHS.V11I1.5050","url":null,"abstract":"","PeriodicalId":428595,"journal":{"name":"Vanderbilt e-Journal of Luso-Hispanic Studies","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125959098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"'Eliete – A Vida Normal' de Dulce Maria Cardoso à luz de “promessa de felicidade”","authors":"Katarzyna Moszczyńska-Dürst","doi":"10.15695/VEJLHS.V11I1.5048","DOIUrl":"https://doi.org/10.15695/VEJLHS.V11I1.5048","url":null,"abstract":"","PeriodicalId":428595,"journal":{"name":"Vanderbilt e-Journal of Luso-Hispanic Studies","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117333399","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Emoción frente a neoliberalismo en la novela 'La mujer que buceó dentro del corazón del mundo,' de Sabina Berman","authors":"Alana Gómez Gray","doi":"10.15695/VEJLHS.V11I1.5046","DOIUrl":"https://doi.org/10.15695/VEJLHS.V11I1.5046","url":null,"abstract":"","PeriodicalId":428595,"journal":{"name":"Vanderbilt e-Journal of Luso-Hispanic Studies","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124710008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cartografía del feminicidio en la literatura chilena reciente: voces de impunidad","authors":"Ainhoa Montserrat Vásquez Mejías","doi":"10.15695/VEJLHS.V11I1.5049","DOIUrl":"https://doi.org/10.15695/VEJLHS.V11I1.5049","url":null,"abstract":"","PeriodicalId":428595,"journal":{"name":"Vanderbilt e-Journal of Luso-Hispanic Studies","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124218579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El amor en 'Siete miradas en un mismo paisaje' de Esther Tusquets: entre la culpa y la denuncia","authors":"Dominika Jarzombkowska","doi":"10.15695/VEJLHS.V11I1.5047","DOIUrl":"https://doi.org/10.15695/VEJLHS.V11I1.5047","url":null,"abstract":"","PeriodicalId":428595,"journal":{"name":"Vanderbilt e-Journal of Luso-Hispanic Studies","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132536297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Imágenes femeninas en 'La vigilante del Louvre' de Lara Siscar","authors":"H. A. Mohamed","doi":"10.15695/VEJLHS.V11I1.5045","DOIUrl":"https://doi.org/10.15695/VEJLHS.V11I1.5045","url":null,"abstract":"Hayam Abdou Mohamed Universidad de Helwan 1. Introducción La vigilante del Louvre (2015) es la primera novela de Lara Siscar (1977), periodista y presentadora del programa 24 horas de la Televisión Española. La trama gira alrededor de uno de los cuadros polémicos del siglo XIX, El origen del mundo, de Gustave Courbet. La imagen que se ve en el cuadro choca profundamente la sensibilidad ya que muestra solo y explícitamente el sexo femenino. El cuadro llevó una existencia clandestina durante más de un siglo, su último dueño fue el psicoanalista Jacques Lacan y tras su muerte en 1981, la obra pasó a las propiedades del estado francés. En 1995 el cuadro fue expuesto por primera vez, y ahora forma parte de la colección de cuadros del museo de Orsay. Este trabajo pretende contribuir a la deconstrucción de determinados modelos de mujer característicos de la sociedad que sigue siendo patriarcal a pesar de que vivamos en el tercer milenio. La historia de la novela, mi objeto de estudio, es protagonizada por tres mujeres francesas y ocurre en Francia, el país que históricamente se ha asociado a la libertad y donde han estallado revoluciones que reclamaban la igualdad y la fraternidad entre las personas. La novela se centra en la vida de sus tres protagonistas: Diana, cuya profesión da título a la novela ya que es ella la vigilante del Louvre. Ella está casada y tiene un hijo, pero lleva una vida sin alegrías. La relación con su marido no tiene ningún sentido para ninguno de los dos, y desde el principio sabemos que ella es una conformista; que no lucha por lo que realmente le gustaría, hasta que llega al Louvre la exposición temporal que incluye el cuadro de Courbet. Coincide con esto la aparición diaria de Claudette, con “su inseparable violonchelo”, una mujer guapa y elegante, que se queda fija ante el cuadro. La presencia de Claudette despierta en Diana el deseo de cambiar su vida, y efectivamente, decide abandonar al marido e independizarse. Claudette que está preparando su tesis doctoral sobre El origen del mundo, y a pesar de estar casada, ha tenido varias aventuras amorosas, la última le amenaza la vida cómoda que lleva, por eso, decide liberarse de sus temores y hacer público el vídeo con el que la chantajea su último amante. Por último, está Isabelle, una mujer soltera y muy hermosa “de cabello rubio intenso” que ha trabajado de sirvienta, luego ejerce el trabajo de modelo de retratos que posa desnuda ante pintores y estudiantes de arte, pero eso no le da para comer. Al final ha tenido que convertirse en prostituta hasta que se topa con Diana y a partir de ahí su vida toma otro rumbo, ya que acepta la propuesta de Diana de vivir juntas.","PeriodicalId":428595,"journal":{"name":"Vanderbilt e-Journal of Luso-Hispanic Studies","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129671363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}