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Der neapolitanische Sextakkord und andere tonale Aspekte in Weberns op. 10 Nr. 4 以及韦伯的10号
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2019-01-01 DOI: 10.25162/afmw-2019-0015
D. Hensel
{"title":"Der neapolitanische Sextakkord und andere tonale Aspekte in Weberns op. 10 Nr. 4","authors":"D. Hensel","doi":"10.25162/afmw-2019-0015","DOIUrl":"https://doi.org/10.25162/afmw-2019-0015","url":null,"abstract":"Anton Webern’s compositions are customarily analyzed according to the rigors of the twelve-tone system. This essay follows a different path and attemps to show how an abstract form of tonal thinking, represented by the utilization of the Neapolitan sixth chord, determines Webern’s compositional design in Op. 10, No. 4.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„Y a-t-il une musique érotique?“ “有色情音乐吗?”“
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2019-01-01 DOI: 10.25162/AFMW-2019-0003
Martin Zenck
{"title":"„Y a-t-il une musique érotique?“","authors":"Martin Zenck","doi":"10.25162/AFMW-2019-0003","DOIUrl":"https://doi.org/10.25162/AFMW-2019-0003","url":null,"abstract":"Composer, conductor, and music theorist Rene Leibowitz was asked in 1958 by his lifelong friend Georges Bataille to write an article on the question of whether music can be erotic, Bataille even providing him with several thematic suggestions. Leibowitz’s article focuses on the androgyn figure Cherubino and his attempts to stimulate female figures around him, such as Susanna and the contessa, with musical means. The analytical essay, though never published due to the failed realization of Bataille’s planned magazine Genese , existed until now only in manuscript form at the Paul Sacher Foundation in Basel and is published here for the first time.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69133987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Musik als Emblem in Billy Wilders Film The Emperor Waltz (1948) 比利·怀尔德斯电影《皇帝圆舞曲》中的音乐标志(1948)
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2019-01-01 DOI: 10.25162/afmw-2019-0008
Albrecht Riethmüller
{"title":"Musik als Emblem in Billy Wilders Film The Emperor Waltz (1948)","authors":"Albrecht Riethmüller","doi":"10.25162/afmw-2019-0008","DOIUrl":"https://doi.org/10.25162/afmw-2019-0008","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Richard Strauss als preußischer Hofkapellmeister 理查德·施特劳斯饰普鲁士宫廷牧师
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2019-01-01 DOI: 10.25162/afmw-2019-0014
Christoph Henzel
{"title":"Richard Strauss als preußischer Hofkapellmeister","authors":"Christoph Henzel","doi":"10.25162/afmw-2019-0014","DOIUrl":"https://doi.org/10.25162/afmw-2019-0014","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Symphonie-Groteske 交响乐怪诞
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2019-01-01 DOI: 10.25162/afmw-2019-0009
Jürgen Stolzenberg
{"title":"Symphonie-Groteske","authors":"Jürgen Stolzenberg","doi":"10.25162/afmw-2019-0009","DOIUrl":"https://doi.org/10.25162/afmw-2019-0009","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134317","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Zur Chronologie des Notre-Dame-Repertoires 圣母院剧目的年表
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2019-01-01 DOI: 10.25162/afmw-2019-0012
Andreas Pfisterer
{"title":"Zur Chronologie des Notre-Dame-Repertoires","authors":"Andreas Pfisterer","doi":"10.25162/afmw-2019-0012","DOIUrl":"https://doi.org/10.25162/afmw-2019-0012","url":null,"abstract":"The author proposes and explains the following thesis: Within the Notre-Dame repertory, compositions in three parts originate in the conductus; modal rhythm and modal notation originate in the organum. In a second step, both innovations are interchanged between the genres. The reasoning behind the argument concerning the conductus is based on pieces datable by their textual content, that for the organum is based on comparisons to the Vatican Organum Treatise. This leads to a rejection of Rudolf Flotzinger’s proposed dating (modal rhythm ca. 1210) and to an additional emphasis on the diversity of the genres.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"124 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69133855","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„Sehnsucht nach dem Tode“ "带着对死亡的渴望"
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2019-01-01 DOI: 10.25162/afmw-2019-0002
H. Patsch, Burkhard Stauber
{"title":"„Sehnsucht nach dem Tode“","authors":"H. Patsch, Burkhard Stauber","doi":"10.25162/afmw-2019-0002","DOIUrl":"https://doi.org/10.25162/afmw-2019-0002","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69133970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Eine angewandte serielle und elektronische Musik? 一个应用串行和电子音乐？
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2019-01-01 DOI: 10.25162/AFMW-2019-0007
M. Delaere
{"title":"Eine angewandte serielle und elektronische Musik?","authors":"M. Delaere","doi":"10.25162/AFMW-2019-0007","DOIUrl":"https://doi.org/10.25162/AFMW-2019-0007","url":null,"abstract":"It is well known that Karlheinz Stockhausen and Karel Goeyvaerts were imbued with the Catholic faith. For both composers, the development of serial music primarily arose from musical considerations, but beyond that, the invention of new compositional techniques also constituted an act of faith. Although their relationship to religion was at first essentially a private affair, limited to idealistic conceptions of music as representation of the Divine, both composers began to develop an interest in the functional use of serial and electronic music in the Catholic liturgy around 1955. The present article reconstructs this turn on the basis of recently published mutual correspondence and other archival materials. Included are also analyses of planned (Stockhausen) and realized (Goeyvaerts) mass compositions.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"45 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134285","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„Gott nimm dich ferner unser an“ 愿我们亲近上帝
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2019-01-01 DOI: 10.25162/AFMW-2019-0001
Meinolf Brüser
{"title":"„Gott nimm dich ferner unser an“","authors":"Meinolf Brüser","doi":"10.25162/AFMW-2019-0001","DOIUrl":"https://doi.org/10.25162/AFMW-2019-0001","url":null,"abstract":"Bach’s motet Singet dem Herrn , presumed by the author to have been composed between late May 1726 and June 1727, has until now been misunderstood. Taking into account Kuhnau’s copy errors, an analysis of Bach’s advice to repeat the second movement leads to the conclusion that his intention-alternating choruses that sing the repeat with the same text- had a self-referencial purpose in that all members of both choirs would then sing the aria “Gott, nimm dich ferner unser an.” Based on an array of evidence, the author asserts that this motet is actually funeral music for the St. Thomas Boy’s Choir themselves, on the occasion of the death of the first young singer Bach accepted into the ensemble.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69133892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Positiv – Negativ 正极-负极
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2019-01-01 DOI: 10.25162/afmw-2019-0016
Daniel Hartinger, Magdalena Zorn
{"title":"Positiv – Negativ","authors":"Daniel Hartinger, Magdalena Zorn","doi":"10.25162/afmw-2019-0016","DOIUrl":"https://doi.org/10.25162/afmw-2019-0016","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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