Sound Technologies as Agency-Granting Prosthesis to Vocal Body

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2018-12-01 DOI:10.1162/lmj_a_01039

Kristina Warren

引用次数: 2

Abstract

Abstract Western voice is historically de-agentialized, that is, gendered female, opposed to performer self-listening, de-privileged relative to composition and rendered ocularcentric by recording technologies. However, by employing sound technologies as prosthesis to the vocal body, and by self-listening to manage the body-prosthesis relationship, contemporary extended voice practitioners figure as cyborgs reclaiming vocal agency, that is, input into mediation of and by one’s technologized vocal body.

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声音技术作为为人声提供假肢的机构

摘要西方声音在历史上是去代理化的，即性别化的女性，反对表演者的自我倾听，相对于作曲去特权化，并通过录音技术呈现出以眼球为中心的声音。然而，通过使用声音技术作为发声体的假体，并通过自我倾听来管理身体-假体关系，当代扩展声音从业者将自己塑造成回收发声代理的半机械人，即通过技术化的发声体进行调解。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

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期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.

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