Frames Cinema Journal最新文献_第4页

Uploading the Archive, Copy/Pasting the “Classical” 上传档案，复制/粘贴" classic "

Frames Cinema Journal Pub Date : 2022-02-18 DOI: 10.15664/fcj.v19i0.2392

Eleni Palis

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引用次数: 0

Diasporic Archives and Hauntological Accretions 散居档案与幽灵增减

Frames Cinema Journal Pub Date : 2022-02-18 DOI: 10.15664/fcj.v19i0.2383

M. Chew

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引用次数: 0

Historical Trauma, Queer Sex, and Physical Touch in Barbara Hammer’s Nitrate Kisses 芭芭拉·哈默的《硝酸盐之吻》中的历史创伤、同性恋性行为和身体接触

Frames Cinema Journal Pub Date : 2022-02-18 DOI: 10.15664/fcj.v19i0.2384

R. Lallouz

{"title":"Historical Trauma, Queer Sex, and Physical Touch in Barbara Hammer’s Nitrate Kisses","authors":"R. Lallouz","doi":"10.15664/fcj.v19i0.2384","DOIUrl":"https://doi.org/10.15664/fcj.v19i0.2384","url":null,"abstract":"For lesbian-feminist filmmaker Barbara Hammer, “making up” lost queer history in the absence of conventional archives is a material and embodied process seen in her experimental documentary Nitrate Kisses (1992). This film centres around different queer couples portraying various erotic, physical and sexual acts. Each of these acts are aligned with voice-over interviews and visual archival ephemera detailing particular historical traumas, including the AIDS crisis and the erasure of lesbian experiences from life narratives of Holocaust survivors. I argue that the body and various erotic acts in Nitrate Kisses become sites of consciousness and cognition employed in the recovery of traumatic memory. As I explore, it is physical touch—sexual and erotic touch in particular—that acts as a conduit for accessing lost or purposefully invisibilized archival knowledge. Employing Elizabeth Freeman’s erotohistoriography, I argue that sex and other forms of physical touch in Hammer’s film become a method of remembering historical injustices, making them visible through an embodied queer-feminist archival practice in order for the viewer to bear witness to trauma that has shaped queer cultural memory. \u0000This article contains images of nudity and sexual behaviour.","PeriodicalId":423883,"journal":{"name":"Frames Cinema Journal","volume":"149 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120898627","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Anarchiving the New York Avant-Garde: The Phantom of Barbara Rubin’s Christmas on Earth 纽约先锋派的无政府化:芭芭拉·鲁宾在地球上的圣诞节的幽灵

Frames Cinema Journal Pub Date : 2022-02-18 DOI: 10.15664/fcj.v19i0.2389

Giulia Rho

引用次数: 0

Resisting extractive uses of the archive in Colombian experimental non-fiction 抵制哥伦比亚实验性非小说类文献的提取性使用

Frames Cinema Journal Pub Date : 2022-02-18 DOI: 10.15664/fcj.v19i0.2380

Maria A. Vélez-Serna

引用次数: 0

Remediating the Archive: Sabrina Gschwandtner’s Film Quilts as Forms of Material Knowledge 修复档案:萨布丽娜·施万特纳的电影被子作为物质知识的形式

Frames Cinema Journal Pub Date : 2022-02-18 DOI: 10.15664/fcj.v19i0.2382

Lola Rémy

{"title":"Remediating the Archive: Sabrina Gschwandtner’s Film Quilts as Forms of Material Knowledge","authors":"Lola Rémy","doi":"10.15664/fcj.v19i0.2382","DOIUrl":"https://doi.org/10.15664/fcj.v19i0.2382","url":null,"abstract":"This article argues that the quilting works of Sabrina Gschwandtner, which sew archival 16 mm film strips into complex and colourful visual patterns, offer an understanding of film archives as embodied sites of historical, gendered, knowledge. As cinematic objects, Gschwandtner’s film quilts veer from and expand the conception of cinema as a projected medium, while the artisanal labour of sewing spatializes the process of editing, “lending [it] a concreteness” (Walley 2020, 327). The quilts, I argue, embody a form of archiveology, drawing on “archival material to produce knowledge about how history has been represented and how representations […] are actually historical in themselves and have anthropological value” (Russell 2018, 22). The historical knowledge of these objects is no longer transmitted didactically and orally (as in the found footage documentaries she uses), but rather through the very materiality of the quilting process. Gschwandtner’s artisanal work mirrors the gendered labour of film editors, while reflecting on the historical significance of quilts as carriers of information transmitted in gendered and racialised circles. I contend that the film quilts are sensory vectors of archival knowledge. While offering crucial considerations on the disregard of American institutions (and archives) towards feminized artisanal labour, Gschwandtner’s work also remediates these archival materials, calling attention to their deterioration as slowly decaying, sensory objects. This remediation allows me to consider archives as sites of sensorial interactions and constantly evolving historical and embodied knowledge.","PeriodicalId":423883,"journal":{"name":"Frames Cinema Journal","volume":"2013 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128734558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Guest Editor’s Introduction to Special Issue of Frames: Sensing the Archive 特刊《框架:感知档案》客座编辑简介

Frames Cinema Journal Pub Date : 2022-02-17 DOI: 10.15664/fcj.v19i0.2378

C. Russell

引用次数: 0

Review: Sady Doyle, Dead Blondes and Bad Mothers: Monstrosity, Patriarchy and the Fear of Female Power 书评:《死去的金发女郎》和《坏母亲:怪物、父权制和对女性权力的恐惧》

Frames Cinema Journal Pub Date : 2021-06-24 DOI: 10.15664/fcj.v0i18.2274

S. Walia

引用次数: 1

Letter from the Editors 编辑的信

Frames Cinema Journal Pub Date : 2021-06-24 DOI: 10.15664/fcj.v0i18.2272

Lucia Szemetová, J. Browne