PAMIETNIK LITERACKI最新文献

{"title":"Mars za Wenerą skryty. Jeszcze jedna próba rozwiązania „Gadki” Jana Kochanowskiego","authors":"Ewa Cybulska-Bohuszewicz","doi":"10.18318/pl.2018.4.9","DOIUrl":"https://doi.org/10.18318/pl.2018.4.9","url":null,"abstract":"EWA CYBULSKA-BOHUSZEWICZ Institute of Literary Research of the Polish Academy of Sciences, Warsaw MARS HIDDEN BEHIND VENUS ONE MORE ATTEMPT AT SOLVING JAN KOCHANOWSKI’S “GADKA” The text is one more attempt at solving the literary riddle contained in Jan Kochanowski’s Gadka. The piece is ambiguous; efforts to dismantle it were made by such eminent scholars as Julian Krzyżanowski and Janusz Pelc, as well as by younger generation researchers, namely Joanna Duska, Radosław Grześkowiak, Maciej Eder. Each of them pondered over what “źwierzę o jednym oku” (“an animal with one eye”) indeed was, and none of the analyses brought a concluding solution. The suggested proposals point to designates referring to erotic-scatological matter (male or female bottom, female sex organ, portable toilet) or to matters unconnected to it (firearm: a piece of ordnance or its smaller counterpart, a musket). It must be remembered that older generation researchers favoured the respectable (artillery) solutions while the younger one turned to the obscene. A next solution to the riddle is contained in the article. It differs from the previous ones above all in that it considers not only Gadka’s cultural and poetic contexts (sufficiently analysed by the abovementioned scholars), but it is an example of a detailed lexical examination which respects the meanings of individual words, phrases, and even syntactic elements present in the text. As a result, it is a semantic analysis, referring to the 16th c. Polish language condition, i.e. to the texts produced at the time when Gadka was composed. The basic tool that facilitated such analysis was Słownik polszczyzny XVI wieku (Dictionary of 16th Century Polish), containing excerpts from over 700 texts written at the times of the Polish Renaissance. Zadawali gadki sobie; Z krotochwile to działali, Iż je sobie wykładali. Który wyłożyć nie umiał, Sampierzowi dań dać musiał: A tymże się zwyczaili, Iż potym rozumni byli. Przeto Ezop, gdy to umiał, Iż gadki dobrze rozumiał: I króla babilońskiego Uczynił barzo sławnego [...]. Nie sposób w tym miejscu nie wymienić również królów Edypa oraz Salomona, którzy potrafili zmierzyć się z najtrudniejszą (za)gadką czy problemem.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"122 1","pages":"125-163"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85695534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Dotkliwe wiersze Aleksandra Wata","authors":"P. Szaj","doi":"10.18318/PL.2018.1.6","DOIUrl":"https://doi.org/10.18318/PL.2018.1.6","url":null,"abstract":"PATRYK SZAJ Adam Mickiewicz University, Poznań ALEKSANDER WAT’S ACUTE POEMS The article takes up a thought over one of the most vital theme of Aleksander Wat’s post-war creativity, namely suffering. The notion is set into the context of radical hermeneutics of John D. Caputo who in his philosophy distinguishes between b o d y (healthy body) and f l e s h (a suffering one). Wat’s subject is seen by the author as flesh which issues a moral challenge to body – the reader. Interpretation is organised around “acuteness” of Wat’s texts – moving ones, calling for ethical commitment (how to responsibly respond to suffering?), and at the same time radically ambiguous, sense-forming, heterogeneous (how to remain fair against their complexity?). In the course of interpretation the phenomenon of dying is scrutinised, and it is viewed as an insolvability that structures Wat’s entire post-war poetry and that conditions its aporetic nature.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"11 1","pages":"105-127"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85868836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Szkic do portretu literackiego Marie Krysinskiej","authors":"Ewa M. Wierzbowska","doi":"10.18318/PL.2018.1.4","DOIUrl":"https://doi.org/10.18318/PL.2018.1.4","url":null,"abstract":"Marie Krysinska, a woman writer, composer and signer, made a substantial contribution to philosophy and aesthetics of her epoch. In her output she took up, inter alia , the issues of creativity, genius, and women’s place in society. Her work is characterised by diversity of sources and influences as various arts, literature and science enter in it into a continuous discourse. Krysinska’s connections with music constitute, e.g . her activity in two cabarets ”Les Hydropathes” and ”Le Chat noir”. In 1880s she was engaged into a controversy over free verse ( vers libre ); she disallowed to diminish her role in introduction free verse into French poetry, for which her contemporaries and later critics punished her by exclu-sion. The fight she fought for the free verse is predominantly a fight for acknowledging equality of men and women in the domain of science and art.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"62 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80305311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Miłosz czytany w panieńskim pokoju, albo jak nie być użyteczną. Rec.: Ewa Kołodziejczyk, \"Amerykańskie powojnie Czesława Miłosza\", Warszawa 2015","authors":"Piotr Pietrych","doi":"10.18318/PL.2018.1.15","DOIUrl":"https://doi.org/10.18318/PL.2018.1.15","url":null,"abstract":"","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"1 1","pages":"237-255"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86273530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Fraszka „Na Historyją trojańską” (II 74) Jana Kochanowskiego: niejasności, znaki zapytania, „dubia”","authors":"R. Rusnak","doi":"10.18318/PL.2018.4.7","DOIUrl":"https://doi.org/10.18318/PL.2018.4.7","url":null,"abstract":". The paper raises the problem of incommensurability of evaluation of the actions of the mythical Paris from Jan Kochanowski’s trifle (II 74) to the image of this figure presented in the piece that the present epigram commemorates, i.e. an anonymous Historyja trojańska ( Trojan History ). While in the trifle the Trojan prince is viewed as a readable exemplum of power which inspires to action–the power with which love influences those who experience it (the thought is expressed in the triffle with the words “dobrze miłować” (“love dearly”)–and puts in a good light even the price of life which his own brothers had to pay for Helen’s kidnapping by Paris, in the text of Trojan History he is seen as more severe since here Paris together with Priam are made responsible for the ultimate fall of Troy. The author of the paper sees the reason of the discrepancy both in the psychological sphere and in the specificity of the genre the piece in question represents.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"155 4 1","pages":"111-118"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83149243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Objaśnianie marzeń sennych według Stanisława Ignacego Witkiewicza","authors":"Fryderyk Nguyen","doi":"10.18318/pl.2018.3.5","DOIUrl":"https://doi.org/10.18318/pl.2018.3.5","url":null,"abstract":"FryDeryk NguyeN university of Wrocław INterPretatION OF DreamS aCCOrDINg tO StaNISłaW IgNaCy WItkIeWICz Stanisław Ignacy Witkiewicz familiarised with psychoanalysis when he underwent a therapy at karol de beaurain’s and it is at that moment when his fascination with dreams increased. the artist developed his own method of recollecting occurrences which consisted in evoking them in reverse order in comparison to that in dreaming. though Witkacy initially rejected Sigmund Freud’s thought, with time he became its supporter, and the description of genezyp kapen’s dream in Nienasycenie (Insatiability) is deeply influenced by it. an in-depth analysis of this oneiric phantasy reveals original traces of Witkiewicz’s views on the nature of human psyche. the main source of human struggle is, according to him, initial amazement with mystery of existence. 38 zbadanie pozostałych snów zawartych w powieściach Witkacego (pięć w 622 upadkach Bunga i trzy w Pożegnaniu jesieni) mogłoby ukazać, jak rozwijały się jego poglądy dotyczące marzeń sennych i jakim przemianom ulegały literackie fantazje oniryczne pisarza, w miarę jak zapoznawał się on","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"53 1","pages":"71-82"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73893908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Komparatystyka Mariana Szyjkowskiego","authors":"Krystyna Kardyni-Pelikánová","doi":"10.18318/pl.2018.2.7","DOIUrl":"https://doi.org/10.18318/pl.2018.2.7","url":null,"abstract":"","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"1 1","pages":"139-162"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90416207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ujęcie i rzut. O „Fortepianie Szopena” Cypriana Norwida","authors":"Piotr Matywiecki","doi":"10.18318/PL.2018.1.3","DOIUrl":"https://doi.org/10.18318/PL.2018.1.3","url":null,"abstract":"","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"95 1","pages":"49-80"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78588073","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"O tym, ile książek trzeba przeczytać, aby napisać jeszcze jedną książkę. Rec.: Magdalena Piskała, Polski świat znaków. Studium o herbarzu Szymona Okolskiego. Warszawa 2017. „Studia Staropolskie. Series Nova”. T. XLVII (CIII)","authors":"Dariusz Dybek","doi":"10.18318/PL.2018.4.19","DOIUrl":"https://doi.org/10.18318/PL.2018.4.19","url":null,"abstract":"AnnA KOcHAn University of Wrocław BeTWeen ScAndAl And ReMedy ReligiOUS THeMeS ReFeRRing TO MiKOŁAj Rej’S “FigliKi” (“FUn And pRAnKS”) in pAWeŁ STĘpieŃ’S “ŚMiecH W czASAcH OSTATecznycH” (“lAUgHTeR in UlTiMATe TiMeS”) The review of paweł Stępień’s book Śmiech w czasach ostatecznych. Tematyka religijna w “Figlikach” Mikołaja Reja (Laughter in Ultimate Times. Religious Themes in Mikołaj Rej’s “Fun and Pranks”) discusses the scope of research settlements and composition of the work where Stępień precisely explains the reason for coupling the religious and the obscene in the piece by the writer who was called the polish champion of Reformation. in his well-balanced reasoning Stępień reveals the proper contexts and offers arguments rooted in protestant and catholic theological papers. Stępień offers an entirely new and revealing interpretations of selected epigrams, and his book is an important contribution to studies in Mikołaj Rej’s writings. dOi: 10.18318/pl.2018.4.19 dARiUSz dyBeK Uniwersytet Wrocławski O TyM, ile KSiąŻeK TRzeBA pRzeczyTAĆ, ABy nApiSAĆ jeSzcze jedną KSiąŻKĘ M a g d a l e n a p i s k a ł a, pOlSKi ŚWiAT znAKÓW. STUdiUM O HeRBARzU SzyMOnA OKOlSKiegO. (Recenzenci: Mieczysław Mejor, Wiesław pawlak. indeks: grażyna Łabęcka-jóźwiakowska). Warszawa 2017. instytut Badań literackich pAn – Wydawnictwo, ss. 334, 2 nlb. „Studia Staropolskie. Series nova”. T. XlVii (ciii). Są książki, które potencjalnych badaczy onieśmielają, a tych, co podejmują się ich opracowania – „pokonują”. powodem mogą być: obszerne rozmiary dzieła; język, w którym zostało napisane; brak wcześniejszych naukowych edycji; różnorodność poruszanej tematyki, należącej do rozmaitych dyscyplin; wielość odwołań do innych tekstów itd. Wszystkie wymienione cechy dotyczą jednego z najważniejszych polskich herbarzy, czyli Orbis Polonus splendoribus caeli, triumphis mundi, pulchritudine animantium, decore aquatilium, naturae excellentia reptilium condecoratus. In quo antiqua Sarmatarum gentilitia pervetustae nobilitatis Polonae insignia, vetera et nova indigenatus meritorum praemia et arma, specificantur et relucent Szymona Okolskiego.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"9 11 1","pages":"282-288"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81496674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Geopoetyka romantyzmu. Rec.: Georomantyzm. Literatura – miejsce – środowisko. Redakcja: Elżbieta Dąbrowicz, Marcin Lul, Katarzyna Sawicka-Mierzyńska, Danuta Zawadzka. Białystok 2015","authors":"Lidia Banowska","doi":"10.18318/pl.2018.2.12","DOIUrl":"https://doi.org/10.18318/pl.2018.2.12","url":null,"abstract":"lidiA BAnOWSKA Adam Mickiewicz University, poznań geOpOeTicS OF ROMAnTiciSM Georomanticism is a collection of studies on the connections between Romantic literature and broadly understood space. The new approach to the issues that have been raised many times unfolds in recognising the cultural perspective as overriding, since this perspective opens the field of research in identity problems (connected e.g. with political and civilizational changes), in confrontation of various spatial orders (consideration on common/arguable/separate places) or spatial imagery, as well as in the “avant-garde” role of Romanticism for such fields of new humanities as politics of place, ecocriticism, and open or comparative regionalism. A separate value of the collection is its polyphony displaying in a variety of approaches and diversity of applied methods and discourses to which the volume","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"12 1","pages":"241-255"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78529037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}