Izvestiya Uralskogo Federalnogo Universiteta-Seriya 2-Gumanitarnye Nauki最新文献

{"title":"The Origins of the Personal Type of Narrative in D. N. Mamin-Sibiryak’s Shorter Prose","authors":"Oleg V. Zyryanov","doi":"10.15826/izv2.2022.24.4.064","DOIUrl":"https://doi.org/10.15826/izv2.2022.24.4.064","url":null,"abstract":"Based on D. N. Mamin-Sibiryak’s shorter prose (essays, stories), the author distinguishes various types of narrative, i.e. first and third person narration and a personal type of narration. In several stories of the essay type, special markers of the presence of the personal narrator stand out expressed in characteristic motifs of admiration, interest, and curiosity. The author proves that during the period of the so-called “second debut” (1881–1882), Mamin began with the development of the form of a personal narrator, most characteristic of the genre of the essay, and gradually switched to the auctorial type of narrative, typical already of the genre of the story and assuming the form of an objective narrator author. It is also noted that in the form of an auctorial narration, Mamin successfully mastered the device of non-personal direct speech, or the speech interference of the character and the narrator author, which brings us to the rudimentary forms of “personal” narrative. From about the mid-1880s, the tendency towards a personal narrative became apparent, which is most noticeable in the stories Korobkin, Doctor Osokin’s Amendment and Simply, which focus on the state of the split consciousness of the character who finds himself in a situation of “man in front of a mirror” (M. M. Bakhtin) and acts as a direct subject of cognition. In the works of the same period (stories Between Us, The Old Fife, and others) a personal type of narration emerges clearly, which continues logically in the stories of the 1900s (Influenza. Monologue, A Dumpling and a Blot). The writer pays attention to the situation of the relationship between the character and the stereotyped nickname imposed on him, a certain “foreign” word-nomination, which leads to an increase in the act of self-awareness of the character and an intensification of the personal narrative. Finally, the article concludes that the development of a personal point of view in the narrative structure of the story leads Mamin-Sibiryak to the emergence of a new genre form, i.e. a personal “monologue” or “diary”, as well as to focus on the aesthetic potential of receptive poetics, which reveals points of convergence with genre variation of Chekhov’s “discovery story”.","PeriodicalId":42281,"journal":{"name":"Izvestiya Uralskogo Federalnogo Universiteta-Seriya 2-Gumanitarnye Nauki","volume":"4 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90415863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Problem of Self-Presentation in the Modern Literary Process (“Narrative about the Author” in E. Simonova’s Interviews)","authors":"E. Selyutina","doi":"10.15826/izv2.2022.24.4.074","DOIUrl":"https://doi.org/10.15826/izv2.2022.24.4.074","url":null,"abstract":"This article explores a particular version of the narrative of personal stories, i.e., the “narrative about the author”, which is indicative for the analysis of writers’ reflection on their role in modern Russian-language literature. The article aims to determine the specifics of the “narrative about the author”, show that it is formed in public discourse and conditioned by the existence of a narrative framework (a question-and-answer form of an interview that demonstrates public expectations from the creator). Public self-reflection captures the process of self-identification and modeling of the myth of verbal creative work in modern times. The event of the “narrative about the author” is an important change, after which they were able to define themselves as a writer (to name themselves). The author uses methods of classical and postclassical narratology, as well as personological and narrative psychology in the study of the “narrative about the author”. The study reveals that the “narrative about the author” occupies a borderline position with respect to fictionality, the narrator is non-trivial, they are both inside the event and outside it, combining personal attitude with social, cultural, and other conventions adopted about authorship. The article considers the “narrative about the author” with reference to an interview with the Ural poet E. Simonova. The empirical basis of the study is the interviews she gave from 2019 to 2022. In her interviews, Ekaterina Simonova creates an image of a “little poet”, a socio-psychological construct created under the influence of changes in the symbolic status of poetry in modern times, whose components are non-exclusivity and inclusion into everyday life. Within the narrative and within the limits of one response, one sees the formulation of a position, and in the comments given in parentheses, its ironic interpretation. As a result, the author concludes that in the interview with E. Simonova, a myth develops about the writer as an “everyday”, ordinary person who is built on a strategy of ironic sincerity, which is consistent with the artistic narrative of her poetry.","PeriodicalId":42281,"journal":{"name":"Izvestiya Uralskogo Federalnogo Universiteta-Seriya 2-Gumanitarnye Nauki","volume":"5 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90099062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Petition Testament of Crown Princess Charlotte Christina Sophia of Wolfenbьttel (1715): The History of the Original and Translations","authors":"E. Anisimov, Тamara N. Tatsenko","doi":"10.15826/izv2.2022.24.4.070","DOIUrl":"https://doi.org/10.15826/izv2.2022.24.4.070","url":null,"abstract":"This paper aims to introduce an important document of the Petrine time into scholarly circulation. The last will of the wife of Tsarevich Alexei, Crown Princess Charlotte Christina Sophia, written on the day of her death on October 21, 1715, in the form of a petition addressed to her father-in-law — Peter I — has been known until now only in two translations, made in the eighteenth and in the first half of the nineteenth centuries, going back to an unknown original. This publication contains the text of the petition testament of Crown Princess Charlotte Christina Sophia recently discovered by A. V. Morokhin in the Manuscripts Department of the Russian National Library (St Petersburg). The document is in German written in fluent Neo-Gothic italics of the early eighteenth century on both sides of two sheets of yellowed paper. Comparing the signatures of Crown Princess Charlotte Christina Sophia under several of her letters originating from the archives of Germany with the signature on the document published makes it possible to conclude that the document is authentic. The article provides a complete transcription of the original source, as well as its literal translation into modern Russian. A comparative analysis of the original text with later editions of the petition testament allows the authors to define the newly found document as the original source. The letter of Crown Princess Charlotte Christina Sophia is considered in the broad context of the political and dynastic history of the Petrine state. The circumstances that come to light during the analysis of the tragic story of Princess Charlotte’s death help visualise the expressive features of everyday life in Peter I’s inner family circle.","PeriodicalId":42281,"journal":{"name":"Izvestiya Uralskogo Federalnogo Universiteta-Seriya 2-Gumanitarnye Nauki","volume":"9 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87850179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Itineraries of Margaret of Valois (with Reference to her Letters from the National Library of Russia)","authors":"V. Shishkin","doi":"10.15826/izv2.2022.24.1.006","DOIUrl":"https://doi.org/10.15826/izv2.2022.24.1.006","url":null,"abstract":"This article examines the itineraries of Margaret of Valois (1553–1615), Queen of Navarre, during her stay in the south of France between the late 1570s and early 1580s, which coincided with the crucial phase of the Religious Wars between Catholics and Huguenots. The main source for the study of these itineraries are the letters of Queen Margaret from the National Library of Russia, which make part of the collection of Peter Dubrovsky. The article traces the history of letters of the Queen of Navarre in St Petersburg, and it is suggested that the carton of the documents (Autograph 57) is part of the personal archive of State Secretary Villeroy. The author also analyses new data on the princess’ itineraries during her childhood, based on the new electronic database, as well as the historiography of the question of her movement, which makes it possible to understand the place of the St Petersburg autographs in the reconstruction of Margaret’s unknown itineraries in 1579–1582. Most of Margaret’s letters were written in territories ruled by Henry of Navarre, in Guyenne and Gascony and Navarre and represent an array of 32 documents of great importance, which help determine exactly where the Queen went to, indicate the trajectory of her movement, specify the duration of her stays in particular localities, and respectively, suggest possible delivery times for letters to recipients, mainly to her brother Henry III and her mother, Catherine de’ Medici. The study of Margaret’s messages from the point of view of her itineraries also helps place them in the historical context of religious and political events of the Civil Wars period in France, identify the details of the peacemaking role of the Queen in the south of the country, as well as understand the mechanisms for the implementation of peace treaties and decisions by the opposing parties.","PeriodicalId":42281,"journal":{"name":"Izvestiya Uralskogo Federalnogo Universiteta-Seriya 2-Gumanitarnye Nauki","volume":"11 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77799701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Krasnoufimsk Russian-Bashkir Lower Agricultural School: N. A. Sokovnin’s Pedagogical Project","authors":"Liudmila A. Dashkevich","doi":"10.15826/izv2.2022.24.1.009","DOIUrl":"https://doi.org/10.15826/izv2.2022.24.1.009","url":null,"abstract":"This article explores the history of the establishment of the first Russian-Bashkir agricultural school in the Urals. Its initiator was Nikolai Aleksandrovich Sokovnin (1841–1893), a prominent figure in professional education. The article analyses reports of the Krasnoufimsk Russian-Bashkir lower agricultural school to the trustee of the Orenburg educational district written by Sokovnin. They testify to the fact that the establishment of this educational institution was the result of many years of thinking by the teacher about how it could be possible to improve the economic situation of peasants with the help of education. Sokovnin was convinced that agricultural schools could not be limited to teaching the theory and practice of farming and cattle breeding, they had to give peasants the skills to process agricultural products. He looked for new sources of national wealth in the development of small trades such as handicrafts, as well as in the dissemination of technical knowledge among the population. Sokovnin saw the missionary function of the school in the fact that it could change the established traditions of raising Bashkir children and make them sensible and thrifty heads of households. Sokovnin sent the first teachers of the agricultural school to the best processing enterprises in Central Russia to improve their technical knowledge and skills. The Krasnoufimsk Russian-Bashkir lower agricultural school was opened in 1887. It worked in accordance with the Charter, which demanded that the school have full-time teachers who received state salaries and people who worked for hire. The former included a school manager, a preparatory class teacher, three main class teachers and a teacher of law, the latter — a mullah teacher, craft teachers, foremen, a watchman and other attendants. Education at the school lasted for five years: two years in the preparatory class and three years in the basic. About 60 people studied at the school every year, a third of them being Bashkirs and representatives of other peoples who professed Islam.","PeriodicalId":42281,"journal":{"name":"Izvestiya Uralskogo Federalnogo Universiteta-Seriya 2-Gumanitarnye Nauki","volume":"6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74400022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Sketch as a Documentary Source for Attribution of Altai Stone-Cutting Products of the Late 18th Century","authors":"N. Borovkova","doi":"10.15826/izv2.2022.24.2.036","DOIUrl":"https://doi.org/10.15826/izv2.2022.24.2.036","url":null,"abstract":"This article studies one of the relevant issues of Russian stone-cutting arts of the turn of the nineteenth century, i.e. the problems of attribution of Altai stone-cutting works. The author carries out a comparison of graphic materials with images of stone-cutting products from the Lokot’ Altai Factory. The author singles out sets of images of stone objects from the Lokot’ Stone-Cutting Factory kept in the funds of the State Hermitage Museum and the Altai State Museum of Local Lore, which makes it possible to get a more comprehensive idea of the history of the development of Russian stone-cutting art, dispel persistent myths, and shed light on the activity of an almost forgotten unique production. Particular attention is paid to the organisation of stone-cutting production in Russia starting with the second half of the eighteenth century, as well as the administration of the Kolyvan’ factories in the management system of the Cabinet of His Imperial Majesty. The author closely examines the system of orders, production, and performance of Russian grinding factories. For the first time in this research field, much attention is paid to the systems of documenting every step of stone-cutting production from the stonecutters to presentation to customers. The author confirms the fact that the Lokot’ Factory used already tested projects of the Peterhof Granite Factory as samples for their production. The article presents drawings of stone objects made during the work of the Lokot’ Polishing Factory in the Kolyvano-Voskresensky mountain district of Altai. The results of this scholarly research may be used to conduct an examination of objects of decorative and applied art. In the course of the study, it is proposed to distinguish between two periods in Altai stone-cutting art: Lokot’ (1786–1799) and Kolyvan’ (1802 — present) and based on the collected graphic materials attribute the works of two stone-cutting enterprises of Altai of the late eighteenth — nineteenth centuries. The graphic materials referred to in the study are an array of historical and archival sources of a high documentary value for the attribution of stone-cutting products made by Altai masters.","PeriodicalId":42281,"journal":{"name":"Izvestiya Uralskogo Federalnogo Universiteta-Seriya 2-Gumanitarnye Nauki","volume":"12 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81725112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Models of Nominating the Mining Objects of the Ural Gold and Rock Crystal Deposits in the Comparative Aspect","authors":"Yuri S. Kostylev","doi":"10.15826/izv2.2022.24.3.049","DOIUrl":"https://doi.org/10.15826/izv2.2022.24.3.049","url":null,"abstract":"This article discusses the names of mining objects of gold and rock crystal located in the Southern, Middle, and Circumpolar Urals. These include names of mines, placers, veins, and other artificial objects located on the territory of deposits and associated with the extraction of these minerals. The purpose of the study is to identify the main models of object nomination and compare specific cases of using these models depending on the characteristics of the extracted raw materials, methods of their development and the geographical location of the deposit. The author analyses a total of 627 names. The article refers to specialised works on the history of gold mining, mining of rock crystal, and the history of the development of specific deposits. There are three main models of object nomination: anthroponymic, toponymic (according to the origin of the toponym) and object-motivated (according to the nomination situation). In different fields, these models are presented in different proportions and specific implementations. Thus, the anthroponymic model becomes the leading one for the Beryozovsky gold deposit, the toponymic one for the Circumpolar Ural deposits of rock crystal, and the object-motivated units are represented at each of the deposits, quantitatively significantly inferior to the names given based on other nomination models. It is concluded that the leading characteristic for the emergence and development of a particular nomination model for specific deposits is the nature of its development (private prospector / regular state), as well as the number of objects subject to naming. The economic development of the territory of the deposit prior to the start of mining on it also plays a role. At the same time, the nature of the extracted mineral does not matter significantly.","PeriodicalId":42281,"journal":{"name":"Izvestiya Uralskogo Federalnogo Universiteta-Seriya 2-Gumanitarnye Nauki","volume":"10 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82052686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“Against Nature”, or On How Scientific Description Becomes Ethical Prescription. Review of: Daston, L. (2019). Against Nature. Cambridge, MA: MIT Press. 96 p., il.","authors":"Yulia S. Shipitsyna","doi":"10.15826/izv2.2022.24.4.079","DOIUrl":"https://doi.org/10.15826/izv2.2022.24.4.079","url":null,"abstract":"Against Nature, a book of L. Daston, is devoted to the historical transformations of the term “nature” and its significance in the formation of moral categories from Aristotle to our days. Daston pays special attention to the period between the seventeenth and eighteenth centuries when “modern science” emerged. Daston clarifies the essential contents of such terms as “nature”, “normativity”, and “universal natural laws”, reconstructs the contexts underlying the introduction of these categories into scholarly discourse and finds out their significance in a situation of the growing social importance of scientific knowledge. All these let Daston trace the logic of at least three ways for the “order of nature” to transfer into “moral order” and conclude that the order of nature only had a representative function. The review contains parts of the Russian translation of Daston’s main ideas and conclusions, its critical and historiographic evaluation. Daston’s thesis about the weakness of naturalisation as discoursive strategy is contemplated in the context of the criticism of anthropocentrism, vividly illustrated by works of M. Serres, B. Latour, D. Haraway and T. Morton.","PeriodicalId":42281,"journal":{"name":"Izvestiya Uralskogo Federalnogo Universiteta-Seriya 2-Gumanitarnye Nauki","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86619200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Literary Projections of French Culture in 18th-Century Russian Writing: Between Gallomania and Gallophobia","authors":"Elena Ye. Prikazchikova","doi":"10.15826/izv2.2022.24.1.007","DOIUrl":"https://doi.org/10.15826/izv2.2022.24.1.007","url":null,"abstract":"Using the example of the literary projections of French culture on the Russian literature of the eighteenth century, this article examines the evolution of Gallomania as the most important phenomenon of Russian noble culture. The aim of the article is to study the main stages of Gallomania in Russian literature from A. Kantemir to I. A. Krylov. An analysis of these stages makes it possible to trace how Russian literature, through ridiculing various types of Russian Gallomaniacs and types of Gallomaniac behaviour, made a decisive turn from Gallomania in its full sense to Gallophobia as an almost complete rejection of French culture and refusal to follow the precepts of Paris in all spheres of life — from politics to fashion. The main methods used in this work are the methods of cultural-historical, typological, and conception-character analysis of texts. The typology of the image of the Gallomaniac as a “Russian Frenchman”, which received various cultural forms in the 1730s–1750s, 1760s–1770s, and 1790s–1800s, determined various concept-character orientations of literary texts of the eighteenth century. Between the 1730s and 1750s, the dominant image of the Gallomaniac was the petit maître, for whom Gallomania was associated with objects of the “fashionable vocabulary”. The image of such a petit maоtre can be found in the satires of A. Kantemir, epistles, and comedies of A. P. Sumarokov. In the 1760s–1770s, fashionable Gallomania was replaced by ideological Gallomania, which included both the philosophy of Voltaireanism and the reaction to the creation of a cultural myth about Eastern Europe in Western Europe, of which Russia was an example. This stage in the development of Gallomania is characterised by the emergence of a pronounced Gallophobic mood, which is reflected in the works of D. I. Fonvizin and N. I. Novikov. Finally, the third period of Gallomania in the context of an aggravated military and political confrontation between Russia and France is characterised by accentuating the gender component, when mainly fashionable women and girls (Fashionable Wife by I. I. Dmitriev, comedies by I. A. Krylov) became the medium of Gallomanic mentality, who do not have corresponding male parallels.","PeriodicalId":42281,"journal":{"name":"Izvestiya Uralskogo Federalnogo Universiteta-Seriya 2-Gumanitarnye Nauki","volume":"40 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84854751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"On the History of Relationships between David Samoilov, Ágnes Kun, and Antal Hidas","authors":"Yulia V. Matveeva, Erzsйbet Schiller","doi":"10.15826/izv2.2022.24.3.052","DOIUrl":"https://doi.org/10.15826/izv2.2022.24.3.052","url":null,"abstract":"Based on fragments of poet David Samoilov’s correspondence with Ágnes Kun, a translator and writer of Hungarian descent (one letter from David Samoilov to Ágnes Kun and six letters from Ágnes Kun to David Samoilov from 1960 to 1982) found in the Russian State Archive of Literature and Art, the authors examine the long professional and personal relationships of the two correspondents. For Samoilov, his epistolary contacts with Бgnes Kun also included a relationship with her husband, Soviet Hungarian writer Antal Hidas, whose personality is indirectly present in the correspondence. It may be stated that Бgnes Kun and Antal Hidas discovered the Hungarian classical and modern poetry and Hungarian culture for David Samoilov through its translation. With the help of the word-for-word translations made by Ágnes Kun, he translated such Hungarian poets as Endre Ady, János Arany, Mihály Vцrцsmarty, Antal Hidas, Gyula Illyйs, Attila Jуzsef, Miklós Radnуti, István Simon. But, as it can be seen from the correspondence discovered and published in the auto-documental evidence of David Samoilov (diaries, memoirs, and essays), his communication with Antal Hidas was very uneven and concentrated almost exclusively on the professional: all the letters found are about translations, verses, books, and section headings. The same conclusions can be made about his diaries. Finally, the article introduces one letter of David Samoilov and three letters of Бgnes Kun that have never been published previously.","PeriodicalId":42281,"journal":{"name":"Izvestiya Uralskogo Federalnogo Universiteta-Seriya 2-Gumanitarnye Nauki","volume":"22 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90538752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}