JNT-JOURNAL OF NARRATIVE THEORY最新文献_第9页

The Paratext as Narrative: Helen Darville’s Hoax, The Hand that Signed the Paper 作为叙事的文本:海伦·达维尔的骗局，签署文件的手

IF 0.2 3区文学

JNT-JOURNAL OF NARRATIVE THEORY Pub Date : 2019-05-27 DOI: 10.1353/JNT.2019.0003

Hannah Courtney

{"title":"The Paratext as Narrative: Helen Darville’s Hoax, The Hand that Signed the Paper","authors":"Hannah Courtney","doi":"10.1353/JNT.2019.0003","DOIUrl":"https://doi.org/10.1353/JNT.2019.0003","url":null,"abstract":"Helen Darville’s first (and, to date, only) novel, The Hand that Signed the Paper, was published in 1994 and details the lives of a fictional Ukrainian family in the Second World War. It also contains a frame story set in the 1990s, which depicts a young Australian woman, the fictional Fiona Kovalenko, worrying that her uncle and father may be tried for the war crimes detailed within the inner story. An Australian author of Scottish heritage, Darville published under the pseudonym Helen Demidenko. To support this fake name, she performed a fake authorial persona in real life, lying about her real name and ethnic background in public interviews.1 Darville claimed she was of Ukrainian descent—a false claim which lent an element of authenticity to the Ukrainian subject matter of her fictional work. Although she never explicitly claimed the work as autobiography, she invited that association, never correcting the public narrative that there was an element of truth-through-heritage to her work. This is an example of the autobiographical hoax, where an author invents and adopts a character persona and writes an autobiographical narrative from this perspective. It is usually seen as a fairly callous form of deception, since it often invokes the use of a fictionalized persona from a marginalized or disadvantaged group. Whether representing a race, gender, sexuality, dis/ability, socioeconomic, or other minority, these personas supposedly give voice to those whose voices have traditionally been sup-","PeriodicalId":42787,"journal":{"name":"JNT-JOURNAL OF NARRATIVE THEORY","volume":"49 1","pages":"108 - 82"},"PeriodicalIF":0.2,"publicationDate":"2019-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76064145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Narratologies of Autodiegetic Undercover Reportage: Albert Deane Richardson’s The Secret Service 自叙事秘密报告文学的叙事学:阿尔伯特·迪恩·理查森的《特工》

IF 0.2 3区文学

JNT-JOURNAL OF NARRATIVE THEORY Pub Date : 2019-05-27 DOI: 10.1353/JNT.2019.0000

K. Quinn

引用次数: 0

Never Let Me Go: Cloning, Transplanting, and the Victorian Novel 别让我走:克隆、移植和维多利亚时代的小说

IF 0.2 3区文学

JNT-JOURNAL OF NARRATIVE THEORY Pub Date : 2019-05-27 DOI: 10.1353/JNT.2019.0004

M. C. Hillard

{"title":"Never Let Me Go: Cloning, Transplanting, and the Victorian Novel","authors":"M. C. Hillard","doi":"10.1353/JNT.2019.0004","DOIUrl":"https://doi.org/10.1353/JNT.2019.0004","url":null,"abstract":"Kazuo Ishiguro’s novel Never Let Me Go (2005) is, at one level, a horror story of bio-commerce: set in an alternate-universe England of the 1990s, clones are reared by “guardians” (5) at a boarding-school-like institution called “Hailsham” (4) for future live organ donation.1 Yet, at another level, it is also a story of Victorian literary trafficking. The narrator, who goes only by Kathy H., reveals that her final essay “topic was Victorian novels,” and confesses that she considers “going back and working on it [. . .]. But in the end [supposes she’s] not really serious about it” (115–16). Her statement is ironic, given that her entire narrative reworks the Victorian novel. Ishiguro’s experiment with speculative fiction pays homage to Victorian Gothic conventions, but also navigates the terrain between Bildungsroman and female school story. Kathy H. is a narrator every bit as private and withholding of information as Jane Eyre or Lucy Snowe, and small wonder: her ‘school’ is a total institution in the tradition of Jane Eyre’s Lowood and Villette’s Pensionnat, its clones the haunted shades of Charlotte Brontë’s degraded surplus population of teachers and governesses. And like those Brontë characters, Ishiguro’s student clones produce artwork that is co-opted by their institutional masters as an index to their souls. Plots and characters of other familiar nineteenth-century novels are grafted on throughout, as are particularly Victorian questions of commu-","PeriodicalId":42787,"journal":{"name":"JNT-JOURNAL OF NARRATIVE THEORY","volume":"53 1","pages":"109 - 134"},"PeriodicalIF":0.2,"publicationDate":"2019-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84685346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Contemporary Hero in Sylvie Kandé’s Epic of Futurity, La Quête infinie de l’autre rive 西尔维kande的未来史诗中的当代英雄，对岸的无限探索

IF 0.2 3区文学

JNT-JOURNAL OF NARRATIVE THEORY Pub Date : 2019-01-17 DOI: 10.1353/JNT.2018.0017

A. Dickow

{"title":"The Contemporary Hero in Sylvie Kandé’s Epic of Futurity, La Quête infinie de l’autre rive","authors":"A. Dickow","doi":"10.1353/JNT.2018.0017","DOIUrl":"https://doi.org/10.1353/JNT.2018.0017","url":null,"abstract":"While scholars like Lynn Keller and Evie Shockley have devoted significant work to women’s epics in English, no similar scholarship exists on Francophone women writers, for lack of a comparable corpus. Elizabeth Barrett Browning and H.D. provide the beginnings of an Anglophone lineage that culminates in contemporary works such as Alice Notley’s Descent of Alette. By contrast, Sylvie Kandé’s Neverending Quest for the Other Shore: Epic in Three Cantos (La Quête infinie de l’autre rive: épopée en trois chants), published by Gallimard in 2011, is practically alone as an epic in contemporary French and Francophone literature by both women and men. Kandé is a Franco-Senegalese scholar and poet who has lived in New York for more than twenty years. In the Neverending Quest, she recounts at least two stories: that of the early 14th-century Emperor of Mali, Bata Manden Bori, known as Abubakar II or Abu Bekri II, and that of the thousands of African migrants who attempt to reach Europe. According to Kandé’s foreword, Abubakar II launches a massive expedition to explore the ocean to the West of Africa, never to return (13–14).1 The first two cantos recount the misadventures of Abubakar’s expedition, which include an attempted mutiny. Kandé imagines several versions of their final fate, including arrival in the Americas. The migrants’ expedition to European shores occupies the third and final canto. The migrants travel on a dangerous boat referred to as a patera. Originally a kind of shallow, flat-botto-","PeriodicalId":42787,"journal":{"name":"JNT-JOURNAL OF NARRATIVE THEORY","volume":"135 1","pages":"399 - 422"},"PeriodicalIF":0.2,"publicationDate":"2019-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89448745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Times and Spaces Never Dreamed of in Diane di Prima’s Revolutionary Letters 黛安·迪·普里玛的《革命书信》中从未想过的时间和空间

IF 0.2 3区文学

JNT-JOURNAL OF NARRATIVE THEORY Pub Date : 2019-01-17 DOI: 10.1353/JNT.2018.0014

I. Davidson

引用次数: 0

Feminist Solidarity and Experiment in Kathy Acker’s Early Writings 凯西·阿克早期作品中的女权主义团结与实验

IF 0.2 3区文学

JNT-JOURNAL OF NARRATIVE THEORY Pub Date : 2019-01-17 DOI: 10.1353/JNT.2018.0013

G. Colby

{"title":"Feminist Solidarity and Experiment in Kathy Acker’s Early Writings","authors":"G. Colby","doi":"10.1353/JNT.2018.0013","DOIUrl":"https://doi.org/10.1353/JNT.2018.0013","url":null,"abstract":"This essay takes up questions of the relation between political forms of solidarity and literary experiment as feminist homage as these materialize in the early writings of the late modernist experimental writer Kathy Acker. Many of Acker’s juvenilia, written in the 1970s, remain unpublished and have therefore not entered Acker scholarship until now. Acker, a self-consciously radical, political writer, uses experimental composition throughout her entire oeuvre to critique the narratives of late capitalism and American republican political discourse. This critique is, in part, explicit in the content of all of Acker’s works. Richard Nixon, for example, appears in Don Quixote (1986) as the revolutionary female knight’s rival, and George Bush’s political discourse is explicitly parodied in My Mother: Demonology (1993). In response to her political critique, critics such as Alex Houen have rigorously contextualized and analyzed Acker’s works through the prism of biopolitics and liberationary politics.1 Acker’s unpublished, handwritten notebooks, housed in the Kathy Acker Papers at Duke University, reveal a continuing engagement with revolutionary politics and the question of freedom. Acker kept handwritten notebooks throughout her career, in which she would write sections of prose and life writing, experiment with language, and write on politics and philosophy. In one early notebook, titled “On Freedom and Democracy,” Acker explores the issue of equality.2 She opens the notebook with a statement by the French philosopher Edgar Morin—“Communism is the major question and the","PeriodicalId":42787,"journal":{"name":"JNT-JOURNAL OF NARRATIVE THEORY","volume":"113 1","pages":"290 - 313"},"PeriodicalIF":0.2,"publicationDate":"2019-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79787234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Introduction: Let Us Combine 引言:让我们结合起来

IF 0.2 3区文学

JNT-JOURNAL OF NARRATIVE THEORY Pub Date : 2019-01-17 DOI: 10.1353/JNT.2018.0012

Rowena Kennedy-Epstein

引用次数: 0

The Evidence of Things Unseen: Experimental Form as Black Feminist Praxis 看不见的事物的证据:黑人女权主义实践的实验形式

IF 0.2 3区文学

JNT-JOURNAL OF NARRATIVE THEORY Pub Date : 2019-01-17 DOI: 10.1353/JNT.2018.0016

Shelly J Eversley

引用次数: 9

Contributors 贡献者

IF 0.2 3区文学

JNT-JOURNAL OF NARRATIVE THEORY Pub Date : 2019-01-01 DOI: 10.1353/jnt.2019.0011

引用次数: 0

“Being Alone with Yourself is Increasingly Unpopular”: The Electronic Poetry of Jenny Holzer “与自己独处越来越不受欢迎”:珍妮·霍尔泽的电子诗歌

IF 0.2 3区文学

JNT-JOURNAL OF NARRATIVE THEORY Pub Date : 2018-10-01 DOI: 10.1353/JNT.2018.0018

Leisha Jones

{"title":"“Being Alone with Yourself is Increasingly Unpopular”: The Electronic Poetry of Jenny Holzer","authors":"Leisha Jones","doi":"10.1353/JNT.2018.0018","DOIUrl":"https://doi.org/10.1353/JNT.2018.0018","url":null,"abstract":"Internationally renowned visual artist Jenny Holzer has built a storied career appropriating, writing, moving, and projecting text toward both poetic and political ends. She has famously repurposed the advertiser’s text scroll, marquee, billboard, and building surface to engage mass forms of communication in the service of art. Working in and through ‘found’ art practices made famous by Marcel Duchamp’s readymades and Sherry Levine’s appropriations, Holzer re-invents the postmodern sign as adpoem or public aphorism through text grafts, ranging from the philosophical to the mundane. In her text scrolls, projections, and web works, Holzer dissects the language of the cultural mandate in midair, challenging the weighty dominance of word on page toward a surface of pixel and speed. She also interrogates site-specific locales by literally reshaping them in texts, layering official repositories of history under the contradictory stories of individuals. Holzer’s primary strategy of appropriation, both of form and of content, offers a feminist corrective for the marginal and the margin by recontextualizing and foregrounding noncanonical voices in public institutional spaces. This essay examines the lineage of Holzer as a hybrid producer of electronic literature, and investigates the morphology of her most enduring work, Truisms, in light of the electronic literature genre. While some of Holzer’s work falls outside the parameters of this “born-digital” oeuvre,1 I argue that versions of her Truisms series produce","PeriodicalId":42787,"journal":{"name":"JNT-JOURNAL OF NARRATIVE THEORY","volume":"23 1","pages":"423 - 451"},"PeriodicalIF":0.2,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83220500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1