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South Asian Gothic. Edited by Katarzyna Ancuta and Deimantas Valančiūnas 南亚哥特式。Katarzyna Ancuta和Deimantas编辑Valančiūnas
IF 0.1
Gothic Studies Pub Date : 2023-07-01 DOI: 10.3366/gothic.2023.0166
Aparajita Hazra
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引用次数: 0
Peter Tuesday Hughes: Forgotten Pioneer of the Gay Gothic 彼得·周二·休斯：被遗忘的同性恋哥特式先锋
IF 0.1
Gothic Studies Pub Date : 2023-07-01 DOI: 10.3366/gothic.2023.0163
Justin Tate
{"title":"Peter Tuesday Hughes: Forgotten Pioneer of the Gay Gothic","authors":"Justin Tate","doi":"10.3366/gothic.2023.0163","DOIUrl":"https://doi.org/10.3366/gothic.2023.0163","url":null,"abstract":"Vincent Virga’s Gaywyck (1980) has enjoyed sustained critical and commercial interest due to the claim that it is the first Gothic novel to depict unambiguous same-sex romance. While enthusiasm for Gaywyck is warranted, there is an earlier ‘gay Gothic’ novel which should be recognized as the first. Peter Tuesday Hughes’s Gay Nights at Maldelangue (1969) is a literary fantasia of same-sex desire and classic gothic storytelling. Published shortly after the Stonewall Uprising, it is also among the first creative interactions with the gay liberation movement of the late 1960s. Although Hughes wrote at least thirty-two novels, was a critical success and top seller for his publisher, he is largely forgotten today – to the extent that we do not know whether he is alive or even if that is his real name.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44559018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Notes on Contributors 投稿人说明
Gothic Studies Pub Date : 2023-07-01 DOI: 10.3366/gothic.2023.0158
{"title":"Notes on Contributors","authors":"","doi":"10.3366/gothic.2023.0158","DOIUrl":"https://doi.org/10.3366/gothic.2023.0158","url":null,"abstract":"","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134950974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘The Voice of Thunder’: The Formulaic Nature of the Gothic Type-Scene 《雷声之声》:哥特字体场景的公式化本质
IF 0.1
Gothic Studies Pub Date : 2023-03-01 DOI: 10.3366/gothic.2023.0155
M. Aguirre
{"title":"‘The Voice of Thunder’: The Formulaic Nature of the Gothic Type-Scene","authors":"M. Aguirre","doi":"10.3366/gothic.2023.0155","DOIUrl":"https://doi.org/10.3366/gothic.2023.0155","url":null,"abstract":"This article rounds off an intensive study of formulaicity in Gothic fiction. After briefly recapping analysis on the compositional levels of formula, formulaic pattern and tableau in the novel The Necromancer (1794), the article concentrates on the next compositional level, the type-scene, understood as an aggregate of tableaux. It shows that the type-scene depicting ghostly apparitions systematically resorts to the same lexical fields and techniques of composition, and that these foreground language over content; the type-scene thus constructed exhibits a multiform structure, and strongly resembles ‘other’ type-scenes respectively depicting a tempest and the Wild Hunt. Detailed analysis leads to seven hypotheses regarding the structure of these type-scenes, the most general of which being that a metonymic principle appears to govern Gothic narrative composition. These hypotheses suggest themselves as stepping-stones towards the construction of a poetics of the Gothic.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47790520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Creepy Little Girl 恐怖小女孩
IF 0.1
Gothic Studies Pub Date : 2023-03-01 DOI: 10.3366/gothic.2023.0150
Karen E Macfarlane
{"title":"Creepy Little Girl","authors":"Karen E Macfarlane","doi":"10.3366/gothic.2023.0150","DOIUrl":"https://doi.org/10.3366/gothic.2023.0150","url":null,"abstract":"The Creepy Little Girl is a subset of the Gothic Child and as such, she works differently from the evil child or the monstrous child in contemporary Gothic. Unlike the contradictions inherent in representations of the evil child whose presence is disruption and destruction, or the monstrous child who is dangerous, the Creepy Little Girl serves as a function of the Gothic: she is that figure through which the narrative is unsettled and the Gothic intrudes. The Creepy Little Girl is defined by her hypergendered position in the narratives in which she appears: as both ‘little’ and very much as ‘girl’. The little girl's presence in contemporary gothic narratives destabilises the familiar, the domestic, and the cute and that is the basis for the gothic unease that she engenders.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43701083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Front matter 前页
Gothic Studies Pub Date : 2023-03-01 DOI: 10.3366/gothic.2023.0148
{"title":"Front matter","authors":"","doi":"10.3366/gothic.2023.0148","DOIUrl":"https://doi.org/10.3366/gothic.2023.0148","url":null,"abstract":"","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136389910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In the Nightmare Country: John Metcalfe’s ‘The Bad Lands’ 噩梦国度:约翰·梅特卡夫的《坏境》
IF 0.1
Gothic Studies Pub Date : 2023-03-01 DOI: 10.3366/gothic.2023.0153
N. Freeman
{"title":"In the Nightmare Country: John Metcalfe’s ‘The Bad Lands’","authors":"N. Freeman","doi":"10.3366/gothic.2023.0153","DOIUrl":"https://doi.org/10.3366/gothic.2023.0153","url":null,"abstract":"‘In the Nightmare Country’ offers a detailed analysis of John Metcalfe’s short story, ‘The Bad Lands’ (1920), arguing that it represents an amalgam of Gothic and modernist devices and preoccupations that has significant implications for the development of twentieth-century British Gothic writing. The article considers how Metcalfe's story was shaped by Joseph Conrad and D. H. Lawrence on one hand and Freudian psychoanalysis and wartime experiences on the other. It also examines the important role played by the anthologist, Dorothy L. Sayers, in the popularisation of emerging forms of psychological gothic during the 1930s.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49258291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Analogues of Eve: Imagining a Sublime Gothic Heroine in Charlotte Dacre’s Zofloya, or the Moor 夏娃的类比：在夏洛特·达克雷的《摩尔人》中想象一位崇高的哥特式女英雄
IF 0.1
Gothic Studies Pub Date : 2023-03-01 DOI: 10.3366/gothic.2023.0151
Alice Capstick, Rowan Burridge
{"title":"Analogues of Eve: Imagining a Sublime Gothic Heroine in Charlotte Dacre’s Zofloya, or the Moor","authors":"Alice Capstick, Rowan Burridge","doi":"10.3366/gothic.2023.0151","DOIUrl":"https://doi.org/10.3366/gothic.2023.0151","url":null,"abstract":"In Zofloya, or the Moor (1806), Charlotte Dacre subverts gothic traditions by representing her heroine, Victoria, as the first sublime gothic heroine: a female protagonist who embodies and uses the sublime to empower herself without sacrificing her female identity or sexuality. Dacre challenges the gendered roles of the satanic seduction narrative which, by the nineteenth-century, had become commonplace in the Gothic and had been influenced by the version of the Fall portrayed in John Milton's Paradise Lost (1667). Although Victoria becomes victim to Satan, Dacre radically reimagines the Fall. Victoria does not Fall as a result of being overwhelmed by masculine tyranny, but because she is exposed to a more powerful sublimity than her own. Through comparison of the female characters in the novel – who each represent the existing options for characterising women in the Gothic – Dacre's critique of gothic gender roles is apparent, as she presents sublimity as the only means of achieving independence.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41614024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Notes on Contributors 投稿人说明
Gothic Studies Pub Date : 2023-03-01 DOI: 10.3366/gothic.2023.0149
{"title":"Notes on Contributors","authors":"","doi":"10.3366/gothic.2023.0149","DOIUrl":"https://doi.org/10.3366/gothic.2023.0149","url":null,"abstract":"","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136389911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In the Dark: The Afterlife of a Horror Hoax 黑暗中：恐怖骗局的来龙去脉
IF 0.1
Gothic Studies Pub Date : 2023-03-01 DOI: 10.3366/gothic.2023.0152
Erika Kvistad
{"title":"In the Dark: The Afterlife of a Horror Hoax","authors":"Erika Kvistad","doi":"10.3366/gothic.2023.0152","DOIUrl":"https://doi.org/10.3366/gothic.2023.0152","url":null,"abstract":"In the Dark, a 2007 webseries directed by Andrew Cull that purports to be the YouTube channel of a young woman documenting a haunting in her apartment, is arguably the first horror hoax webseries on YouTube. Two decades after the popular rise of two horror media traditions that make use of the storytelling power of hoaxes, the found footage horror film and creepypasta, this article returns to In the Dark as an early work that draws on both these modes and asks: what happens when a hoax gets old? If the credibility of a hoax is inherently time-limited, how might a work of hoax horror whose time has passed speak to us now? To explore the afterlife of In the Dark, I discuss this foundational but little-studied work in the context of earlier scholarship on genres and modes that make use of illusions of authenticity, like creepypasta, found footage film, and alternate reality games (ARGs). I discuss how In the Dark functioned as a hoax when it was originally published in 2007, examining its amateur aesthetics, its interactions with viewers, and its inclusion of apparently meaningless material to create a sense of authenticity and implicate the reader in the storytelling process. Reflecting on how the last fifteen years have changed the way this hoax appears to and works on viewers, I suggest that as the immediate credibility of a horror hoax diminishes, a different kind of horror effect takes over, allowing the hoax to function in new, unintended ways.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47293745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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