BACH最新文献

{"title":"What is it to Write a Biography of J.S. Bach?","authors":"P. Williams","doi":"10.1353/bach.2014.a808508","DOIUrl":"https://doi.org/10.1353/bach.2014.a808508","url":null,"abstract":"","PeriodicalId":42367,"journal":{"name":"BACH","volume":"45 1","pages":"1 - 14"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48628806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Editorial: Tribute to Dr. Elinore L. Barber","authors":"Christina Fuhrmann","doi":"10.22513/bach.51.1.0001","DOIUrl":"https://doi.org/10.22513/bach.51.1.0001","url":null,"abstract":"","PeriodicalId":42367,"journal":{"name":"BACH","volume":"51 1","pages":"1 - 4"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49437376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Wendy Carlos: A Biography by Amanda Sewell (review)","authors":"Bradley M. Spiers","doi":"10.1353/bach.2021.0016","DOIUrl":"https://doi.org/10.1353/bach.2021.0016","url":null,"abstract":"","PeriodicalId":42367,"journal":{"name":"BACH","volume":"52 1","pages":"226 - 232"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41684724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Bach’s Musical Universe: The Composer and His Work by Christoph Wolff (review)","authors":"Z. Szabó","doi":"10.1353/bach.2021.0009","DOIUrl":"https://doi.org/10.1353/bach.2021.0009","url":null,"abstract":"C hristoph Wolff’s pivotal research in Bach scholarship, spanning over many decades, hardly needs extensive introduction. The list of his influential publications extends from articles in academic journals, through editorial work in several annual volumes of the Bach-Jahrbuch, to his role of revising and expanding the fundamental scholarly source The New Bach Reader (1998). He is also the author of two sizable tomes on this topic, Bach: Essays on His Life and Music (1991), a collection of thirty-two articles on specific aspects of the composer’s life and works, and the comprehensive biography Johann Sebastian Bach: The Learned Musician (2000). His latest book, Bach’s Musical Universe (2020), broadens the scope of scholarly knowledge offered in his previous two books even further, while connecting with them in such an organic manner that it almost makes one wonder: why did we not miss the last part of this scholarly triptych before? Indeed, the author’s meticulously detailed work on Bach research is best appreciated with all three volumes at hand. Regular cross-referencing among them is needed, as numerous footnotes in this book refer the reader to the findings in the other two. The look and touch of a new book can add to the positive experience of using it, and there is almost no disappointment here. The feel of the book is pleasant, it is well bound, it stays open easily, and the font is large enough to read it without straining the eyes (sadly, this is not always the case with academic publications). Unfortunately, though, at least in my copy, there seems to be a color run on the cover page, printed in yellow and white letters, where within the white line of “The Composer and His Work,” the last three letters of the word “composer” are inexplicably yellow. The structure of the book is clear, as it arrives to its focus from two different directions. With evident respect, in chapter 1, Wolff presents and later relies on Carl Philipp Emanuel Bach’s summary catalogue of his father’s compositions, compiled shortly after Johann Sebastian’s death in 1750 and significantly amended in 1774. Concurrently, from a different approach, the author draws attention to those compositions that are “matching pieces of a certain kind or genre” (21). These have an “opus character” or represent an “opus collection”—a reference to the grouped instrumental compositions of BACH: Journal of the Riemenschneider Bach Institute, Vol. 52, No. 1, 2021 Copyright © 2021 Baldwin Wallace University, Berea, OH","PeriodicalId":42367,"journal":{"name":"BACH","volume":"52 1","pages":"103 - 98"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42398644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A Mystery Unraveled: Who Composed the Gutenberg 300th Anniversary Cantata?","authors":"Mick Lim Bing Nan","doi":"10.1353/bach.2018.0024","DOIUrl":"https://doi.org/10.1353/bach.2018.0024","url":null,"abstract":"Abstract:The Kantate auf die 300-Jahr-Feyer der Edlen Buchdruckerkunst (the Cantata for the 300th anniversary of the art of book printing, hereafter the Gutenberg Cantata) is an unattributed manuscript from Die Sammlung Gorke in the Bach-Archiv Leipzig. This large, double-choir cantata has long been a subject of interest to scholars, but the circumstances of its composition and first performance have never been known. Now, however, a document has come to light that can answer these questions. My research has connected the Gutenberg Cantata with a performance in the Barfüßerkirche in Frankfurt am Main on 24 June 1740. I have determined that the music was composed by Heinrich Valentin Beck (1698–1758), then Frankfurt's Vice-Kapelldirector of Music. Beck is virtually forgotten, save for a dissertation by Bodo Wolf from 1911 and an article by Werner Menke from 1942. Only one other work, the early cantata Ich schicke mich zu meinem Ende, is currently firmly attributed to Beck. Wolf argued that six works attributed to Telemann were actually written by Beck, a testament to the similarities between Beck's and Telemann's compositional styles. Wolf's thesis, however, was discredited by Menke, and the Gutenberg Cantata thus offers one of two rare instances of a verifiable, original composition by Beck. It also reveals the importance that contemporaries accorded Gutenberg's invention of the printing press three centuries earlier, an event that was celebrated with elaborate ceremonies across Germany. This article illuminates the sources and context for this unusual cantata, whose origins have to this point been shrouded in mystery, and allows us to reassess Beck's role in the musical life of Frankfurt.","PeriodicalId":42367,"journal":{"name":"BACH","volume":"49 1","pages":"402 - 424"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43734242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"J. S. Bach's Material and Spiritual Treasures: A Theological Perspective by Noelle M. Heber (review)","authors":"Mark A. Peters","doi":"10.1353/bach.2021.0014","DOIUrl":"https://doi.org/10.1353/bach.2021.0014","url":null,"abstract":"","PeriodicalId":42367,"journal":{"name":"BACH","volume":"52 1","pages":"233 - 236"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42016100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"\"Recht Glauben, Christlig Leben, Seelig Sterben\": Johann Olearius and the Libretto of Cantata 67","authors":"Don O. Franklin","doi":"10.1353/bach.2015.a808473","DOIUrl":"https://doi.org/10.1353/bach.2015.a808473","url":null,"abstract":"","PeriodicalId":42367,"journal":{"name":"BACH","volume":"46 1","pages":"2 - 28"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42105413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"History Past and Present: Celebrating Two Milestones of the Bach Choir of Bethlehem","authors":"Robin A. Leaver","doi":"10.22513/bach.51.1.0122","DOIUrl":"https://doi.org/10.22513/bach.51.1.0122","url":null,"abstract":"Abstract:This article, which began life as a lecture at the Bethlehem Bach Festival in 2018, was mainly intended as a celebration of Greg Funfgeld's thirty-five years as the conductor and artistic director of the Bach Choir of Bethlehem—significantly longer than any other conductor of the Choir. But it was necessary to put this achievement into the context of the origins of the Bethlehem Bach Festival—how the concern to hear the major works of the Leipzig Kantor led to this annual tradition of performing not only the vocal works of Bach but also his orchestral and chamber music, as well as his keyboard and organ music. When Funfgeld became the conductor of the Choir, its performances were concentrated in two weeks in early May each year. Under his leadership, spring and Christmas concerts were soon added; then there were performances in schools, then lunchtime concerts, recordings, tours, and other opportunities for performing Bach. A subplot of the Funfgeld years in Bethlehem continues to be the influence of Westminster Choir College, where Funfgeld studied, and where others of his collaborators were either faculty or students, including myself, who in 2018 brought to an end thirty-four years of writing program notes for concerts and liner notes for recordings of the Bethlehem Bach Choir. It seems appropriate that such milestones should be recorded in BACH: Journal of the Riemenschneider Bach Institute, which celebrates its half century this year.","PeriodicalId":42367,"journal":{"name":"BACH","volume":"51 1","pages":"122 - 138"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47506320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“they can bring me much honor even after my death”: C. P. E. Bach as Compiler of His Estate Catalogue","authors":"Peter Wollny","doi":"10.22513/BACH.52.1.0062","DOIUrl":"https://doi.org/10.22513/BACH.52.1.0062","url":null,"abstract":"Abstract:In the last decade of his life, C. P. E. Bach was much concerned with his place in music history. In various letters he talks about his “swan song” (the oratorio Die Auferstehung und Himmelfahrt Jesu), about plans to complete his oeuvre, and about destroying his juvenile pieces. Parallel to this, he must have worked intensively on a new comprehensive catalogue of his own works, which replaced older inventories and eventually served as the basis for the Nachlaß Verzeichnis published by his heirs in 1790. Bach designed a chronological numbering system for his contributions to various genres of instrumental music, while the vocal works were registered in a less systematic fashion. The numbers and references to the place and date of composition found in the Nachlaß Verzeichnis correspond with entries on the title pages of his autograph manuscripts, the so-called house copies. An analysis of these entries shows that Bach’s work was guided not only by the principle of bibliographic correctness, but also by his aim to shape the recognition of his identity and public persona as well as his accomplishments as a composer for posterity.","PeriodicalId":42367,"journal":{"name":"BACH","volume":"52 1","pages":"62 - 71"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46851171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Suggestions for Future Research into Bach and the Chorale: Aspects of Repertoire, Pedagogy, Theory, and Practice","authors":"Robin A. Leaver","doi":"10.1353/bach.2011.a820294","DOIUrl":"https://doi.org/10.1353/bach.2011.a820294","url":null,"abstract":"","PeriodicalId":42367,"journal":{"name":"BACH","volume":"42 1","pages":"40 - 63"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48448282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}