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Leonardo Volume 51 and Leonardo Music Journal Volume 28 莱昂纳多第51卷和莱昂纳多音乐杂志第28卷
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2018-12-01 DOI: 10.1162/lmj_e_01050
Leonardo, Erin Morton, T. Edensor, Derek Sayer, I. Blom, T. Lun, E. Røssaak, A. Lees, G. Stein, Jeff Solomon, C. Kelly
{"title":"Leonardo Volume 51 and Leonardo Music Journal Volume 28","authors":"Leonardo, Erin Morton, T. Edensor, Derek Sayer, I. Blom, T. Lun, E. Røssaak, A. Lees, G. Stein, Jeff Solomon, C. Kelly","doi":"10.1162/lmj_e_01050","DOIUrl":"https://doi.org/10.1162/lmj_e_01050","url":null,"abstract":"s 2017,” Leonardo 51, No. 5 (2018).","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_e_01050","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47540135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Leonardo Music Journal 28: Introduction 莱昂纳多音乐杂志28:引言
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2018-12-01 DOI: 10.1162/lmj_e_01034
Andrea Polli
{"title":"Leonardo Music Journal 28: Introduction","authors":"Andrea Polli","doi":"10.1162/lmj_e_01034","DOIUrl":"https://doi.org/10.1162/lmj_e_01034","url":null,"abstract":"LMJ in 1997, he articulated several goals for the journal. One was to have a theme for each issue—a difficult challenge but one that he maintained consistently throughout his long tenure. The cutting-edge themes he designed created connections between existing research initiatives and also encouraged new efforts and voices. He also encouraged new voices by bringing greater diversity and inclusivity to LMJ. He encouraged submissions from underrepresented regions, most dramatically with “Southern Cones: Music out of Africa and South America” [1]. He supported the research of younger scholars with “<40: Emerging Voices” [2] and strove for gender balance in the journal and on the editorial board. In addition, he actively included nonacademics to write, curate and contribute recordings. This demand for diversity of voices supported his aim for diversity of ideas, and he brought a wide variety of works inspired by and dependent upon interdisciplinarity to an expanded LMJ community. One could say that the blurring of lines between sound, art and music that we take for granted in the field today is partly due to Nic’s editorial foresight. While I only worked with Nic for a short time, starting on the LMJ editorial board in 2012, I was deeply impressed by his creativity as an editor but also by his modesty— which saw him often call his interests “fringe”—and by his generosity to researchers and respect for history and rigor. While this issue is without a theme, it nevertheless moves forward many of the themes explored by LMJ over the years.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_e_01034","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42261077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
LMJ28 Audio Tracklist LMJ28音频曲目列表
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2018-12-01 DOI: 10.1162/lmj_e_01048
N. Helyer, J. Drummond
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引用次数: 0
A Musical Suite Composed by an Electronic Brain: Reexamining the Illiac Suite and the Legacy of Lejaren A. Hiller Jr. 电子大脑创作的音乐组曲:重新审视伊利亚克组曲和小勒哈伦·A·希勒的遗产。
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2018-12-01 DOI: 10.1162/lmj_a_01037
Tiffany Funk
{"title":"A Musical Suite Composed by an Electronic Brain: Reexamining the Illiac Suite and the Legacy of Lejaren A. Hiller Jr.","authors":"Tiffany Funk","doi":"10.1162/lmj_a_01037","DOIUrl":"https://doi.org/10.1162/lmj_a_01037","url":null,"abstract":"Abstract In 1956, Lejaren A. Hiller, Jr., and Leonard Isaacson debuted the Illiac Suite, the first score composed with a computer. Its reception anticipated Hiller’s embattled career as an experimental composer. Though the Suite is an influential work of modern electronic music, Hiller’s accomplishment in computational experimentation is above all an impressive feat of postwar conceptual performance art. A reexamination of theoretical and methodological processes resulting in the Illiac Suite reveals a conceptual and performative emphasis reflecting larger trends in the experimental visual arts of the 1950s and 1960s, illuminating his eventual collaborations with John Cage and establishing his legacy in digital art practices.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_a_01037","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43475528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Listening to Wetland Soundscapes 聆听湿地声景
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2018-12-01 DOI: 10.1162/lmj_a_01042
F. Otondo
{"title":"Listening to Wetland Soundscapes","authors":"F. Otondo","doi":"10.1162/lmj_a_01042","DOIUrl":"https://doi.org/10.1162/lmj_a_01042","url":null,"abstract":"Abstract The author introduces a soundscape project involving wetland field recordings and an original sound time-lapse method used as the basis for the design and implementation of a sound installation.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_a_01042","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48854121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Sound Straight Ahead: Parametric Speakers in Two Soundscape Installations 声音直通：两个声景装置中的参数扬声器
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2018-12-01 DOI: 10.1162/lmj_a_01043
Marco Alunno
{"title":"Sound Straight Ahead: Parametric Speakers in Two Soundscape Installations","authors":"Marco Alunno","doi":"10.1162/lmj_a_01043","DOIUrl":"https://doi.org/10.1162/lmj_a_01043","url":null,"abstract":"Abstract This article concerns the realization of two sound installations that use a parametric (directional) loudspeaker as a central element of their working systems. The Soundhouse is a rotating structure that projects sounds in a directional way. El bosque y las sombras is instead an interactive multimedia setting where the visitors can trigger sounds and affect a video projection by moving in an enclosed, soundproofed space. A short introduction to parametric loudspeakers is provided; then the concept and the construction aspects of both installations are presented. Finally, an overall aesthetic assessment of the use of parametric loudspeakers in the above works is given.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_a_01043","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43216030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Two Faces of a Cathedral: Ákos Rózmann’s Black Illusions and Organ Piece No. III/a 大教堂的两面:Ákos Rózmann的黑色幻象与管风琴作品3 /
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2018-12-01 DOI: 10.1162/lmj_a_01038
G. Loch
{"title":"Two Faces of a Cathedral: Ákos Rózmann’s Black Illusions and Organ Piece No. III/a","authors":"G. Loch","doi":"10.1162/lmj_a_01038","DOIUrl":"https://doi.org/10.1162/lmj_a_01038","url":null,"abstract":"Abstract After composer and organist Ákos Rózmann (1939–2005) moved from his native Hungary to Sweden in 1971, it became his conviction that instrumental composition had no future, and he committed himself completely to the electroacoustic studio. An important part of Rózmann’s self-characterization and the early reception of his music was the statement that his electroacoustic compositions were the results of working as a spiritual medium. While the author demonstrates the relevance of this statement, he also challenges it by presenting an exception, Black Illusions (2003), Rózmann’s only work admittedly created as a sounding autobiography. He also presents Rózmann’s last finished composition, Organ Piece No. III/a—a “dizygotic twin brother” of Black Illusions—and the differing ways in which the two pieces are related to St. Eric’s Cathedral of Stockholm. One of them thematizes the church as a place of personal earthly suffering, while the other presents it as a symbolic stage of otherworldly processes.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_a_01038","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43024228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Using Psychological Principles of Memory Storage and Preference to Improve Music Recommendation Systems 利用记忆储存和偏好的心理学原理改进音乐推荐系统
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2018-12-01 DOI: 10.1162/lmj_a_01045
Anthony Chmiel, Emery Schubert
{"title":"Using Psychological Principles of Memory Storage and Preference to Improve Music Recommendation Systems","authors":"Anthony Chmiel, Emery Schubert","doi":"10.1162/lmj_a_01045","DOIUrl":"https://doi.org/10.1162/lmj_a_01045","url":null,"abstract":"Abstract This paper proposes a novel approach to automated music recommendation systems. Current systems use a number of methods, although these are generally based on similarity of content, contextual information or user ratings. These approaches therefore do not take into account relevant, well-established models from the field of music psychology. Given recent evidence of this field’s excellent capacity to predict music preference, we propose a function based on both the Ebbinghaus forgetting curve of memory retention and Berlyne’s inverted-U model to inform recommendation systems through “collative variables” such as exposure/familiarity. According to the model, an intermediate level of these variables should generate relatively high preference and therefore presents significant untapped data for music recommendation systems.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_a_01045","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44244852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 10
Sound Technologies as Agency-Granting Prosthesis to Vocal Body 声音技术作为为人声提供假肢的机构
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2018-12-01 DOI: 10.1162/lmj_a_01039
Kristina Warren
{"title":"Sound Technologies as Agency-Granting Prosthesis to Vocal Body","authors":"Kristina Warren","doi":"10.1162/lmj_a_01039","DOIUrl":"https://doi.org/10.1162/lmj_a_01039","url":null,"abstract":"Abstract Western voice is historically de-agentialized, that is, gendered female, opposed to performer self-listening, de-privileged relative to composition and rendered ocularcentric by recording technologies. However, by employing sound technologies as prosthesis to the vocal body, and by self-listening to manage the body-prosthesis relationship, contemporary extended voice practitioners figure as cyborgs reclaiming vocal agency, that is, input into mediation of and by one’s technologized vocal body.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_a_01039","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49220690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Translating Historically Reflexive Perceiving from Visual to Sonic Art 从视觉艺术到声音艺术的历史反身性感知翻译
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2018-12-01 DOI: 10.1162/lmj_a_01041
Camille Robinson
{"title":"Translating Historically Reflexive Perceiving from Visual to Sonic Art","authors":"Camille Robinson","doi":"10.1162/lmj_a_01041","DOIUrl":"https://doi.org/10.1162/lmj_a_01041","url":null,"abstract":"This article discusses making Within History, an artwork that translates a commentary on historically situated perceiving from the visual realm to the sonic.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138541784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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