Panorama最新文献_第9页

Maryland Institute Black Archives: A Post-Custodial Project 马里兰研究所黑人档案:后保管项目

IF 0.5

Panorama Pub Date : 2022-01-01 DOI: 10.24926/24716839.14589

Ellen Y. Tani

引用次数: 0

Panorama's New Section: Digital Dialogues 全景的新部分:数字对话

IF 0.5

Panorama Pub Date : 2022-01-01 DOI: 10.24926/24716839.15292

引用次数: 0

Cathy Lu: Interior Garden Cathy Lu:室内花园

IF 0.5

Panorama Pub Date : 2022-01-01 DOI: 10.24926/24716839.15228

C. Lu, Interior Garden

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Obligations to the Local: Solidarity as Method in LaToya Ruby Frazier’s The Last Cruze 对地方的义务:拉托亚·鲁比·弗雷泽《最后的克鲁兹》中作为方法的团结

IF 0.5

Panorama Pub Date : 2022-01-01 DOI: 10.24926/24716839.13162

Pamela Brown

{"title":"Obligations to the Local: Solidarity as Method in LaToya Ruby Frazier’s The Last Cruze","authors":"Pamela Brown","doi":"10.24926/24716839.13162","DOIUrl":"https://doi.org/10.24926/24716839.13162","url":null,"abstract":"In November 2019, Pamela Brown, Marilyn Moore, and Frances Turnage, three longtime members of the United Auto Workers (UAW) Local 1112 Women’s Committee, held a public discussion with photographer LaToya Ruby Frazier (b. 1982) about their experiences in the labor movement. The conversation formed part of the public programming surrounding Frazier’s documentary project The Last Cruze, then installed at the Renaissance Society in Chicago. At one point, Frazier described an interaction she had earlier that year while sitting in Turnage’s living room. Turnage had pulled out a binder of newspaper clippings, one of which included a photograph of her alongside two of her fellow Local 1112 members in Columbus, Ohio, holding union signs in their hands; the trio of women stood amid a crowd of people protesting a piece of 2011 state legislation that would strip public employees of their collectivebargaining rights. Frazier produced a photograph of the clipping as if it were an icon, balanced upright on Turnage’s dining-room table, starkly illuminated against a near-black background (fig. 1). Such reverent treatment of this humble material signals Frazier’s recognition of the scrapbook as a site where personal stories are crafted and relayed to others through storytelling. The fact that the book contains scraps from Turnage’s union history is also significant. By sharing this object with Frazier and, by extension, allowing her to share it with her viewers, Turnage initiates Frazier into a local history long sustained by relations of obligation and struggle.","PeriodicalId":42739,"journal":{"name":"Panorama","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69336530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Exploring Indisposability: The Entanglements of Crip Art 探索不可丢弃性:跛脚艺术的纠缠

IF 0.5

Panorama Pub Date : 2022-01-01 DOI: 10.24926/24716839.13258

引用次数: 2

Cauleen Smith: Give It or Leave It 考琳·史密斯:要么给，要么离开

IF 0.5

Panorama Pub Date : 2022-01-01 DOI: 10.24926/24716839.13348

引用次数: 0

Indigenous Temporal Enmeshment in Akwesasne Notes Akwesasne音符中的本土时间纠缠

IF 0.5

Panorama Pub Date : 2022-01-01 DOI: 10.24926/24716839.15034

M. Schmitz

引用次数: 0

American Photographs Abroad: Traveling with Lewis Hine 《美国海外摄影:与刘易斯·海因同行

IF 0.5

Panorama Pub Date : 2022-01-01 DOI: 10.24926/24716839.15068

Natalie Zelt

{"title":"American Photographs Abroad: Traveling with Lewis Hine","authors":"Natalie Zelt","doi":"10.24926/24716839.15068","DOIUrl":"https://doi.org/10.24926/24716839.15068","url":null,"abstract":"Steps away from an Amsterdam canal, a photograph by Lewis Wickes Hine (1874–1940) rests between layers of thick matboard in a secure box (fig. 1). Hine made the picture in a Richmond, Virginia, street in June 1911, partially angled toward an intersection. A small, pale boy stands in the center of the frame, leaning toward the street (fig. 2). The boy’s face is scrunched up against the raking light. One of his hands grips a fire hydrant while the other clutches a newspaper. His bare feet balance, one in front of the other, on the curb. This photograph also includes partial views of a streetcar and various passersby: a group of three Black women in hats, shirtsleeves, and dark skirts, pictured mid-stride and mid-conversation, and two white men in suits moving past. The boy is the only figure standing still in a photograph that has itself moved continents: from the Richmond summer heat to the permanent collection of Rijksmuseum, where its meaning was transformed via an error of cataloguing. This photograph has been reproduced as Newspaper Vendor, New York, 1909 throughout its life in the Dutch museum. The discovery of this commonplace cataloging error helped me contextualize Hine's photographs of child labor in the history of photography and theorizations of race in the United States and the Netherlands, allowing me to explore how race shaped Hine’s goals and the reception of the photograph. The situation raises questions about the enduring impact of racial hierarchy in Hine’s child labor photographs, as well as the role of whiteness in the formation of “American” photography more broadly. Fig. 1. Photograph RP-F-2007-326 as stored in the Rijksmuseum, Amsterdam, June 2021. Photo by author","PeriodicalId":42739,"journal":{"name":"Panorama","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69336815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Cultural Invisibility of Reproductive Health 生殖健康的文化隐蔽性

IF 0.5

Panorama Pub Date : 2022-01-01 DOI: 10.24926/24716839.15279

引用次数: 0

Art and Reproductive Rights in the Wake of Dobbs v. Jackson 多布斯诉杰克逊案后的艺术与生殖权利

IF 0.5

Panorama Pub Date : 2022-01-01 DOI: 10.24926/24716839.15268

引用次数: 0