{"title":"Re-meme-bering Tiananmen? From collective memory to meta-memory on TikTok","authors":"Seth Seet, Edson C. Tandoc","doi":"10.1177/01634437231191413","DOIUrl":"https://doi.org/10.1177/01634437231191413","url":null,"abstract":"The 1989 Tiananmen Square Massacre has been enshrined in the collective memory of different social groups globally in various ways, while the Chinese government enforces its own memory of Tiananmen through censorship and revisionism. These result in numerous memories of Tiananmen. Through a qualitative analysis of 27 TikToks posted on 3–5 June 2022, this study examines how Tiananmen is commemorated on TikTok on Tiananmen’s anniversary and what is remembered about Tiananmen. This study found that commemoration posts on TikTok remember the protests, casualties, the Chinese Communist Party leaders’ role, and the historical contexts, oft using the Tank Man image. The posts also remember the remembrance and memory formation of Tiananmen. Through commemorations, memes, and humor, some posts remember the Chinese government’s attempts to recreate the collective memory and other commemoration events. This is best described as meta-memories, where people remember the remembering and possess memory of the memory of events.","PeriodicalId":427430,"journal":{"name":"Media, Culture & Society","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120960871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Happiness in newsroom contracts: communicative resistance for digital work and life satisfaction","authors":"Errol Salamon","doi":"10.1177/01634437231191353","DOIUrl":"https://doi.org/10.1177/01634437231191353","url":null,"abstract":"Digital-era newsworkers in the United States have steadily joined trade unions since 2015. This article examines all 22 collective bargaining agreements (CBAs) of one such union, the Writers Guild of America, East (WGAE), which were ratified between April 2015 and June 2022, with an eye toward better understanding employee digital job and life satisfaction. Bringing together critical political economy of media, industrial relations, and labor research, the article argues that the collective bargaining agreement is a communicative means through which digital newsworker unions express employee resistance to particular labor issues. It is also a legal mechanism articulating solutions to these issues that could provide the basis for employee life satisfaction. Grounded in a content analysis, this article finds that the WGAE CBAs incorporate language on workplace rights, newsworkers’ benefits, and limits on management rights, revealing the relative weight of different union solutions to newsworkers’ digital-era grievances. The CBAs also communicatively constitute the conditions for digital newsworkers’ happiness and subjective well-being. By proposing a relational model of digital newsworkers’ CBAs, researchers and practitioners could better understand the language that is needed to communicatively constitute and facilitate happiness in newsrooms, supporting digital job and life satisfaction among newsworkers.","PeriodicalId":427430,"journal":{"name":"Media, Culture & Society","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125352639","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Marry or not for democracy and love: Dialogic framing in the Taiwan marriage equality movement and countermovement","authors":"Yidong Wang, Xiaomei Sun","doi":"10.1177/01634437231188462","DOIUrl":"https://doi.org/10.1177/01634437231188462","url":null,"abstract":"Dialogic framing means that the frames are constructed through interaction among multiple parties in a discursive system with socio-cultural specificities. The meaning of a frame is articulated through such dialogic interaction and under constant contestation. We used the marriage equality movement in Taiwan as a case study and demonstrated how dialogic framing could advance the understanding of framing in the digital mobilization of collective actions. Analyzing Facebook posts by opposing advocacy groups, we identified “collective identity” and “rights” as two dominant frames. Marriage equality activists framed legalizing same-sex marriage as a testament to the democratic progress of Taiwan and a validation of gay and lesbian people’s right of love. The countermovement challenged this framing by arguing that equalizing gay love to heterosexual marital love violated the civil rights of the silent majority. The queer critique of marriage as state-sanctioned regulation of sexual citizenship and the very state power being critiqued are also constitutive of the dialogic framing of collective actions for or against same-sex marriage on social media.","PeriodicalId":427430,"journal":{"name":"Media, Culture & Society","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115370411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Media research and proposals for media change: Notes on a key variable","authors":"J. Corner","doi":"10.1177/01634437231189599","DOIUrl":"https://doi.org/10.1177/01634437231189599","url":null,"abstract":"A significant body of media research internationally involves suggestions for planned change, often as a key point of conclusion. The suggested changes or reforms are placed in the context of perceived deficits in media performance, which may be seen as longstanding or as a result of recent shifts in the broader economy, the political frame or a major disruption such as that brought about by COVID-19. Some research restricts itself to documenting the deficits with possible remedies largely implied. However, other work seeks to go further. Recommendations for change in media structures and practices differ widely in their scale, specificity and also in their level of engagement with the surrounding political, economic and social settings. These settings are the consequence of various planned and unplanned factors interacting over time. This note looks at a number of variables around ideas of planned change in the contexts of current media inquiry, including that of media historiography, taking a few illustrative examples to examine the frameworks within which they are placed. It reviews connections made with levels of the political and economic system and of public evaluations and media uses as well as with the levels of the media industries themselves and their workforces.","PeriodicalId":427430,"journal":{"name":"Media, Culture & Society","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134437368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The value and price of digital media commodities","authors":"Jang-Ryol Yun","doi":"10.1177/01634437231188464","DOIUrl":"https://doi.org/10.1177/01634437231188464","url":null,"abstract":"Focusing on the fact that digital media commodities are easily reproduced once initially produced, this paper explains, against the backdrop of Marxist insights, just how these commodities are produced, distributed, and consumed in the current digital media environment. Working with Marx’s definition of the value of commodities as the social labor time required for their production, we can thereby define the value and price of reproduced digital media commodities as zero, but the market price of these commodities as in fact constituting the Marxist monopoly price. These determinations are then supported by a review of the ways valueless digital media goods are commodified in a monopolistic real world. The approach here, borrowing from Marx’s research methods, starts from commodity analysis to explain comprehensively the wider political and economic system of capitalism. This viewpoint of the inherent value of media products is foreign to neoclassical economics as well as to mainstream media and communication studies embracing the utility theory of value.","PeriodicalId":427430,"journal":{"name":"Media, Culture & Society","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114887170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The political uses of memory: Instagram and Black-Asian solidarities","authors":"Rachel Kuo, Sarah J. Jackson","doi":"10.1177/01634437231185963","DOIUrl":"https://doi.org/10.1177/01634437231185963","url":null,"abstract":"This study investigates how activist organizations wield collective memory as they advance cross-racial solidarity on Instagram. We center digital memory-making in political work by Black and Asian activist organizations as a contribution to understanding social movement communication and online organizing. We study Instagram content from local organizations in Minneapolis (and the Midwest region), Atlanta (and the Southeast region), and national digital organizing collectives between the end of May 2020 to June 2021. This corpus of material includes the summer uprisings for Black liberation following the police murder of George Floyd in Minneapolis, as well as the increased visibility of incidents of anti-Asian violence during the COVID-19 pandemic, including a mass shooting at massage parlors in Atlanta. Among our findings is the centrality of memories of internationalist feminist movements to contemporary cross-racial politics.","PeriodicalId":427430,"journal":{"name":"Media, Culture & Society","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132816262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Eating alone as psychological self-care: How the younger generation in Let’s Eat survives in neoliberal South Korea","authors":"Hojin Song","doi":"10.1177/01634437231188445","DOIUrl":"https://doi.org/10.1177/01634437231188445","url":null,"abstract":"TV dramas that focus on food and eating reflect the popular trend of single culture, with a rising number of single-person households among the younger generation in South Korea. Analyzing Let’s Eat (tvN), the South Korean food drama series that specifically focus on eating scenes, this paper uses the framework of survivalism and the popular discourse of healing to examine how eating alone as a social and cultural phenomenon represents the psychological turn in neoliberalism. In its three seasons, Let’s Eat reflects how eating alone becomes a practice of endurance and resilience that encourages the younger generation to stay positive, even during an enervated state of mind, to bounce back, and to ultimately spring forward. I argue that Let’s Eat reflects how survivalism especially requires the marginalized population of women in precarious employment to reflect and grow confidence without considering the problems of structural inequality. Let’s Eat shows the younger generation’s struggle and lack of societal support, perpetuating neoliberalism’s focus on individual effort and blaming individuals for their enervation.","PeriodicalId":427430,"journal":{"name":"Media, Culture & Society","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129207314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ritual check-in, shocked immersion, regained stability: A sequential typology of news experiences in crisis situations","authors":"Hallvard Moe, Torgeir Uberg Nærland, Brita Ytre-Arne","doi":"10.1177/01634437231187967","DOIUrl":"https://doi.org/10.1177/01634437231187967","url":null,"abstract":"This short paper discusses people’s news experiences before, during and after societal crisis situations, contributing with a sequential typology outlining the three phases ritual check-in, shocked immersion and regained stability. Theoretically, we draw on classical contributions to media studies and sociology, particularly the concepts of ritual communication and ontological security. Empirically, we build on qualitative interview studies with news audiences in Norway, spanning 5 years and different crisis cases including political turmoil, the COVID-19 pandemic and climate change. We underline the significance of emotional distancing to regain stability, and identify crises lacking start- and endpoints as particularly difficult to navigate. These insights should instigate further debate about our understanding of news audiences in a tumultuous world, particularly relevant to scholarship on news use and avoidance.","PeriodicalId":427430,"journal":{"name":"Media, Culture & Society","volume":"132 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114140568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“I want to be a bridge”? The digital identity positioning of transnational bloggers on Chinese social media platforms: Between ethnic differences and cultural affinities","authors":"Yuting Liu","doi":"10.1177/01634437231188451","DOIUrl":"https://doi.org/10.1177/01634437231188451","url":null,"abstract":"How do transnational bloggers position their digital identities on Chinese social media platforms? To answer this question, this study builds a coordinate system of digital identity positioning with intensity of ethnic differences and cultural affinities as the horizontal and vertical coordinates. Four digital identities are found: culturalists, individualists, cultural otherness, and cultural admirers. Transnational bloggers may have overlapping or changing digital identities rather than a single, defined identity. This reflects the process and multiplicity of identity formation, which involves negotiation and flow between ethnic differences and cultural affinities. This study traces transnational bloggers in local digital cultural spaces, raises awareness about the types of split identities in the digital age, and provides an analytical framework for digital identities. Considering the transformation of digital society, researchers should continue to investigate new forms of digital identity building in global and local digital cultural spaces: linking actions, ideologies, and experiences in Internet spaces to broader social, cultural, and political contexts.","PeriodicalId":427430,"journal":{"name":"Media, Culture & Society","volume":"139 35","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114085661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Paul Achonga Kabah Kwode, G. Asekere, J. Ayelazuno
{"title":"The erosion of media freedom in Ghana: A signal democratic backsliding?","authors":"Paul Achonga Kabah Kwode, G. Asekere, J. Ayelazuno","doi":"10.1177/01634437231185933","DOIUrl":"https://doi.org/10.1177/01634437231185933","url":null,"abstract":"Ghana is a poster child of the consolidation of liberal democracy in Africa, the signal evidence of which is the freedom of the Ghanaian media as the fourth estate of the realm. However, recent developments in the media landscape of the country, such as sustained death threats, assaults, use of unwarranted brute force, suspicions and murder of journalists seem to mar the democratic image of Ghana. These incidents have raised concerns about the erosion of freedom and independence of the media in Ghana, a situation that is worrying enough to ignite a debate on whether the dark days of the culture of silence are returning to the country under democratic governance. Drawing on qualitative data collected through personal in-depth interviews and grey literature of media attacks and intimidations, the article examines the extent of the erosion of press freedom in Ghana. We argue that media freedom seems to be under increasing threat by elements of the state, despite public rhetoric of freedom of the press. Specifically, the threats are coming from officials of state such as national security operatives, the police and political party supporters. Concluding, the article calls for sustained civic activism against these threats.","PeriodicalId":427430,"journal":{"name":"Media, Culture & Society","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131443983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}