{"title":"¿Misoginia o tradición? La mujer en la obra de Francisco de Quevedo","authors":"C. García-Valdés","doi":"10.15581/017.23.331-349","DOIUrl":"https://doi.org/10.15581/017.23.331-349","url":null,"abstract":"Quevedo’s personality becomes complicated with legend formed around his baffling personality. One of the leafy branches of this legend is his alleged misogyny, which has become a commonplace in studies of the life and work of the writer. In this article, through the analysis of documentary evidence on the biography of Don Francisco, texts of his works and with the support of some recent publications, the author concludes that scholars must review a concept that owes more to the tradition than Quevedo’s personality.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42136379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Garzelli, Beatrice, Traducir el Siglo de Oro: Quevedo y sus contemporáneos, New York, IDEA / IGAS, 2018, 167 pp. (ISBN: 978-1-938795-44-2)","authors":"D. Corsi","doi":"10.15581/017.22.29141","DOIUrl":"https://doi.org/10.15581/017.22.29141","url":null,"abstract":"","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42555552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Quevedo, Francisco de, «Melpómene», musa tercera de El Parnaso español, ed. Jacobo Llamas Martínez, Pamplona, Eunsa (Anejos de La Perinola, 32), 2017, 252 pp. (ISBN: 978-84-313-3241-9)","authors":"Iria Pin Moros","doi":"10.15581/017.22.29142","DOIUrl":"https://doi.org/10.15581/017.22.29142","url":null,"abstract":"","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41733648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Anilla o de lo burlesco (BL, núm. 682)","authors":"Alessandro Martinengo","doi":"10.15581/017.22.189-198","DOIUrl":"https://doi.org/10.15581/017.22.189-198","url":null,"abstract":"The poem number 682 by Quevedo («Anilla, dame atencion») consists of a series of classical-mythological episodes —as well as a Biblical one, about Samson— seen in the ambiguous light of the veras and burlas (in Gonzalez de Salas’ traditional terminology), all dealing with Anilla, whose avarice is censured as much as her subversive and irresistible charms are praised. The series ends with Paris, a third-rate judge, who is nevertheless able to suggest a kind of mock-heroic poetics, of which Anilla herself is the emblem.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48154686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Quevedo en los ensayos y la poesía de Feijoo","authors":"Rodrigo Olay Valdés","doi":"10.15581/017.22.459-493","DOIUrl":"https://doi.org/10.15581/017.22.459-493","url":null,"abstract":"Francisco de Quevedo is the most frequently mentioned Spanish poet by Benito Jeronimo Feijoo, always in a positive way (1726-1760). In his essays, in which Feijoo demonstrates a deep knowledge of the quevedesque work, Quevedo is cited as a canonical author, he appears as a character, as an authority in Feijoo’s controversial writings, as an authority too in his essays of Historical theme, and his work is recurrently cited by Feijoo in the passage of various subjects. In addition, the poetry of Feijoo also manifests the influence of Quevedo, both in their burlesque themes and in their linguistic resources, which constantly refer to different Quevedo passages.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67101232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Desfile y entremés de figuras en Quevedo y Calderón","authors":"Jéssica Castro Rivas","doi":"10.15581/017.22.85-105","DOIUrl":"https://doi.org/10.15581/017.22.85-105","url":null,"abstract":"This paper analyses the theatrical production of Francisco de Quevedo’s and Calderon de la Barca’s interludes by comparing one of the most significant points of contact of their respective short dramaturgies: the «entremes de figuras» and its different structural possibilities. It proposes a conceptual problematization of both categories, as well as an examination of its relevance in the development of this dramatic genre of the entremes through the study of the following plays: Los enfadosos, La ropavejera and Los refranes del viejo celoso ‒of doubtful authorship‒ by Quevedo; and the calderonian entremeses Las Jacaras and Las Carnestolendas.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67101301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gaspar Bonifaz bajo la óptica de Quevedo","authors":"Sandra Valiñas Jar","doi":"10.15581/017.22.377-410","DOIUrl":"https://doi.org/10.15581/017.22.377-410","url":null,"abstract":"espanolLas relaciones personales que Quevedo trabo en la Corte y el modo en que retrato a amigos y conocidos en sus obras no han merecido toda la atencion que debieran. De hecho, apenas tenemos datos de algunas de las figuras relevantes del Madrid de los Austrias que convirtio en personajes de sus textos burlescos. Asi sucede, por ejemplo, con Gaspar Bonifaz, el caballerizo real que llego a ser espia mayor del reino. Con el presente articulo pretendemos contribuir al mejor conocimiento de este destacado hombre del servicio de Felipe IV e intentar determinar las causas por las que Quevedo lo incluyo en tres de sus textos burlescos y el grado de relacion que pudo haber existido entre ambos. EnglishThe personal relationships that Quevedo struck up in the Court of Philip IV and the way that he described their friends and acquaintances in his works have focused less attention of the researchers than they should. In fact, we have scarce information about some relevant figures of the Golden Age Madrid that Quevedo included as characters of his burlesque works. This happens, for instance, with Gaspar Bonifaz, a groom of the royal stable who became the principal spy of the kingdom —el espia mayor del reino—. With the present article, the author tries to contribute to a better knowledge of this servant of His Majesty and we attempt to establish the reasons why Quevedo included him in three of his burlesque works, as well as the relationship that they could have had.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67101190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El «Poeta de los pícaros», figurilla quevedesca con trastienda teatral","authors":"A. Madroñal","doi":"10.15581/017.22.167-176","DOIUrl":"https://doi.org/10.15581/017.22.167-176","url":null,"abstract":"The present article presents arguments for the identification of the «Poet of the rogues» who can be seen in the Discurso de todos los diablos along with Luis Quinones de Bevanente, in an attempt to connect some of the textual references to the dances and interludes that belong to the so called «festive language». It also offers some data about the contempt that Quinones suffered from authors like Lope de Vega or Quedevo, to conclude that the «Poeta» bears no relation to Quevedo’s literary disdain but represents the vulgarisation and coarsening of the popular taste of the time.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43109365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Figuras de la pobreza en la escritura quevediana","authors":"Marcella Trambaioli","doi":"10.15581/017.22.325-345","DOIUrl":"https://doi.org/10.15581/017.22.325-345","url":null,"abstract":"espanolLa galeria de tipos y situaciones espigados en la prosa, en la poesia y en el teatro quevedescos muestra que el tema de la pobreza se revela como uno de los mas fertiles en relacion con su capacidad creadora — ingeniosa y conceptista— de neologismos y caricaturas. A la vez, depara multiples aspectos que armonizan con la misoginia cultural de la epoca y del propio autor. Como ponen de relieve muchos ejemplos resenados, la figura del mendigo se puede jocosamente asimilar a la de la mujer pediguena, mientras que en la vertiente masculina el pordiosero ambiciona una caridad de naturaleza erotica. En ambos casos, la relacion entre los dos sexos depara, pues, a la pluma satirica corrosiva de Quevedo la oportunidad de adaptar la figura del pobre a una vision rebajada y materialista del tema amoroso. Pero, incluso algunas reflexiones filologicas y morales dan pie a elaboraciones metaforicas ineditas de la figura o de algun accesorio del miserable. EnglishThe series of types and situations present in Quevedo’s prose, poetry and comic theater shows that the motif of poverty is one of the most fertile in relation with the author’s capacity to create both ingenious and witty neologisms and caricatures. At the same time, it offers many features that harmonize with the cultural misogyny of the writer and his time. According to the many examples collected, the beggar’s figure can be assimilated to that of the pediguena, while the beggar is looking for sexual charity. In both cases, the relationship between men and women offers to Quevedo’s satirical pen the opportunity of adapting the poor’s type to a materialistic and degenerated vision of love. Moreover, even some philological and moral comments encourage original metaphors of the type or features of the poor.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45766433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}