ENGLISH STUDIES IN AFRICA最新文献

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Subtlety, Understatement and Omission in The Lord of the Rings 《指环王》中的微妙、理解与省略
IF 0.2 4区 文学
ENGLISH STUDIES IN AFRICA Pub Date : 2023-04-11 DOI: 10.1080/00138398.2023.2193467
Jamie McGregor
{"title":"Subtlety, Understatement and Omission in The Lord of the Rings","authors":"Jamie McGregor","doi":"10.1080/00138398.2023.2193467","DOIUrl":"https://doi.org/10.1080/00138398.2023.2193467","url":null,"abstract":"Abstract J.R.R. Tolkien’s The Lord of the Rings shows a remarkable tendency to withhold information from its readers, apparently as a deliberate narrative strategy that aims to reflect the limited point-of-view of primary characters and thereby heighten the realism of its presentation. This paper discusses four examples of this strategy, beginning with one that (uniquely) cannot be verified by external confirmation: the suggestion that Aragorn secretly witnesses the coming of the Ent-wood to Helm’s Deep. The second case concerns the true identity of Gandalf as an incarnate angel, a detail hidden from most of the characters, and hence from the narrative. The remaining examples concern the treatment of erotic relationships: the long engagement of Arwen and Aragorn, a private family matter from which most characters (and consequently the reader) are excluded, and Sam’s courting of Rosie, revealed only in the closing chapter despite its direct influence on the way Sam behaves when first introduced.","PeriodicalId":42538,"journal":{"name":"ENGLISH STUDIES IN AFRICA","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45634086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Piece of My Self: The ‘Wound’ in the Writing of Richard Ford 《我的一部分:理查德·福特写作中的“伤口”
IF 0.2 4区 文学
ENGLISH STUDIES IN AFRICA Pub Date : 2023-04-11 DOI: 10.1080/00138398.2023.2193468
Gareth Cornwell
{"title":"A Piece of My Self: The ‘Wound’ in the Writing of Richard Ford","authors":"Gareth Cornwell","doi":"10.1080/00138398.2023.2193468","DOIUrl":"https://doi.org/10.1080/00138398.2023.2193468","url":null,"abstract":"Abstract Malcolm Cowley’s hypothesis about the importance of Ernest Hemingway’s WWI wounding to an understanding of his work provides the point of departure for this essay. Richard Ford’s memoir, Between Them: Remembering My Parents (2017), provides revealing information about the importance in Ford’s life of the early death of his father. After discussing the more immediate autobiographical material in Ford’s first novel, A Piece of My Heart (1976), I go on to show how the template created by the wound of Parker Ford’s death informs several stories in Rock Springs and subsequent fiction.","PeriodicalId":42538,"journal":{"name":"ENGLISH STUDIES IN AFRICA","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47489176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sekhmet and the Shaman: Extinction, Ferality and Trans-species Connections in Henrietta Rose-Innes’ Green Lion 塞赫迈特和萨满:亨丽埃塔·罗斯-英尼斯的《绿狮》中的灭绝、野性和跨物种联系
IF 0.2 4区 文学
ENGLISH STUDIES IN AFRICA Pub Date : 2023-04-11 DOI: 10.1080/00138398.2023.2193473
Judith Simon
{"title":"Sekhmet and the Shaman: Extinction, Ferality and Trans-species Connections in Henrietta Rose-Innes’ Green Lion","authors":"Judith Simon","doi":"10.1080/00138398.2023.2193473","DOIUrl":"https://doi.org/10.1080/00138398.2023.2193473","url":null,"abstract":"Abstract In her fourth novel, Green Lion (2015), Henrietta Rose-Innes depicts nature’s precariousness in a commercial-driven city. The novel focuses on how, in the Anthropocene epoch, destructive human activities such as property development and hunting have emptied the city of Cape Town’s peri-urban areas of wildlife, to the extent that Sekhmet is the last surviving black-maned lioness in the world. In response to this overwhelming loss, Green Lion turns its attention to what remains in nature, depicting what Fredric Jameson identifies as an ‘imaginary regression to the past and to older pre-rational forms of thought’ (64). The novel thus foregrounds the ecocritical concept of age-old interconnections between human and nonhuman life through its depiction of the transformative shamanistic relationship between the protagonist, Con Marais, animal activist Mossie and Sekhmet. In this article, I elucidate the change of state and ferality that this transformative relationship elicits in Con, and I extend the notion of ferality to encompass its ecological connotations.","PeriodicalId":42538,"journal":{"name":"ENGLISH STUDIES IN AFRICA","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47239204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Notes on Contributors 投稿人说明
4区 文学
ENGLISH STUDIES IN AFRICA Pub Date : 2023-01-02 DOI: 10.1080/00138398.2023.2128547
{"title":"Notes on Contributors","authors":"","doi":"10.1080/00138398.2023.2128547","DOIUrl":"https://doi.org/10.1080/00138398.2023.2128547","url":null,"abstract":"","PeriodicalId":42538,"journal":{"name":"ENGLISH STUDIES IN AFRICA","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135755238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Betty Molteno and the Creation of a South African Nineteenth-Century Lesbian Discourse 贝蒂·莫尔特诺与19世纪南非女同性恋话语的创造
IF 0.2 4区 文学
ENGLISH STUDIES IN AFRICA Pub Date : 2022-12-15 DOI: 10.1080/00138398.2023.2129166
Lizelle Smit
{"title":"Betty Molteno and the Creation of a South African Nineteenth-Century Lesbian Discourse","authors":"Lizelle Smit","doi":"10.1080/00138398.2023.2129166","DOIUrl":"https://doi.org/10.1080/00138398.2023.2129166","url":null,"abstract":"Abstract There are lacunae in South African scholarship regarding nineteenth-century lesbianism. To address this gap in part, this article examines the sexual identity of Elizabeth Maria (Betty) Molteno (1852–1927) and her two partners, Sarah Hall and Alice Greene. Molteno, the eldest child of the first Prime Minister of the Cape Colony (South Africa), J.C. Molteno, was a teacher, poet, vegetarian, anti-capitalist, and was involved in various political and humanitarian causes. This article specifically examines the lesbian discourse emerging from the letters and diaries written by Molteno and her partners, examining how, in the absence of a visible South African female homosexual discourse, they crafted their own language and understanding of their sexuality. I illustrate how Molteno, who was relatively voiceless regarding her sexual desire during her teenage years, gained voice and intoned agency in her writing while in a relationship with Sarah Hall, finally emerging as an authoritative partner in her thirty-year-long relationship with Alice Greene. Significant discursive practices emerged between Molteno and each of her partners. The nineteenth-century lesbian discourse they created mimicked in language and power dynamics the discourses configuring heterosexual relationships of the nineteenth century and borrowed from familial frameworks. Their relational experience of God while being with their partners became an important aspect of this discourse, while the mother/daughter trope employed by Molteno and Greene to define their early relationship illustrates their wish to locate their desire in familiar and familial female discursive frameworks.","PeriodicalId":42538,"journal":{"name":"ENGLISH STUDIES IN AFRICA","volume":"66 1","pages":"24 - 44"},"PeriodicalIF":0.2,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47196998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘[T]o Make us Complete as Human Beings’: Soil as the Bedrock of Collected Memories in Niq Mhlongo’s Paradise in Gaza “让我们作为人类完整”:土壤是Niq Mhlongo在加沙天堂收集记忆的基石
IF 0.2 4区 文学
ENGLISH STUDIES IN AFRICA Pub Date : 2022-11-14 DOI: 10.1080/00138398.2023.2128502
S. Bosman
{"title":"‘[T]o Make us Complete as Human Beings’: Soil as the Bedrock of Collected Memories in Niq Mhlongo’s Paradise in Gaza","authors":"S. Bosman","doi":"10.1080/00138398.2023.2128502","DOIUrl":"https://doi.org/10.1080/00138398.2023.2128502","url":null,"abstract":"Abstract Niq Mhlongo’s Paradise in Gaza (2020) uses images related to soil to emphasize the novel’s concern with the transmission of indigenous knowledge and the relationship between a sense of humanity and land ownership. Mhlongo’s novel not only explores the quotidian and practical relationship between its characters and the land they occupy and cultivate, but also suggests a transcendental and spiritual relationship between them. With reference to work by Maurice Halbwachs, James E. Young, and Viet Thanh Nguyen, I argue that Mhlongo’s inscription of soil reflects an authorial concern with the entanglements amongst collected memories, just memories, the transmission of culture, land ownership and human dignity. I present a close reading of key passages from the novel using Sarah Nuttall’s notion of entanglement to demonstrate these relationships. Ultimately, I argue that Paradise in Gaza is not only an exploration of African life in a historical setting, but that it also presents an argument for the need for some form of land restitution in contemporary South Africa while recognizing the complexities inherent in any such process.","PeriodicalId":42538,"journal":{"name":"ENGLISH STUDIES IN AFRICA","volume":"66 1","pages":"45 - 53"},"PeriodicalIF":0.2,"publicationDate":"2022-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48523435","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Boda Boda (R)age: Economies of Affection in the Motorbike Taxis of Kenya 博达-博达(R)时代:肯尼亚摩托车出租车的情感经济
IF 0.2 4区 文学
ENGLISH STUDIES IN AFRICA Pub Date : 2022-10-26 DOI: 10.1080/00138398.2023.2128542
Joyce Nyairo
{"title":"The Boda Boda (R)age: Economies of Affection in the Motorbike Taxis of Kenya","authors":"Joyce Nyairo","doi":"10.1080/00138398.2023.2128542","DOIUrl":"https://doi.org/10.1080/00138398.2023.2128542","url":null,"abstract":"Abstract Nikushike namna gani? (How should I hold you?) The questions that women ask motorbike taxis operators are just one of the many ways that this new mode of transportation in both urban and rural Kenya have become a vehicle for laughter, outrage, (in)dignity and wealth. This paper focuses on moments of delight in the danger-filled work of motorbike taxi operators in Kenya. How much joy do boda boda (motorbike taxis) generate in modern Kenya? The delight is measured, not simply in terms of the varied financial and psycho-social accumulation that is made possible in this industry, but also in terms of the tone of the public conversations that have been triggered by the boda boda phenomena. I interrogate the grammar that has grown out of this mode of transportation, the platforms through which this grammar circulates and the tenor of the voices of thought-leaders and policymakers as they engage the conundrum of public transport. An examination of women’s engagements with boda bodas reveals a long arc that stretches from moral panic borne of knee-jerk recourses to both ethnic mores and pious religion – which often conspire to policewomen’s bodies – to reclamation and release in moments of freedom that are performed in several ways, including the erasure of the borders of personal space. Beyond the political economies of wealth and poverty in Africa, this paper is concerned with demonstrating cultural performativity in the context of post-colonial modernity and answering key questions about how national identities are forged and reinforced in a series of rapidly circulating discourses that underline commonalities far more than they entrench the differences that many see as both indelible and emblematic of the modern African state.","PeriodicalId":42538,"journal":{"name":"ENGLISH STUDIES IN AFRICA","volume":"66 1","pages":"109 - 123"},"PeriodicalIF":0.2,"publicationDate":"2022-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49439318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Journeying through Nairobi: Mapping the City through Prize-Winning Stories 内罗毕之旅:通过获奖故事绘制城市地图
IF 0.2 4区 文学
ENGLISH STUDIES IN AFRICA Pub Date : 2022-10-25 DOI: 10.1080/00138398.2023.2128545
D. Kiguru
{"title":"Journeying through Nairobi: Mapping the City through Prize-Winning Stories","authors":"D. Kiguru","doi":"10.1080/00138398.2023.2128545","DOIUrl":"https://doi.org/10.1080/00138398.2023.2128545","url":null,"abstract":"Abstract Nairobi as a city has been a prominent feature in many literary works set in Kenya from the pre-independence period, when the city started taking form, to the present. The city has also continued its presence in futuristic literary representations from Kenya. This article is concerned with Nairobi as a city and its representations within short stories in the AKO Caine Prize for African Writing. It analyses selected prize-winning and shortlisted stories in a literary project that aims to map the Nairobi city space, exploring both its precarity as well as its stability as presented through literature. Through the characters in these prized stories, the article foregrounds the journey motif as a tool used by the writers to explore and present the postcolonial city though contemporary lenses, paying particular attention to the significance of the chaos and informality used to describe the city. The article seeks to read the postcolonial African city in its complexities outside of the conventional binary lenses of local versus global, rural versus urban, and modern versus traditional. It acknowledges the significance of an international literary prize not only in shaping creative narratives but also in capturing the ‘spirit of the moment’. Through an analysis of these short stories under the larger umbrella of an international literary prize, this article attempts a reading of the creative representations of a city exploring the multi-layered nature of both text and physical space.","PeriodicalId":42538,"journal":{"name":"ENGLISH STUDIES IN AFRICA","volume":"66 1","pages":"124 - 137"},"PeriodicalIF":0.2,"publicationDate":"2022-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41451432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Street Art and the Reconfiguration of Civic Advocacy in Nairobi City 内罗毕市街头艺术与公民倡导的重新配置
IF 0.2 4区 文学
ENGLISH STUDIES IN AFRICA Pub Date : 2022-10-25 DOI: 10.1080/00138398.2023.2128532
Charles Kebaya
{"title":"Street Art and the Reconfiguration of Civic Advocacy in Nairobi City","authors":"Charles Kebaya","doi":"10.1080/00138398.2023.2128532","DOIUrl":"https://doi.org/10.1080/00138398.2023.2128532","url":null,"abstract":"Abstract Over the last two decades, social protests in Kenya have shifted to using art. Social protests involving art, such as the ‘State-Burial-ballot-Revolution’ and ‘Occupy-Parliament Movement,’ among others, have been witnessed in the country in the recent past. These artistic productions interpellate the spaces they interact with – the street, parliament, buildings, perimeter fences and public arenas – to denounce various issues, such as corruption, extra-judicial killings, political greed and other social injustices afflicting the nation. Espousing concepts of the carnivalesque by Mikhail Bakhtin, this article analyzes street art – street theatre and graffiti – utilized in Nairobi’s streets. In examining the literary aesthetics embedded in these innovative creative works, this article shows the significant potential of street art to stake, reclaim and reconfigure civil advocacy and, in the process, spur civic participation in various issues affecting the country today.","PeriodicalId":42538,"journal":{"name":"ENGLISH STUDIES IN AFRICA","volume":"66 1","pages":"95 - 108"},"PeriodicalIF":0.2,"publicationDate":"2022-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42397838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nairobi Street-Aesthetics: Distance and Proximity in the Aesthetics of Everyday Life in the Green City 内罗毕街头美学:绿城日常生活美学中的距离与接近
IF 0.2 4区 文学
ENGLISH STUDIES IN AFRICA Pub Date : 2022-10-20 DOI: 10.1080/00138398.2023.2128525
Nicklas Hållén
{"title":"Nairobi Street-Aesthetics: Distance and Proximity in the Aesthetics of Everyday Life in the Green City","authors":"Nicklas Hållén","doi":"10.1080/00138398.2023.2128525","DOIUrl":"https://doi.org/10.1080/00138398.2023.2128525","url":null,"abstract":"Abstract This article looks at the relatively recent tendency to aestheticize life in Nairobi’s working-class and informal neighbourhoods in different forms of art and media. It focuses on two case studies – Steve Bloom’s photobook, Trading Places: The Merchants of Nairobi (2009) and the first issue of the Kenyan literary magazine Kwani? (2003). These are compared to the collectively performed poem ‘Mistaken Identity’ (2019) by a group of poets from the neighbourhood of Kayole, to show that the street aesthetics in the two cases rest on distance, while the meaning-making in the poem rests on proximity. Distance in this context takes several forms, such as the gap between socio-economic classes and actual physical distance, but I register it on the level of epistemology. The poem also articulates a form of epistemological proximity between, first, the forms of meaning-making that can be seen in both the text and the visual and performative components of the video, and, second, the place that is portrayed. Rather than arguing that proximity is preferable to distance as a basis of meaning-making, this article attempts to theorize the emergence of a specific aesthetic. This aesthetic presents itself as an aesthetic because the particular forms of social stratification and concomitant social distance between communities and neighbourhood (which have emerged in Nairobi since 2000) allow an economic, political and cultural elite to re-discover the city, which they experience as simultaneously strange and familiar.","PeriodicalId":42538,"journal":{"name":"ENGLISH STUDIES IN AFRICA","volume":"66 1","pages":"76 - 94"},"PeriodicalIF":0.2,"publicationDate":"2022-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46574563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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