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Transnationale Verflechtungen in der Musik der 1950er und 1960er Jahre 跨国纠结在20世纪五六十年代的音乐
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2018-01-01 DOI: 10.25162/afmw-2018-0008
C. Utz
{"title":"Transnationale Verflechtungen in der Musik der 1950er und 1960er Jahre","authors":"C. Utz","doi":"10.25162/afmw-2018-0008","DOIUrl":"https://doi.org/10.25162/afmw-2018-0008","url":null,"abstract":"Applying the model of “entangled histories” to music historiography, this article takes up discussions on the Cold War’s relevance to globalized art music of the 1950s and 60s. Technique and aesthetics in works by Henry Cowell, Toshirō Mayuzumi, and Luciano Berio from this period may be understood as resulting from entanglements between socio-political and artistic discourses, especially since these composers were closely associated with institutions and events of the Cold War. Idiosyncrasies in their works and aesthetics, however, cannot merely be explained by recourse to the institutionalized politics of the time. They testify to the composers’ increased awareness of global interconnectedness, addressing a (potentially) worldwide audience and reflecting the multipolarity of post-war modernity.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69132995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Opera Architect Girolamo Sartorio (1630s/40s–1707) and the Dissemination of Opera in Northern Europe 歌剧建筑师Girolamo Sartorio（1630/40s–1707）与歌剧在北欧的传播
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2018-01-01 DOI: 10.25162/afmw-2018-0001
Vassilis Vavoulis
{"title":"The Opera Architect Girolamo Sartorio (1630s/40s–1707) and the Dissemination of Opera in Northern Europe","authors":"Vassilis Vavoulis","doi":"10.25162/afmw-2018-0001","DOIUrl":"https://doi.org/10.25162/afmw-2018-0001","url":null,"abstract":"Girolamo Sartorio is one of the unsung heroes of the Baroque era, being the architect who single-handedly designed the first opera houses for Hanover, Hamburg, Amsterdam, Leipzig, Weimar, and Prague. His role in the dissemination of opera in northern Europe cannot be overestimated. Furthermore, his work puts into relief the House of Hanover’s important role of patronage in this trajectory, while his career highlights important changes in Europe at the turn of the century—a time when artists and other professionals began moving away from court environments to develop their skills along freelance models of entrepreneurship, assuming positions of managers and impresarios in various urban centers of northern Europe.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69133272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mendelssohn und die Ironie 门德尔松和讽刺
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2018-01-01 DOI: 10.25162/afmw-2018-0014
W. Steinbeck
{"title":"Mendelssohn und die Ironie","authors":"W. Steinbeck","doi":"10.25162/afmw-2018-0014","DOIUrl":"https://doi.org/10.25162/afmw-2018-0014","url":null,"abstract":"The songs belong to the few compositions by Mendelssohn that until now have received scant philological review. They languished long enough under the verdict of possessing less value and not being weighty enough, especially in German-speaking countries. Avoiding faulty comparisons to Schubert or Schumann song settings facilitates a clearer assessment of Mendelssohn’s compositional ingenuity and sublime melodiousness that serve to capture the tone of each poem. This is especially evident in the largest lied group-the Heine settings- through the subtle compositional means used to reflect Heine’s characteristic ironic shifts.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"12 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69133484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Namenregister des 75. Jahrgangs 75号名单推广活动
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2018-01-01 DOI: 10.25162/afmw-2018-0016
Saskia Jaszoltowski
{"title":"Namenregister des 75. Jahrgangs","authors":"Saskia Jaszoltowski","doi":"10.25162/afmw-2018-0016","DOIUrl":"https://doi.org/10.25162/afmw-2018-0016","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69133552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Potential und Risiken des Archival Turns in den Digital Humanities für die Musikwissenschaft 音乐学数字人文中档案转向的潜力与风险
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2018-01-01 DOI: 10.25162/afmw-2018-0015
Frédéric Döhl
{"title":"Potential und Risiken des Archival Turns in den Digital Humanities für die Musikwissenschaft","authors":"Frédéric Döhl","doi":"10.25162/afmw-2018-0015","DOIUrl":"https://doi.org/10.25162/afmw-2018-0015","url":null,"abstract":"This article deals with current dynamics emanating from the digital humanities and the challenges they pose for the traditional field of musicology. Moving from this description and the dominant reaction so far from musicology with projects related to infrastructure and digital editions of canonical topics, the article then focuses on heretofore overlooked opportunities and risks. A potentially crucial issue is explored in greater detail regarding a recent trend in developments concerning the “archival turn” in this “digital turn”: the dissolution of the traditional limits between archives and research and the consequences of this for future historiographical work.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69133518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vom Singen, vom Mechanischen und von den Emotionen 从歌唱、机械和情感
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2018-01-01 DOI: 10.25162/afmw-2018-0010
H. Wulff
{"title":"Vom Singen, vom Mechanischen und von den Emotionen","authors":"H. Wulff","doi":"10.25162/afmw-2018-0010","DOIUrl":"https://doi.org/10.25162/afmw-2018-0010","url":null,"abstract":"Fernand Leger’s The Girl with the Prefabricated Heart from Hans Richter’s episode movie Dreams That Money Can Buy (1947) connects the after-war reality to the importance of the mechanical and the dominant role of objects in avant-garde projects of the 1920s and combines them with the disintegration of subject sovereignty as a category and the substitution of the human body through puppets. It is based on a popular dandy song performed by two vocal stars of the 1940s—Libby Holman and Josh White—and portrays a romantic love story with a fatal ending, told in animated scenes of mannequin dolls, abstract paintings, and objects from Leger’s oeuvre that in the end lead to a collage of discursive differences: the popular vs. avant-garde; the clash between time concepts in music and image; heteronomous concepts of femininity; love and narcissism; and the changing relations between the real and the imaginary, especially in the pretended subjectivity of dreaming.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"101 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69133799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Albumblätter für Klavier – Manuskripte und Kompositionen im 19. Jahrhundert "重获自由"世纪
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2018-01-01 DOI: 10.25162/afmw-2018-0013
Oliver Huck
{"title":"Albumblätter für Klavier – Manuskripte und Kompositionen im 19. Jahrhundert","authors":"Oliver Huck","doi":"10.25162/afmw-2018-0013","DOIUrl":"https://doi.org/10.25162/afmw-2018-0013","url":null,"abstract":"At the beginning of the nineteenth century, the music album appears as a new type of manuscript. Unlike the traditional autograph- or friendship book ( Stammbuch ) where music only rarely appears, music becomes the manuscript’s only content, or at least to a substantial degree. In the course of the music album’s development, the originally favored contribution of the canon is replaced by piano pieces, which can be referred to as album leaves due to their materiality. The article gives an overview of selected music albums and how they came into being, the emergence of the title “album leaves,” the evolution of the genre, and the different approaches to composing album leaves by Franz Liszt, Felix Mendelssohn Bartholdy, Robert Schumann, Richard Wagner, and Fanny Hensel.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69133443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Die Verfasser der Beiträge 投稿人
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2017-08-24 DOI: 10.30965/9783657773299_009
G. Massenkeil
{"title":"Die Verfasser der Beiträge","authors":"G. Massenkeil","doi":"10.30965/9783657773299_009","DOIUrl":"https://doi.org/10.30965/9783657773299_009","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2017-08-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43049034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nun will die Sonn’ so hell aufgeh’n 现在太阳想这么明亮地升起
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2017-01-01 DOI: 10.25162/afmw-2017-0002
Berthold Over
{"title":"Nun will die Sonn’ so hell aufgeh’n","authors":"Berthold Over","doi":"10.25162/afmw-2017-0002","DOIUrl":"https://doi.org/10.25162/afmw-2017-0002","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69132092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Die Walküren und kein Ende 瓦尔基里却没有结局
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2017-01-01 DOI: 10.25162/afmw-2017-0004
Christina Zenk
{"title":"Die Walküren und kein Ende","authors":"Christina Zenk","doi":"10.25162/afmw-2017-0004","DOIUrl":"https://doi.org/10.25162/afmw-2017-0004","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69132218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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