Ephemera

Catherine Massip
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Abstract

Among the documents which give access to musical life and its various events, ephemera occupy a special field. The word (ephemeron singular; ephemera plural) covers several kinds of written or printed documents largely scattered but being produced for a short life and not subject to be handled and stored in a permanent way. “Those papers of the day” as defined in eighteenth century were produced on a large scale in the nineteenth century when newspapers became the major medium for publicity. The main purpose of these documents was primarily information and publicity. This chapter argues how ephemera may be read not as mere sidelines to culture but as central documents pertaining to the wide and complex intellectual issues in music.
在研究音乐生活及其各种事件的文献中,《蜉蝣》占据了一个特殊的领域。这个词(蜉蝣单数;蜉蝣(复数)包括几种书面或印刷的文件,它们大部分是分散的,但产生的时间很短,不能以永久的方式处理和储存。18世纪定义的“今日报纸”是在19世纪报纸成为主要宣传媒介时大规模生产的。这些文件的主要目的是提供信息和宣传。这一章讨论了蜉蝣如何不被视为文化的旁边线,而被视为与音乐中广泛而复杂的智力问题有关的中心文件。
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