Photography and Culture最新文献_第7页

Photographs in Chinese Film Publications in the 1930s: Archives from the Republic of China Periodicals Full-Text Database (1911–1949) 20世纪30年代中国电影出版物中的照片：来自民国期刊全文数据库的档案（1911-1949）

IF 0.3 4区艺术学

Photography and Culture Pub Date : 2022-04-03 DOI: 10.1080/17514517.2022.2085947

N. Qiao

{"title":"Photographs in Chinese Film Publications in the 1930s: Archives from the Republic of China Periodicals Full-Text Database (1911–1949)","authors":"N. Qiao","doi":"10.1080/17514517.2022.2085947","DOIUrl":"https://doi.org/10.1080/17514517.2022.2085947","url":null,"abstract":"Publications dedicated to cinema in China can be traced back to 1921. They were primarily produced in Shanghai, as the film industries in Hong Kong and Taiwan were still up-and-coming at the time (Yeh 2018, 20). These Shanghai publications continued to evolve and develop over the next 28 years, heralding a period of maturity and prosperity marked by unique visual styles in the beginning of the 1930s, which formed a substantial tradition in both the industry and academia. The three giants of Chinese film publications at the time were Lianhua Pictorial联华画报, Star Monthly明星月报, and The Chinese Movie Stars Grand View中国电影明星大观. Among these publications, Lianhua Pictorial and Star Monthly were periodicals with significant publicity, with the former producing 150 books in 152 issues (Ding 2013,132–137) from January 1933 to August 1937 and the latter remaining highly active from April 1935 to July 1937 (Ding 2013, 133). Both periodicals ultimately ceased publication, likely due to the deteriorating Sino-Japanese relationship that ended in warfare. The Chinese Movie Stars Grand View, which was published by The Yisheng Press艺声 in 1935, was edited by the famous Chinese photographer Chen Jiazhen陈嘉震. It systematically introduced Chinese film actors and directors and included life and stage photos of movie stars from 13 major film companies, including The Stars, Lianhua, Yihua艺华, Tianyi天一, and Xinhua新华 (Shanghai Library 2009, 60). This short essay investigates historical photographs from these three primary publications in the early history of Chinese cinema. They are held as collections in the Republic of China’s Periodical Full-text Database (1911–1949) maintained by the Shanghai Library. This database contains more than 25,000 journals published during the time of the Republic of China and nearly 1,000 documents reflecting the political, military, diplomatic, economic, educational, ideological, cultural, and religious entities of","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45372844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“We Live in a Wagon Never Going Anywhere:” The Representations of Housing Conditions and Tuberculosis in Zagreb between the Two World Wars “我们住在一辆永远不会去任何地方的马车里：”两次世界大战期间萨格勒布住房条件和结核病的再现

IF 0.3 4区艺术学

Photography and Culture Pub Date : 2022-03-07 DOI: 10.1080/17514517.2022.2037838

S. Fatović-Ferenčić, M. Kuhar

{"title":"“We Live in a Wagon Never Going Anywhere:” The Representations of Housing Conditions and Tuberculosis in Zagreb between the Two World Wars","authors":"S. Fatović-Ferenčić, M. Kuhar","doi":"10.1080/17514517.2022.2037838","DOIUrl":"https://doi.org/10.1080/17514517.2022.2037838","url":null,"abstract":"Abstract The collection of Vladimir Ćepulić’s photographs named The Housing Misery in Zagreb, with wagon apartments as one of its main themes, documents the perception of tuberculosis, particularly its epidemiological aspect, between the two world wars. The representation of tuberculosis as a threat is realized in these photographs through the demonstration of dire housing conditions in which parts of Zagreb’s poverty-stricken population resided. Ćepulić’s photographs are discussed in this paper in relation to the history of public health research and its implications for social work. By publishing and exhibiting these photographs, Ćepulić insisted on raising the public consciousness about potential focal points of tuberculosis and its means of spreading. His ultimate goal was to improve the housing conditions, develop the city infrastructure and curb poverty. The new concept of protecting the health through prevention and broader societal changes is underscored in photography as the ever more popular method used in public health campaigns. The preserved collection of photographs is a unique document of this phase of Zagreb’s history and a pioneering effort in social photography.","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47433498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

John Møller’s ‘Photographic Memory’ – Professional Photography of Greenlandic Inuit and Danish Administrators at the Turn of the Twentieth Century 约翰·默勒的“摄影记忆”——二十世纪之交格陵兰因纽特人和丹麦行政人员的专业摄影

IF 0.3 4区艺术学

Photography and Culture Pub Date : 2022-01-04 DOI: 10.1080/17514517.2021.2004706

Anna Gielas

引用次数: 0

‘Unseeing’ Photography: Academic Freedom and Human Rights after Tiananmen “看不见”的摄影：天安门事件后的学术自由与人权

IF 0.3 4区艺术学

Photography and Culture Pub Date : 2022-01-02 DOI: 10.1080/17514517.2022.2054609

Lee Mackinnon

引用次数: 0

(De)Colonial Positioning （De）殖民地定位

IF 0.3 4区艺术学

Photography and Culture Pub Date : 2022-01-02 DOI: 10.1080/17514517.2022.2039501

N. Mangalanayagam

引用次数: 0

Possible Traces of Whiteness 可能的白色痕迹

IF 0.3 4区艺术学

Photography and Culture Pub Date : 2022-01-02 DOI: 10.1080/17514517.2022.2059294

Yu Jiang, Daniel C. Blight

引用次数: 1

Us in Relation to the Universe—Collaborative North-South Photographic Practice Research 我们与宇宙的关系——南北合作摄影实践研究

IF 0.3 4区艺术学

Photography and Culture Pub Date : 2022-01-02 DOI: 10.1080/17514517.2022.2035984

Kerstin Hacker

{"title":"Us in Relation to the Universe—Collaborative North-South Photographic Practice Research","authors":"Kerstin Hacker","doi":"10.1080/17514517.2022.2035984","DOIUrl":"https://doi.org/10.1080/17514517.2022.2035984","url":null,"abstract":"Abstract In 1986 Kenyan writer Ngũgĩ wa Thiong’o argued that ‘[t]he choice of language and the use to which language is put is central to a people’s definition of themselves’ (Ngũgĩ 1986:4). This article re-applies Ngũgĩ’s analysis to contemporary African photographic practice, since images are similarly central to people’s self-definition. Collaborating with the Zambian National Visual Arts Council, the practice-research project Stories of Kalingalinga developed a photographic workshop (2019) and exhibition (2020) to counteract Zambia’s lack of institutional engagement with photography. Focused on Kalingalinga, a high-density neighbourhood undergoing gentrification in Zambia’s capital Lusaka, the workshop provided space to experiment in decolonising creative practice through slow action research. As a photographer, animateur and curator from the global north, I present work by Zambian project participants Scotty Jongolo, Danny Chiyesu, Zenzele Chulu, Edith Chiliboy, Natalia Gonzalez Acosta, Margaret Malawo Mumba, Dennis Mubanga Kabwe, David Daut Makala, Muchemwa Sichone and Yande Yombwe. The article discusses the decolonisation of Zambian photography and the workshop’s deepening of my own decolonial photographic practice. I highlight the importance of empowering Zambian photographers through encouraging critically informed image-making in contemporary African photographic practice. African visual self-governance requires building supportive communities that embrace alternative and creative ways of knowledge creation.","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43786250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pandemic Photography: Images from COVID-19 in India 大流行摄影:来自印度COVID-19的图像

IF 0.3 4区艺术学

Photography and Culture Pub Date : 2022-01-02 DOI: 10.1080/17514517.2022.2040166

P. Nayar

引用次数: 0

When Photographs Fail, When Monuments Fall: Photography and Reparations in Canada 当摄影失败，当纪念碑倒塌：加拿大的摄影与赔偿

IF 0.3 4区艺术学

Photography and Culture Pub Date : 2022-01-02 DOI: 10.1080/17514517.2022.2035985

Gabrielle Moser

引用次数: 2

Get in: Rhetoric and Realities of Diversity in the Global University 进入:全球大学多样性的修辞和现实

IF 0.3 4区艺术学

Photography and Culture Pub Date : 2022-01-02 DOI: 10.1080/17514517.2022.2054189

J. Tran

{"title":"Get in: Rhetoric and Realities of Diversity in the Global University","authors":"J. Tran","doi":"10.1080/17514517.2022.2054189","DOIUrl":"https://doi.org/10.1080/17514517.2022.2054189","url":null,"abstract":"Abstract Diversity – in the nominal sense of widening access to education beyond majority group interests – is a stated objective for many institutions of higher education worldwide. However, different narratives of national and institutional identity play a role in how programmes of diversity are conceived. In recent university reforms initiated in Japan by MEXT (Japanese Ministry of Education, Culture, Sports, Science and Technology), the drive to internationalize universities through increasing the number of foreign students, faculty and collaborations runs alongside an historical and reactionary othering of rational and critical thinking as “western learning.” By contrast, for universities in the “west” the pursuit of diversity is considered an affirmation of the university as a site of civil and rational discourse, in which the welcoming of different voices is considered in terms of being both a moral imperative and institutional asset. Using Bill Readings’ 1996 critique of the modern university as a bureaucratic corporation, “The University in Ruins” as a reference point, the dissonance between the policy goal of diversity and what may actually happen in a classroom is discussed here from personal experience of teaching the history of photography, and other subjects, in Japanese Universities. Modes of classroom interaction and the role of the teacher, beyond culture-specific models, are interrogated, and finally discussed in relation to a holistic view of education espoused in the teaching methodologies of Charles A. Curran and Caleb Gattegno.","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46011468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0