{"title":"Le geste intermédial dans une cartographie des études mémorielles1","authors":"Sébastien Fevry","doi":"10.7202/1049948AR","DOIUrl":"https://doi.org/10.7202/1049948AR","url":null,"abstract":"Depuis dix ans, les Memory Studies se sont constituées comme un champ multidisciplinaire principalement implanté dans le monde anglo-saxon et dans de nombreux pays européens. L’objectif de cet article sera de montrer en quoi l’intermédialité peut être envisagée comme un opérateur de champ capable de mieux dessiner les articulations qui composent le paysage actuel des Memory Studies. Dans un premier temps, nous montrerons que le recours à la méthode intermédiale permet de distinguer ce qui sépare les Memory Studies des études de mémoire en France. Alors que les premières utilisent la théorie intermédiale pour soutenir une approche centrifuge de la mémoire, attentive aux dynamiques de transfert et de déplacement, les secondes privilégient, dans leur approche des productions médiatiques, une conception des phénomènes mémoriels plus statique, patrimoniale et davantage centrée sur le territoire. Dans un deuxième temps, nous envisagerons les différentes conceptions de l’intermédialité qui se croisent au sein même des Memory Studies. Malgré les références nombreuses à Bolter et Grusin, les Memory Studies semblent souffrir d’une certaine sous-théorisation concernant l’intermédialité. Les médias occupent dès lors une place paradoxale au sein du champ, puisqu’ils sont à la fois au centre de l’échiquier mémoriel, mais, en même temps, relativement peu travaillés en tant que tels.","PeriodicalId":42444,"journal":{"name":"Intermedialites","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48389732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Intermédialité et écologie des médias : essai de cartographie comparative1","authors":"J. Vallée","doi":"10.7202/1049947AR","DOIUrl":"https://doi.org/10.7202/1049947AR","url":null,"abstract":"À partir d’une comparaison entre intermédialité et écologie des médias — qui partagent une quantité étonnante de traits communs, tant du point de vue de leur développement historique et institutionnel que de celui de leurs fondements épistémiques et méthodologiques —, cet article tente de saisir ce qui lie et ce qui distingue ces deux « interdisciplines ». Nous essaierons ensuite de comprendre ce qu’elles peuvent nous apprendre sur le contexte médiatique et institutionnel de leur émergence et de leur développement dans les interstices disciplinaires de nos « universités en ruines » (Readings).","PeriodicalId":42444,"journal":{"name":"Intermedialites","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45370643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Readings at the Intersection: Social Ecologies in Critical Texts","authors":"C. Holdsworth","doi":"10.7202/1049946AR","DOIUrl":"https://doi.org/10.7202/1049946AR","url":null,"abstract":"Taking extracts from Readings, a short-lived reviews magazine edited by artists Annabel Nicolson and Paul Burwell in 1977, this article explores the intersection between two collectively organized artist-led groups—the London Musicians’ Collective and the London Film-makers’ Co-operative, which were based at the same address between 1977 and 1988. It considers how texts, as extensions of artistic practices, garnered innovative performance criticism and cultures in London at that time. Magazines such as this are posited as a productive means of mapping complex social ecologies and histories involving multiple disciplines.","PeriodicalId":42444,"journal":{"name":"Intermedialites","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47446944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sur les ondes transculturelles. La diversité (des expressions) culturelle(s) selon l’UNESCO","authors":"P. Rousseau","doi":"10.7202/1049949AR","DOIUrl":"https://doi.org/10.7202/1049949AR","url":null,"abstract":"Cet article se penche sur le cas de la Convention sur la protection et la promotion de la diversité des expressions culturelles adoptée par une très grande majorité à l’UNESCO en 2005. Les pages qui suivent sont consacrées aux manières dont cette convention, qui joua un rôle d’interface, devint opérationnelle à travers un parcours sinueux au sein des organisations internationales. Je chercherai à mettre à l’avant-plan les divers engrenages nécessaires (idéels et matériels) ayant facilité son assemblage (et son acceptation) et qui tentent d’assurer aujourd’hui son fonctionnement. Nous verrons comment le problème de l’occupation de l’espace médiatique (notamment le problème de l’hégémonie américaine) est à la source de la promotion d’une certaine esthétique de la diversité culturelle précisément accordée aux supports et capacités médiatiques contemporaines.","PeriodicalId":42444,"journal":{"name":"Intermedialites","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46569225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Une cartographie des relations intermédiales entre le jeu vidéo et les autres médias dans le cadre des franchises transmédiatiques","authors":"C. Duret","doi":"10.7202/1049954AR","DOIUrl":"https://doi.org/10.7202/1049954AR","url":null,"abstract":"Cet article propose une cartographie sommaire de l’intermédialité telle qu’elle est mobilisée dans les recherches portant sur les relations entre le jeu vidéo et les autres médias au sein des franchises transmédiatiques. L’objectif poursuivi est d’identifier, grâce à une telle entreprise, plusieurs aspects problématiques du récit transmédiatique conceptualisé par Henry Jenkins : la complémentarité, la synergie et l’égalité statutaire des médias, la fluidité dans la circulation d’éléments fictionnels entre les textes et la cohérence narrative, par exemple. Afin de réduire l’angle mort intermédial que recèle le concept de récit transmédiatique, il convient de distinguer les phénomènes relevant de la transfictionnalité et de l’intermédialité (et plus précisément de l’intermédialité de milieu, de l’intermédialité formelle et de la référence intermédiale) qui s’y trouvent impliqués.","PeriodicalId":42444,"journal":{"name":"Intermedialites","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46889929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Intermedial Products for Digital Natives: British Theatre-Cinema on Italian Screens","authors":"Maddalena Pennacchia","doi":"10.7202/1049952AR","DOIUrl":"https://doi.org/10.7202/1049952AR","url":null,"abstract":"The concept of intermediality underwent a deep transformation with the digital turn, when the difference between media became entirely virtual and a continuous communication system superseded the discontinuous analogic system. Does intermediality still make sense in the era of post-media? And, in particular, how do digital natives, with their specific cognitive abilities, perceive intermediality? Can we think of literature in terms of a fluid intermedial relation of writing to other media? And does such an approach help when it comes to teaching literature to digital natives? What are the intermedial products that the creative industries are designing specifically for them? Taking Shakespeare as an eminent example of a writer whose work has been adapted to all kinds of media, this article focuses on the phenomenon of British theatre productions that are conceived to be screened live in cinemas all over the world and presents the results of a pilot experiment devised to investigate the reception of one of these productions by a sample audience of Italian teenagers.","PeriodicalId":42444,"journal":{"name":"Intermedialites","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47573262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Arts Once More United”: Bridging Disciplines through Creative Media Research, Toronto, 1953–551","authors":"Michael Darroch","doi":"10.7202/1049945AR","DOIUrl":"https://doi.org/10.7202/1049945AR","url":null,"abstract":"From 1953 to 1955, the Ford Foundation funded a unique experiment in intermedial study and experimentation at the University of Toronto. The Culture and Communications Seminar and the journal Explorations, led by Edmund Carpenter, Marshall McLuhan, and Jaqueline Tyrwhitt, are indicative of the ways in which intermedial studies became organized and institutionalized in the 1950s and 1960s. The scholarly network that took shape during these years of Ford Foundation funding laid the framework in Canada for initiatives in creative media research that have become fundamental aspects of arts and humanities education. This article charts the assemblage of geographic, disciplinary, artistic, and organizational connections that facilitated this educational experiment.","PeriodicalId":42444,"journal":{"name":"Intermedialites","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7202/1049945AR","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47140875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Politics of Intermediality in African Theatre Contexts","authors":"C. Makhumula","doi":"10.7202/1049950AR","DOIUrl":"https://doi.org/10.7202/1049950AR","url":null,"abstract":"In this article, I discuss the politics of intermediality in African theatre contexts. My underlying assumption is that the study of intermediality is inevitably contextual in nature because intermediality is strongly linked to the sociopolitical and economic context. Jens Schröter explores the links between intermediality and ideological/politico-economic factors in his article “The Politics of Intermediality.” He argues that questions concerning intermediality are by no means purely theoretical or aesthetic questions; rather, they are laden with political connotations. Following Schröter, my approach emphasizes how different cultures understand media differences and their interaction in a given historical phase. Using examples from the Southern region of the African continent, this article navigates through divergent theories of African theatre in its attempt to understand how media interrelations are conceptualized within the theoretical discourses in the region.","PeriodicalId":42444,"journal":{"name":"Intermedialites","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43515465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}