The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century最新文献

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Libraries and Archives 图书馆及档案馆
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century Pub Date : 2020-08-06 DOI: 10.1093/oxfordhb/9780190616922.013.13
M. Lundberg
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引用次数: 0
Musical Canons 音乐的经典
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century Pub Date : 2020-08-06 DOI: 10.1093/oxfordhb/9780190616922.013.16
W. Weber
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引用次数: 0
Landscape and Ecology 景观与生态
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century Pub Date : 2020-08-06 DOI: 10.1093/oxfordhb/9780190616922.013.18
Daniel M. Grimley
{"title":"Landscape and Ecology","authors":"Daniel M. Grimley","doi":"10.1093/oxfordhb/9780190616922.013.18","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190616922.013.18","url":null,"abstract":"Images of landscape lie at the heart of nineteenth-century musical thought. From frozen winter fields, mountain echoes, distant horn calls, and the sound of the wind moving among the pines, landscape was a vivid representational practice, a creative resource, and a privileged site for immersion, gothic horror, and the Romantic sublime. As Raymond Williams observed, however, the nineteenth century also witnessed an unforeseen transformation of artistic responses to landscape, which paralleled the social and cultural transformation of the country and the city under processes of intense industrialization and economic development. This chapter attends to several musical landscapes, from the Beethovenian “Pastoral” to Delius’s colonial-era evocation of an exoticized American idyll, as a means of mapping nineteenth-century music’s obsession with the idea of landscape and place. Distance recurs repeatedly as a form of subjective presence and through paradoxical connections with proximity and intimacy.","PeriodicalId":425498,"journal":{"name":"The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132539513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fiction and Poetry 小说与诗歌
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century Pub Date : 2020-08-06 DOI: 10.1080/10131759185310111
M. Halliwell
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引用次数: 0
Travel Writing 游记
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century Pub Date : 2020-08-06 DOI: 10.1093/oxfordhb/9780190616922.013.5
M. Allis
{"title":"Travel Writing","authors":"M. Allis","doi":"10.1093/oxfordhb/9780190616922.013.5","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190616922.013.5","url":null,"abstract":"This chapter discusses the ways in which music has been represented, referenced, and discussed in nineteenth-century travel literature. In the context of the expanding opportunities for travel in the nineteenth century, a plethora of travel-related literature was created—guidebooks (Murray, Baedeker), poetry, novels, and descriptions of travel by writers such as Goethe, Heine, Dickens, Stendhal, Henry James, and Mary Shelley. Focusing on the latter category (writings descriptive of travel) from c.1800 to 1914, the chapter begins by establishing the significance of these texts in terms of documenting performing practice, referencing composers and performers, and commenting upon the status and power of music, including its ability to intoxicate or evoke nostalgia. Tensions in the portrayal of musical “otherness” are identified, along with the sense of competing levels of musicality between nations, communicated by a range of literary strategies that include binary opposition, hyperbole, and scenic absorption. The invocation of musical metaphor or parallel is highlighted as an important feature of writing style in these narratives, and the significance of a particular group of travel writings by musicians such as Edward Holmes, Marquis Chisholm, Hector Berlioz, Jacques Offenbach and Granville Bantock is also established. Composers’ engagement with literary models of travel narrative offers clear parallels in the nature and sequence of events in several musical works, creating real potential for new readings of specific compositions.","PeriodicalId":425498,"journal":{"name":"The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128198037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Philosophy and Aesthetics 哲学与美学
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century Pub Date : 2020-08-06 DOI: 10.1093/oxfordhb/9780190616922.013.6
L. Kramer
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引用次数: 0
Ethics 道德
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century Pub Date : 2020-08-06 DOI: 10.1093/oxfordhb/9780190616922.013.24
Tomas Mcauley
{"title":"Ethics","authors":"Tomas Mcauley","doi":"10.1093/oxfordhb/9780190616922.013.24","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190616922.013.24","url":null,"abstract":"Recent histories of nineteenth-century philosophies of music have been dominated by two narratives. The first narrative, that of musical formalism, holds that philosophies of music in this period were concerned primarily with identifying a distinct sphere of musical autonomy. The second narrative, that of musical idealism, holds that philosophies of music in this period were concerned primarily with music’s perceived ability to offer insight into higher truths. This chapter contends that these narratives need to be augmented—and in some cases challenged—by an awareness of the vital role that ethics played in philosophical thinking about music across the long nineteenth century. It thus provides an alternative narrative focused on the musical-ethical thought of three key thinkers of this period: Immanuel Kant, Arthur Schopenhauer, and Friedrich Nietzsche.","PeriodicalId":425498,"journal":{"name":"The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116043536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ephemera
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century Pub Date : 2020-08-06 DOI: 10.1093/oxfordhb/9780190616922.013.8
Catherine Massip
{"title":"Ephemera","authors":"Catherine Massip","doi":"10.1093/oxfordhb/9780190616922.013.8","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190616922.013.8","url":null,"abstract":"Among the documents which give access to musical life and its various events, ephemera occupy a special field. The word (ephemeron singular; ephemera plural) covers several kinds of written or printed documents largely scattered but being produced for a short life and not subject to be handled and stored in a permanent way. “Those papers of the day” as defined in eighteenth century were produced on a large scale in the nineteenth century when newspapers became the major medium for publicity. The main purpose of these documents was primarily information and publicity. This chapter argues how ephemera may be read not as mere sidelines to culture but as central documents pertaining to the wide and complex intellectual issues in music.","PeriodicalId":425498,"journal":{"name":"The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127461492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Time and Temporality 时间与时间性
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century Pub Date : 2020-08-06 DOI: 10.1093/oxfordhb/9780190616922.013.22
Benedict Taylor
{"title":"Time and Temporality","authors":"Benedict Taylor","doi":"10.1093/oxfordhb/9780190616922.013.22","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190616922.013.22","url":null,"abstract":"For the nineteenth century, music was commonly characterized as the “art of time,” and provided a particularly fertile medium for articulating concerns about the nature of time and the temporal experience of human life. This chapter examines some of the debates around music and time from the period, arranged thematically around a series of conceptual issues. These include the reasons proposed for the links between music and time, and the intimate connection between our subjective experience of time and music; the use of music as a poetic metaphor for the temporal course of history; its use by philosophers as an instrument for the explication of temporal conundrums; its alleged potential for overcoming time; its various forms of temporal signification across diverse genres; and the legacy of nineteenth-century thought on these topics today.","PeriodicalId":425498,"journal":{"name":"The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129624440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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