Theory in ActionPub Date : 2021-10-31DOI: 10.3798/tia.1937-0237.2129
Rodica Grigore
{"title":"Alejo Carpentier, The Harp and the Shadow: Literature, History and Fiction","authors":"Rodica Grigore","doi":"10.3798/tia.1937-0237.2129","DOIUrl":"https://doi.org/10.3798/tia.1937-0237.2129","url":null,"abstract":"Not entirely a historical text, The Harp and the Shadow, the last novel published by Alejo Carpentier, takes as its pretext certain historical data in order to offer the readers a specific view of the protagonist, Christopher Columbus. Considered by some the great discoverer of the New World or highly regarded as “The Admiral of the Seas” and despised by many others as an adventurer and a liar, Columbus is also the author of some disturbing writings that still put critics and literary historians in discomfort. This is the novel’s point of departure, together with the intent of Pope Pius IX to initiate the canonization of Columbus, an idea regarded by the great majority of his contemporaries as a complete blasphemy. At the aesthetic level, comparable up to a certain point to the conception of Jorge Luis Borges, Carpentier’s form of understanding and practicing literature is always, in a more or less obvious way, reliant on Cervantes himself. But it is not limited to Don Quixote: in The Harp and the Shadow, the Cuban author builds an endless network of intertextual associations connecting his own creation to The Works of Persiles and Segismunda, the last work by Cervantes.","PeriodicalId":42347,"journal":{"name":"Theory in Action","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46480350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Theory in ActionPub Date : 2021-10-31DOI: 10.3798/tia.1937-0237.2135
Fernando Valerio-Holguín
{"title":"The Vulture of History in The Kingdom of This World by Alejo Carpentier","authors":"Fernando Valerio-Holguín","doi":"10.3798/tia.1937-0237.2135","DOIUrl":"https://doi.org/10.3798/tia.1937-0237.2135","url":null,"abstract":"In thesis IX of the Theses on the Philosophy of History, Walter Benjamin indicates, from the painting “Angelus Novus” by Paul Klee, that the Angel of History has his face turned back, contemplating a catastrophe. He wants to stay, but the great wind of progress is pushing him forward into the future, leaving rubble on its pass. The new historical novel The Kingdom of this World by Alejo Carpentier narrates the long and tortuous process of the Haitian Revolution and beyond. At the end of the novel, there is a great green wind that sweeps across the Northern Plain and the ruins of the old sugar mill. In Carpentier's novel, there is a “wet vulture”, which I will call the Vulture of History, which is thrown over Bois Caïman, the sacred space where the revolution originated. My purpose in this essay is to explore the Vulture of History as a baroque allegory of the Haitian Revolution. Unlike the angel from Benjamin's thesis, who wants to go back to the past to reconstruct history, Carpentier's vulture is an angel of death who feeds on the detritus of history.","PeriodicalId":42347,"journal":{"name":"Theory in Action","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45604341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Theory in ActionPub Date : 2021-10-31DOI: 10.3798/tia.1937-0237.2126
Jay R. Corwin
{"title":"History, Mythology, and 20th Century Latin American Fiction","authors":"Jay R. Corwin","doi":"10.3798/tia.1937-0237.2126","DOIUrl":"https://doi.org/10.3798/tia.1937-0237.2126","url":null,"abstract":"The history of the Americas from the colonial period is marked by a large influx of persons from Europe and Africa. Fiction in 20th Century Latin America is marked by ties to the Chronicles and the history of human melding in the Americas, with a natural flow of social and religious syncretism that shapes the unique literary aesthetics of its literatures as may be witnessed in representative authors of genuine merit from different regions of Latin America.","PeriodicalId":42347,"journal":{"name":"Theory in Action","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49608284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Theory in ActionPub Date : 2021-10-31DOI: 10.3798/tia.1937-0237.2131
José Cardona-López
{"title":"The Modern Novella or nouvelle beyond the Short Story and the Novel","authors":"José Cardona-López","doi":"10.3798/tia.1937-0237.2131","DOIUrl":"https://doi.org/10.3798/tia.1937-0237.2131","url":null,"abstract":"The modern novella or nouvelle is an object of artistic order of concentration and suggestion. In it, there is a tension between the objective and the subjective, circumstances that bring it closer to other literary forms different from the short story and the novel. Based on this idea, this article presents and discusses the closeness of the modern novella with drama and poem, literary and artistic expressions that also achieve their aesthetic effects through a short or medium length.","PeriodicalId":42347,"journal":{"name":"Theory in Action","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45725027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Theory in ActionPub Date : 2021-10-31DOI: 10.3798/tia.1937-0237.2139
George M. Spillman
{"title":"Book Review: Flanders, J., The Invention of Murder: How The Victorians Revelled in Death and Detection and Created Modern Crime.","authors":"George M. Spillman","doi":"10.3798/tia.1937-0237.2139","DOIUrl":"https://doi.org/10.3798/tia.1937-0237.2139","url":null,"abstract":"Always judge a book by the cover. The details are simply in the subtitle. Judith Flanders, a world-renowned author, social historian and journalist, reveals her intentions on the cover and leaves no mystery as to the focus of this work. The author’s immediate utilization of the subtitle gives an outline of the book’s contents. The subtitle provides a window into historical events inscribed within its pages. Flanders gives details and provides essentials to the development of each of the three categories, revel in murder, detection, and modern crime creation, within the pages of this historically significant work. Via the subtitle, the author provides enough information to build interest. Mixed in with details of each crime are analyses of the pursuit of the suspects while vivid pictorials of trial and subsequent public executions lead up to the accomplishment of sentences issued by magistrates.","PeriodicalId":42347,"journal":{"name":"Theory in Action","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42531707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Theory in ActionPub Date : 2021-10-31DOI: 10.3798/tia.1937-0237.2128
Pedro Serrano
{"title":"Montevideo Crisscrossed. Two Novels by Mario Benedetti: The Truce and Thanks for the Fire","authors":"Pedro Serrano","doi":"10.3798/tia.1937-0237.2128","DOIUrl":"https://doi.org/10.3798/tia.1937-0237.2128","url":null,"abstract":"This essay is a rereading of two novels by Mario Benedetti published first in Montevideo in the 1960’s and subsequently in Mexico around the 1970’s, receiving changing receptions over the years. Both have Montevideo as their setting, but the topographical perspectives and writing strategies are different. It traces the networks of writers, publishers and readers in Latin America developed during the 20th century and their obliteration by the military regimes in the 1970’s. Reviewing the fluctuating moods in Benedetti’s later reception, this essay compares opposite sets of aesthetic values developed during the second half of the last century, which are taken for granted even today, studying their initial hypotheses and showing how literary works are distorted by prejudiced sets of critical perspectives that pigeonhole works and authors in boxes established in advance.","PeriodicalId":42347,"journal":{"name":"Theory in Action","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47230737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Theory in ActionPub Date : 2021-10-31DOI: 10.3798/tia.1937-0237.2125
Rodica Grigore
{"title":"Introduction: The Fiction of History and the History of Fiction","authors":"Rodica Grigore","doi":"10.3798/tia.1937-0237.2125","DOIUrl":"https://doi.org/10.3798/tia.1937-0237.2125","url":null,"abstract":"The Portuguese writer often insisted upon the supremacy of fiction over all the other fields that use words in order to express (or validate) human existence. [...]even history turns out to be a creative transformation of the contingent world, proving that the entirety of reality is just a matter of perspective and that in the contemporary world there is no such thing as an ultimate truth. [...]once written, history (any history!) becomes, in a more or less obvious way, another fiction: after all, any objective fact is transformed by the historian's inherent subjectivity and altered through the process of selection (i.e. only the most significant events are thoroughly recorded, in order to enrich the final text - be it a historical document or not - with a logical organizing pattern). [...]many thanks to Ali Shehzad Zaidi, the editor of the journal, for his enduring friendship and frequent encouragement!) Jay and I had already worked together on various projects of this New York academic journal (and I'll resume to mention only two special issues that appeared since 2019, namely Latin American Fiction and Mirrors and Labyrinths in Literature) and I was glad to renew the experience, knowing Jay's extensive learning and his amazing ability to bring together different people and different views on world literature. All the authors included in this special issue meditated, directly or not, upon this relationship and tried to clarify the meanings of history and the importance of fiction in contemporary literature from their own point of view, thus offering our readers the possibility of a deeper understating of the world we live in and the challenges we have to face.","PeriodicalId":42347,"journal":{"name":"Theory in Action","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48025505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Theory in ActionPub Date : 2021-10-31DOI: 10.3798/tia.1937-0237.2133
Julio Ortega
{"title":"María Zambrano and the Atlantic Thinking","authors":"Julio Ortega","doi":"10.3798/tia.1937-0237.2133","DOIUrl":"https://doi.org/10.3798/tia.1937-0237.2133","url":null,"abstract":"","PeriodicalId":42347,"journal":{"name":"Theory in Action","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44523060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Theory in ActionPub Date : 2021-10-31DOI: 10.3798/tia.1937-0237.2136
P. Baisotti
{"title":"Walking the city and the neighbourhoods of Buenos Aires. Argentine Literature in the 1920s and 1930s","authors":"P. Baisotti","doi":"10.3798/tia.1937-0237.2136","DOIUrl":"https://doi.org/10.3798/tia.1937-0237.2136","url":null,"abstract":"This article presents an overview of Buenos Aires, city and neighbourhoods, from the viewpoints of several authors who participated in the literary life of the 1920s and 1930s, portraying the evolution of modernity and the social question –inequalities. Novels, short stories, poems and magazines from the period in question were used to frame these issues and unravel the objectives set. It concludes by exposing the variety and diversity of the city and the neighbourhoods of Buenos Aires, as well as the people who inhabited them and the Buenos Aires literary currents of the period, headed by Jorge Luis Borges, on the one hand (Florida group), and Roberto Arlt (Boedo group), on the other.","PeriodicalId":42347,"journal":{"name":"Theory in Action","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47102752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}