极端:詹姆斯·霍格、罗伯特·路易斯·史蒂文森和玛格丽特·奥列芬特的奇怪依恋

IF 0.2 N/A HUMANITIES, MULTIDISCIPLINARY
S. Brewster
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引用次数: 1

摘要

在詹姆斯·霍格、罗伯特·路易斯·史蒂文森和玛格丽特·奥列芬特的哥特式故事和鬼故事中,亲密与排斥、平凡与陌生之间强烈而神秘的关系得到了令人回味的表达。他们的叙述抵制并敞开心扉,让人难以忘怀,他们所遇到的超自然的另类被证明是奇怪的熟悉,并提出了关于知识和主观性的基本问题。在这些时刻,内在和外在在心理、社会和环境方面的区别根本不确定。利用雅克·拉康的“极端性”概念,一种“亲密的外在性”,构成了对内在陌生人的疏远依恋,本文探讨了霍格和史蒂文森的未解决的斗争,这种亲密而激动人心的他者感破坏了身份的主张。相比之下,奥列芬特试图适应极端,并接受她对困扰的义务。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Extimacies: Strange Attachments in James Hogg, Robert Louis Stevenson, and Margaret Oliphant
The intense, uncanny relationship between intimacy and exclusion, homeliness and strangeness finds evocative expression in the Gothic tales and ghost stories of James Hogg, Robert Louis Stevenson, and Margaret Oliphant. Their narratives resist and open themselves to haunting, with the supernatural alterity they encounter proving oddly familiar and posing fundamental questions about knowledge and subjectivity. In these moments, distinctions between inside and outside in psychic, social and environmental terms are radically unsettled. Using Jacques Lacan’s notion of ‘extimacy,’ an ‘intimate exteriority’ that constitutes an estranged attachment to the stranger within, this article examines the unresolved struggle in Hogg and Stevenson with this intimate yet agitating sense of otherness that disrupts the assertion of identity. Contrastingly, Oliphant attempts to accommodate the extimate, and embraces her obligations to that which haunts.
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来源期刊
Gothic Studies
Gothic Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
22
期刊介绍: The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. Gothic Studies opens a forum for dialogue and cultural criticism, and provides a specialist journal for scholars working in a field which is today taught or researched in academic institutions around the globe. The journal invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are studies of works across the range of media, beyond the written word.
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