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Ludovico Carracci a Roma 罗马的卢多维科·卡拉克奇
Acta ad archaeologiam et artium historiam pertinentia Pub Date : 2021-09-13 DOI: 10.5617/acta.9021
Giovanna Perini Folesani
{"title":"Ludovico Carracci a Roma","authors":"Giovanna Perini Folesani","doi":"10.5617/acta.9021","DOIUrl":"https://doi.org/10.5617/acta.9021","url":null,"abstract":"This essay focuses on Ludovico Carracci (1555-1619) and this reputation in Rome in his lifetime and afterwards. Well-known, but often overlooked literary and visual evidence on Ludovico's appreciation in Rome is brought to bear, in order to reassess his contemporary fame, superior to his cousins', as is suggested by works attributed to him in the main seventeenth-century Roman collections. His present-day partial disgrace is the result of a number of changes soon brought about by several factors, including the probability of untold doubts on his religious orthodoxy raising in the early seventeenth-century. His use of German prints especially in his late religious paintings may have a lot to do with this.\u0000 \u0000On cover:ANNIBALE CARRACCI (BOLOGNA 1560 - ROME 1609), An Allegory of Truth and Time c. 1584-1585.Oil on canvas | 130,0 x 169,6 cm. (support, canvas/panel/str external) | RCIN 404770Royal Collection Trust / © Her Majesty Queen Elizabeth II 2021.","PeriodicalId":426742,"journal":{"name":"Acta ad archaeologiam et artium historiam pertinentia","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122122055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Providing evidence in Early Modern Bologna 提供近代早期博洛尼亚的证据
Acta ad archaeologiam et artium historiam pertinentia Pub Date : 2021-09-13 DOI: 10.5617/acta.9017
Mattia Biffis
{"title":"Providing evidence in Early Modern Bologna","authors":"Mattia Biffis","doi":"10.5617/acta.9017","DOIUrl":"https://doi.org/10.5617/acta.9017","url":null,"abstract":"This article provides a scientific introduction to the papers that are collected in the first section of Acta, originating from a workshop on \"The Art of Truth: Providing Evidence in Early Modern Bologna\" organized at the Norwegian Institute in Rome in October 2019.\u0000 \u0000On cover:ANNIBALE CARRACCI (BOLOGNA 1560 - ROME 1609), An Allegory of Truth and Time c. 1584-1585.Oil on canvas | 130,0 x 169,6 cm. (support, canvas/panel/str external) | RCIN 404770Royal Collection Trust / © Her Majesty Queen Elizabeth II 2021.","PeriodicalId":426742,"journal":{"name":"Acta ad archaeologiam et artium historiam pertinentia","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126536523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Danielis ludus: Transforming Clerics in the Twelfth Century 丹尼尔斯·卢德斯:《十二世纪神职人员的转变
Acta ad archaeologiam et artium historiam pertinentia Pub Date : 2019-12-31 DOI: 10.5617/acta.7807
N. Petersen
{"title":"Danielis ludus: Transforming Clerics in the Twelfth Century","authors":"N. Petersen","doi":"10.5617/acta.7807","DOIUrl":"https://doi.org/10.5617/acta.7807","url":null,"abstract":"A twelfth-century so-called liturgical drama (preserved in a unique copy of the thirteenth century, preserved in British Library, London), the Danielis ludus (Play of Daniel), based mainly on chapters 5 and 6 from the Book of Daniel has been much discussed in scholarship. It has been seen by scholars, not least Margot Fassler, as a (music) drama intended to establish a role model for young clerics in connection with ecclesiastical attempts at reforming the celebrations for New Year's in Beauvais, the so-called Feast of Fools. In this article, with consideration also of a recent discussion of the New Year's liturgy, I suggest to understand the Danielis ludus as a liturgical ritual transforming the (corporate) identity of the young clerics who were, undoubtedly, involved in its performance. \u0000Keywords: liturgy, drama, the sacred, medieval clerics. \u0000On cover:Monks singing the Office and decorated initial A[sperges me.]. Gradual Olivetan Master (Use of the Olivetan Benedictines), illuminated manuscript on parchment ca. 1430-1439. Italy, Monastero di Santa Maria di Baggio near Milan, Ca 1400-1775.Beinecke Ms1184: The olivetan Gradual. Gradual. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.","PeriodicalId":426742,"journal":{"name":"Acta ad archaeologiam et artium historiam pertinentia","volume":"220 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115461722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The Lost shield portraits of Aphrodisias. Reflections on Style and Patronage. 失落的阿佛洛狄西亚斯盾牌肖像。关于风格和赞助的思考。
Acta ad archaeologiam et artium historiam pertinentia Pub Date : 2019-03-20 DOI: 10.5617/ACTA.6871
Julia Lenaghan
{"title":"The Lost shield portraits of Aphrodisias. Reflections on Style and Patronage.","authors":"Julia Lenaghan","doi":"10.5617/ACTA.6871","DOIUrl":"https://doi.org/10.5617/ACTA.6871","url":null,"abstract":"The paper re-examines a series of lost shield portraits discovered by Paul Gaudin in Aphrodisias in 1904-1905. It focuses on three aspects of these objects: the technical details of the carving and choice of model (style), the structural specifications (manufacture), and the subject matter (iconography and theme). It endeavors to place these objects in the context of other shield portraits found more recently at Aphrodisias and to evaluate them in light of recent scholarship on late antique sculpture. It stresses the similarities between these shield portraits and others from the site and reflects on possible contexts for the Aphrodisian shield portraits, considering for the first time the possibility that all of these Aphrodisian shield portraits might have come from the same context.","PeriodicalId":426742,"journal":{"name":"Acta ad archaeologiam et artium historiam pertinentia","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122116805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“The Horrible Lady” in Istanbul: is a public non-Imperial female Portrait possible in the sixth Century AD? 伊斯坦布尔的“恐怖女士”:在公元六世纪，一幅公开的非帝国女性肖像可能吗?
Acta ad archaeologiam et artium historiam pertinentia Pub Date : 2019-03-20 DOI: 10.5617/ACTA.6870
Siri Sande
{"title":"“The Horrible Lady” in Istanbul: is a public non-Imperial female Portrait possible in the sixth Century AD?","authors":"Siri Sande","doi":"10.5617/ACTA.6870","DOIUrl":"https://doi.org/10.5617/ACTA.6870","url":null,"abstract":"In 1963 the Archaeological Museum of Istanbul purchased a female portrait of unknown provenance. It is clearly recut from an older head. In its final version, the head is late antique, but the recutting and the scarcity of comparable non-Imperial female portraits from this period have made a more secure dating difficult. Here the first half of the sixth-century ad is proposed. This article poses two main questions: 1) Is a non-Imperial female portrait in the round possible as late as the sixth century? 2) Could a woman in a period Shen covered dead were the norm, have herself portrayed with uncovered hair?","PeriodicalId":426742,"journal":{"name":"Acta ad archaeologiam et artium historiam pertinentia","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127570287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Zur Datierung und Deutung der Chlamysfiguren aus rotem Porphyr 用来画出红色斑羚的图样
Acta ad archaeologiam et artium historiam pertinentia Pub Date : 2019-03-20 DOI: 10.5617/ACTA.6867
M. Bergmann
{"title":"Zur Datierung und Deutung der Chlamysfiguren aus rotem Porphyr","authors":"M. Bergmann","doi":"10.5617/ACTA.6867","DOIUrl":"https://doi.org/10.5617/ACTA.6867","url":null,"abstract":"The article deals with four porphyry statues wearing late antique tunica-chlamys attire in Vienna, Berlin, Ravenna and in the Louvre. By the provenance of two of them and by deals of workmanship they are all clearly linked to the porphyry workshop that the tetrarchs had installed in Egypt. Yet they differ from the main products of this workshop not only by their new costume but also in their overall shape. Whereas the tetrarchs employed local sculptors, who specialized in working hard stone for their new porphyry workshop and the result was a fascinating mixture of imperially commissioned and strong local elements, these chlamydate follow other models of more classical taste. They attest to new imperial instructions given to the workshop. This makes it important to know when this new form of imperial representation was introduced. Suggested dates differ widely this article proposes to date the statues in Ravenna and the Louvre by means of their close typological and stylistic similarities to the statue of Oikoumenios form Aphrodisias, which itself is dated by its portrait, which is the closest known parallel to early Theodosian emperor’s portraits at Aphrodisias and Constantinople. The common link between the locally-produced honorific statues from Aphrodisias, the imperial porphyry workshop in Egypt, and the statue finds in Italy would then be Constantinople, whose sculpture workshops were heavily influenced by those of Aphrodisias. There are reasons to see the statues at Vienna and Berlin as earlier and representing a development o the new iconography. All this seems to correspond with the ideas of U. Gehn and R.R. R. Smith, who posit, that the use of late antique chlamydate and togati for honorific statues developed mainly in the later 4th century and in the east. It may have evolved during and after the reign of Valens, parallel to the intensified lawgiving concerning status marking. There should e parallels to this in the emperor’s ‘Chlamys/Dienstkostüm’. - In the end, there are some remarks on the ‘hand-on-sword’ gesture of the statues.","PeriodicalId":426742,"journal":{"name":"Acta ad archaeologiam et artium historiam pertinentia","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125847346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
In Search of the Patron: Late Antique Styles in Context 寻找赞助人:语境中的晚期古董风格
Acta ad archaeologiam et artium historiam pertinentia Pub Date : 2019-03-20 DOI: 10.5617/ACTA.6865
B. Kiilerich
{"title":"In Search of the Patron: Late Antique Styles in Context","authors":"B. Kiilerich","doi":"10.5617/ACTA.6865","DOIUrl":"https://doi.org/10.5617/ACTA.6865","url":null,"abstract":"The people who commissioned artworks and monumental decorations in late antiquity are for the most part unknown. Even when names are recorded, it is often difficult to tell to what extent the demands of the patron determined the visual characteristics of a given work. Since styles were tied to workshop traditions and contentions, it can be argued that in most instances, the patron had but limited influence on stylistic properties. Evidence actually suggests that the style of a work often came about independently of the one who commissioned or purchased it. The style was conditioned by function and context. The article, therefore, proposes a functional paradigm for evaluating visual expressions, defining three main domains of representation: public monuments, religious programmes, and artworks. In search of the late antique patron, the conclusion reached is that the patron had most impact in the religious domain.","PeriodicalId":426742,"journal":{"name":"Acta ad archaeologiam et artium historiam pertinentia","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124436821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
La scultura in funzione architettonica a Costantinopoli tra V e VI secolo: aspetti tecnici, tipologici e stilistici 五、六世纪君士坦丁堡的建筑雕塑:技术、类型和风格方面
Acta ad archaeologiam et artium historiam pertinentia Pub Date : 2019-03-20 DOI: 10.5617/ACTA.6866
C. Barsanti, A. Paribeni
{"title":"La scultura in funzione architettonica a Costantinopoli tra V e VI secolo: aspetti tecnici, tipologici e stilistici","authors":"C. Barsanti, A. Paribeni","doi":"10.5617/ACTA.6866","DOIUrl":"https://doi.org/10.5617/ACTA.6866","url":null,"abstract":"Data la complessità e l’ampiezza dell’argomento, s’intende proporre solo alcune riflessioni su quegli ‘episodi’ e quegli esempi, molti ben conosciuti e più volte analizzati, altri invece meno noti, i quali potranno meglio illustrare i momenti più significativi dello sviluppo della scultura architettonica costantinopolitana lungo un percorso che conduce alle straordinarie novità che si manifestano nei primi decenni del VI secolo. É un campo d’indagine assai vasto, che ha alimentato e continua ad alimentare una letteratura critica altrettanto ampia, ricca di saggi e contributi, con approcci e chiavi di lettura variamente declinati, ma che alla somma dei fatti, si rivelano proficuamente complementari.","PeriodicalId":426742,"journal":{"name":"Acta ad archaeologiam et artium historiam pertinentia","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114619612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The archaeology of “celebrities” in the Greek and Roman worlds. 希腊和罗马世界的“名人”考古学。
Acta ad archaeologiam et artium historiam pertinentia Pub Date : 2019-03-20 DOI: 10.5617/ACTA.6875
Jonathan M. M. Hall
{"title":"The archaeology of “celebrities” in the Greek and Roman worlds.","authors":"Jonathan M. M. Hall","doi":"10.5617/ACTA.6875","DOIUrl":"https://doi.org/10.5617/ACTA.6875","url":null,"abstract":"The debate about the identification of the house of Augustus on the Palatine hill or the controversy surrounding the occupant of Tomb 2 at Vergina or the recently excavated funerary complex at Amphipolis offers more than sufficient evidence for a public fascination with important historical personalities. Yet, at the same time, disciplinary trends in archaeology have sought to emancipate the material record from historicizing narratives and to occlude or decanter the knowing subject. The archaeology of the individual has become, at best, a quaint, antiquarian pursuit and, at worst, a celebration of neo-conservative ideology. This article will consider a series of case-studies from the ancient Greek and Roman worlds with the aim of illuminating the viability - and desirability - of practicing an archaeology of famous individuals.","PeriodicalId":426742,"journal":{"name":"Acta ad archaeologiam et artium historiam pertinentia","volume":"204 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124712356","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Una singolare bottega di lapicidi bizantini attiva a Hierapolis Efeso e Sardi 在hier波利斯Efeso和Sardi经营着一家独特的拜占教谋杀商店
Acta ad archaeologiam et artium historiam pertinentia Pub Date : 2019-03-20 DOI: 10.5617/ACTA.6872
S. Pedone
{"title":"Una singolare bottega di lapicidi bizantini attiva a Hierapolis Efeso e Sardi","authors":"S. Pedone","doi":"10.5617/ACTA.6872","DOIUrl":"https://doi.org/10.5617/ACTA.6872","url":null,"abstract":"Upon the background of the study of Byzantine sculpture of the Justinian age (6th century), the present survey focuses on a group of sculptures, partly unpublished, which came to light in recent archaeological campaigns carried out on the basilica complex dedicated to Apostle Philip in Hierapolis Such materials reveal stylistic features similar to those of some fragments coming from the neighboring areas and from the city of Sardis. An exceptional element of comparison is represented here by the large crosses carved on the columns of the Basilica of San Giovanni in Ephesus. This homogeneous group of marble artifacts and their iconographic and executive characteristics are an indicator of the stylistic originality of a workshop mainly active in Hierapolis, but also testify to the mobility of masons and materials in some of the main Christian places of worship of the 6th century.","PeriodicalId":426742,"journal":{"name":"Acta ad archaeologiam et artium historiam pertinentia","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127072489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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