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An archeological survey - the Norden collection at the cinema museum 考古调查--电影博物馆的诺登藏品
IF 0.2 4区 社会学
Early Popular Visual Culture Pub Date : 2024-02-28 DOI: 10.1080/17460654.2024.2319896
Tony Fletcher
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引用次数: 0
Silent film performance: dramatic bodies on screen 无声电影表演：银幕上的戏剧身体
IF 0.2 4区 社会学
Early Popular Visual Culture Pub Date : 2024-02-21 DOI: 10.1080/17460654.2024.2320947
Simon Brown
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引用次数: 0
Discomfort food: the culinary imagination in late nineteenth-century French art 令人不适的食物：十九世纪末法国艺术中的烹饪想象力
IF 0.2 4区 社会学
Early Popular Visual Culture Pub Date : 2024-02-13 DOI: 10.1080/17460654.2024.2315380
Greta Perletti
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引用次数: 0
Ink-Stained Hollywood: the Triumph of the American cinema’s trade press 墨染好莱坞：美国电影行业媒体的胜利
IF 0.2 4区 社会学
Early Popular Visual Culture Pub Date : 2024-02-06 DOI: 10.1080/17460654.2024.2314374
Kim Khavar Fahlstedt
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引用次数: 0
Early British animation and cartoonal ‘co-conspiracy’: the case of Jerry the Troublesome Tyke (1925-1927) 早期英国动画片与卡通片 "共谋"：《捣蛋小子杰瑞》（1925-1927 年）案例
IF 0.2 4区 社会学
Early Popular Visual Culture Pub Date : 2024-02-01 DOI: 10.1080/17460654.2024.2305484
Christopher Holliday
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引用次数: 0
Women at the wheel: female management and workforce at the nineteenth-century funfair 掌舵的女人：十九世纪游乐场的女性管理者和劳动力
IF 0.2 4区 社会学
Early Popular Visual Culture Pub Date : 2024-01-28 DOI: 10.1080/17460654.2023.2298434
Eva Andersen, Nele Wynants
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引用次数: 0
Sound arrives at the Tudor, 1927-1931: programming, attendance and the business of cinema exhibition 1927-1931 年都铎歌剧院的声音：电影放映的节目安排、观众人数和商业活动
IF 0.2 4区 社会学
Early Popular Visual Culture Pub Date : 2024-01-28 DOI: 10.1080/17460654.2024.2305493
Nyasha Sibanda
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引用次数: 0
Transfixed by prehistory: an inquiry into modern art and time Transfixed by prehistory: an inquiry into modern art and time , by Maria Stavrinaki, New York City, Zone Books, 2022, 338 pp., $35.00 USD (hardcover), ISBN 9781942130659 被史前惊呆:对现代艺术和时间的探究，玛丽亚·斯塔夫里纳基著，纽约，Zone Books, 2022, 338页，35.00美元(精装)，ISBN 9781942130659
4区 社会学
Early Popular Visual Culture Pub Date : 2023-10-25 DOI: 10.1080/17460654.2023.2272235
A. Maggie Hazard
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引用次数: 0
The art of picturing in early modern English literature 绘画艺术早期现代英国文学中的绘画艺术
IF 0.2 4区 社会学
Early Popular Visual Culture Pub Date : 2023-09-04 DOI: 10.1080/17460654.2023.2250684
Youquan Liu, M. Korstanje
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引用次数: 0
Muybridge and mobility with an introduction 迈布里奇和流动性的介绍
IF 0.2 4区 社会学
Early Popular Visual Culture Pub Date : 2023-09-01 DOI: 10.1080/17460654.2023.2247928
Naomi von Senff
{"title":"Muybridge and mobility with an introduction","authors":"Naomi von Senff","doi":"10.1080/17460654.2023.2247928","DOIUrl":"https://doi.org/10.1080/17460654.2023.2247928","url":null,"abstract":"film, alongside her screen work. So in addition to on-set anecdotes and accounts of diplomatic controversies at her hot-ticket promotional appearances, this book offers an insight into the divergent paths of stage and screen practice, and stardom, in the 1920s. Nielsen records these changes, and she makes film history happen. Allen’s publication makes it happen all over again. Nielsen’s experience was of course coloured by her success. She accumulates many victories and compliments across the course of the book, but the tone is not entirely triumphalist. This is partly because she is recounting the highlights of her career from a distance, after the slightly humbling experience of returning to Denmark, the country she left in order to achieve stardom, where she found herself much less revered, even resented. Tactfully, all she conveys of this comedown is a recollection of her fear as she leaves Germany: ‘What place do I have in a country that has become so foreign to me?’ (312) The story she tells is also a selective one. Nielsen is rigorously coy about her private life, including lovers and husbands only when (or if) they are artistic collaborators and making no mention of her daughter. She writes in an epilogue, ‘my book was intended to paint a picture of my work in film and the theater, which audiences have a right to know something about, that is to say a picture of me that belongs to the public’ (315). While this may frustrate readers of a biographical bent, Nielsen’s conviction that her work, rather than her romances, is of primary interest is central to her star identity. Nielsen’s creations on screen, like her creation on the printed page, are her own, and therefore the true ‘Die Asta’ – the public persona of a complex and brilliant woman.","PeriodicalId":42697,"journal":{"name":"Early Popular Visual Culture","volume":"41 1","pages":"483 - 485"},"PeriodicalIF":0.2,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77662251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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