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Journal of Scandinavian Cinema最新文献

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Special Issue: ‘Nordic Production Studies’ 特刊:“北欧生产研究”
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2020-06-01 DOI: 10.1386/jsca_00015_2
Pietari Kääpä, M. Hjort
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引用次数: 0
Empowering the minority co-producer through European financial co-productions: The case of DFI International 通过欧洲金融联合制作赋予少数族裔联合制片人权力：DFI International案例
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2020-06-01 DOI: 10.1386/jsca_00020_1
Petar Mitric
{"title":"Empowering the minority co-producer through European financial co-productions: The case of DFI International","authors":"Petar Mitric","doi":"10.1386/jsca_00020_1","DOIUrl":"https://doi.org/10.1386/jsca_00020_1","url":null,"abstract":"The article introduces the notion of the European financial co-production, characterized by the mandatory cultural value of the script and empowerment of the minority co-producer through risk-sharing in financing. Eurimages, the Council of Europe’s film fund, inaugurated the first\u0000 policies promoting European financial co-productions more than two decades ago by introducing the European Convention on Cinematographic Co-production. Many European film funds have followed the same policies on the national level, but the Danish Film Institute has been by far the most innovative.\u0000 This article explores in more detail the DFI’s internationalization policy actions, particularly its minority co-production scheme, which democratized the practice of European co-production that traditionally had been the sole purview of a narrow circle of high-profile European producers.\u0000 The shift enabled young Danish producers to engage in minority co-productions, popularizing co-production as a model among Danish producers of all calibres and triggering a dynamic knowledge transfer between co-producers.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"10 1","pages":"151-167"},"PeriodicalIF":0.3,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48373318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Studying women in Swedish film production: Methodological considerations 研究瑞典电影制作中的女性:方法考虑
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2020-06-01 DOI: 10.1386/jsca_00023_1
M. Jansson, F. Papadopoulou, Ingrid Stigsdotter, Louise Wallenberg
{"title":"Studying women in Swedish film production: Methodological considerations","authors":"M. Jansson, F. Papadopoulou, Ingrid Stigsdotter, Louise Wallenberg","doi":"10.1386/jsca_00023_1","DOIUrl":"https://doi.org/10.1386/jsca_00023_1","url":null,"abstract":"This article presents methodological reflections on feminist production studies, with examples from an ongoing multidisciplinary project about women in Swedish film. Topics addressed include using interviews to understand production, the challenges connected to analysing women’s\u0000 experiences, and the ethical dilemmas related to interpreting them.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"10 1","pages":"207-214"},"PeriodicalIF":0.3,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47889900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
Sámi film production and ‘constituted precarity’ Sámi电影制作和“构成的不稳定性”
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2020-06-01 DOI: 10.1386/jsca_00022_1
Kate Moffat
{"title":"Sámi film production and ‘constituted precarity’","authors":"Kate Moffat","doi":"10.1386/jsca_00022_1","DOIUrl":"https://doi.org/10.1386/jsca_00022_1","url":null,"abstract":"This article seeks to both understand and characterize the intrinsic power relationships at the centre of the contemporary Sámi media industries. In the case of the Sámi, the Finno-Ugric indigenous minority who primarily inhabit the northernmost regions of Europe, the\u0000 need to establish visibility through a variety of film and media channels is amplified by their ongoing constitutional marginalization in both political and economic forums. However, this article asks whether the Sámi face uniquely precarious barriers as indigenous media producers by\u0000 introducing the concepts of ‘constituted precarity’ and ‘symbolic cultural labour’. Specifically, it frames the idea of constituted precarity as a type of ideological power relationship where the ‘host’ nations strategically engineer the precariousness of\u0000 Sámi media platforms, primarily through policy. By examining the Sámi film industry’s position in Norway’s regional film funding infrastructure, we can identify different forms of precarity and manifestations of indigenous cultural labour that will help us determine\u0000 whose interests are represented in the ongoing debates over cultural ownership and Sámi self-determination.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46039517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Nordic production studies at the edge of the 2020s 21世纪20年代前夕的北欧生产研究
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2020-06-01 DOI: 10.1386/jsca_00016_1
E. N. Redvall
{"title":"Nordic production studies at the edge of the 2020s","authors":"E. N. Redvall","doi":"10.1386/jsca_00016_1","DOIUrl":"https://doi.org/10.1386/jsca_00016_1","url":null,"abstract":"This article outlines the main developments in Nordic film and television production studies in the 2000s, focusing on recent publications as well as the value of research collaborations, centres and conferences. The article also highlights current trends such as an ongoing interest\u0000 in creating stronger connections between production and audience studies.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"10 1","pages":"93-100"},"PeriodicalIF":0.3,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42940093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
National broadcasting, international audiences: How cultural difference is represented in the Danish television dramas Ride upon the Storm, Liberty and Greyzone 国家广播，国际观众:丹麦电视剧《乘风破浪》、《自由》和《灰色地带》如何体现文化差异
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2020-06-01 DOI: 10.1386/jsca_00018_1
Djuna Hallsworth
{"title":"National broadcasting, international audiences: How cultural difference is represented in the Danish television dramas Ride upon the Storm, Liberty and Greyzone","authors":"Djuna Hallsworth","doi":"10.1386/jsca_00018_1","DOIUrl":"https://doi.org/10.1386/jsca_00018_1","url":null,"abstract":"Denmark represents a noteworthy ‐ and rather successful ‐ example of where state-funded public service broadcasters have retained strong branding locally while asserting an online streaming presence and negotiating sustainable transnational partnerships for future collaboration,\u0000 thus consolidating domestic and international markets. This article analyses the impact of the shift away from national broadcasting towards transnational production cultures on the Danish domestic market, historically dominated by local public service broadcasters: Danmarks Radio and TV2.\u0000 Using the television dramas Ride upon the Storm, Liberty and Greyzone as case studies, the article examines the idea that trends towards harnessing global audiences and fostering transnational production collaborations may partially undermine the distinctive cultural and linguistic\u0000 features of Danish television drama.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"10 1","pages":"121-136"},"PeriodicalIF":0.3,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41866179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Faroese cinema and transnational nation-building 法罗群岛电影与跨国国家建设
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2020-06-01 DOI: 10.1386/jsca_00019_1
Brad Harmon
{"title":"Faroese cinema and transnational nation-building","authors":"Brad Harmon","doi":"10.1386/jsca_00019_1","DOIUrl":"https://doi.org/10.1386/jsca_00019_1","url":null,"abstract":"In addition to providing a brief history of Faroese cinema in a broad perspective, this article examines the juxtaposition of the transnationalism of Nordic cinema and what could be called a Faroese cinema, which has previously not been the focus of scholarly attention within Nordic\u0000 cinema studies. This article presents the case for Faroese cinema as a nation-building practice within a transnational funding, production and distribution context. By expanding the notion of Faroese cinema to include films containing various national and transnational markers, it aims to\u0000 provide a deeper and broader understanding of the development of a distinct film industry on the Faroe Islands. Extending from previous work in transnationalism and globalization in Nordic cinema, this article argues that Faroese cinema is inherently transnational and that recent institutional\u0000 establishments and feature film productions are not starting points for Faroese cinema, but rather milestones in its development.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49529761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Regional screen ecosystems at the peripheries: Production and talent development in Tromsø and Aarhus 周边的区域屏幕生态系统:特罗姆瑟和奥胡斯的制作和人才发展
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2020-04-06 DOI: 10.33767/osf.io/4k67x
P. Chow, S. Sand
{"title":"Regional screen ecosystems at the peripheries: Production and talent development in Tromsø and Aarhus","authors":"P. Chow, S. Sand","doi":"10.33767/osf.io/4k67x","DOIUrl":"https://doi.org/10.33767/osf.io/4k67x","url":null,"abstract":"This article addresses the regionalization of screen culture in Norway and Denmark, focusing on how regional screen entities in Tromsø and Aarhus are working to professionalize production and talent development at the peripheries of both countries. We outline their distinctive\u0000 characteristics and circumstances as regional hubs and delineate the key actors that constitute the respective screen ecosystems. We focus on the interplay between regional film policy, production and talent development in relation to regional development, geography, creativity, innovation\u0000 and the economy of culture. Based on an examination of policies, strategy documents and interviews conducted with practitioners in Aarhus and Tromsø over the period 2014‐19, we explore the diverse strategies these regional production hubs employ to develop and ‐ more challengingly\u0000 ‐ retain talents in the region, arguing that despite the increased attention given to ‘diversity’ in film policy, structural and cultural obstacles hamper sustainable growth.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42812879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Moodysson, Ardenne, Derrida: Reading genre, extremity and controversy through the art–pornography of A Hole in My Heart 穆迪逊、阿登纳、德里达:透过《我心中的洞》的艺术色情阅读类型、极端和争议
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2020-03-01 DOI: 10.1386/jsca_00014_1
Oliver Kenny
{"title":"Moodysson, Ardenne, Derrida: Reading genre, extremity and controversy through the art–pornography of A Hole in My Heart","authors":"Oliver Kenny","doi":"10.1386/jsca_00014_1","DOIUrl":"https://doi.org/10.1386/jsca_00014_1","url":null,"abstract":"Labelled as ‘new extreme’, Ett hål i mitt hjärta (A Hole in My Heart) (Moodysson, 2004) controversially straddles the boundaries of art and pornography, challenging the supposed eroticism of pornography with disgusting re-enactments and rethinkings of the violence of pornography. It is transgressive but not excessively so; it is recognizably both artistic and pornographic but hardly representative of either genre. In this article, I show that Paul Ardenne’s theory of extremity is a good means for understanding the play with boundaries that takes place in A Hole in My Heart as well as in Jacques Derrida’s analysis of genre labels. Through an analysis of A Hole in My Heart’s relation to art and pornography, I propose an account that allows for multiple permutations of genre affiliation and suggest that it could advance thinking about new extreme films and genre more broadly.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"10 1","pages":"67-83"},"PeriodicalIF":0.3,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45393013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sealing new truths: Film adaptation as cultural capstone for 101 Reykjavík 封存新真相：电影改编为101雷克雅未克的文化巅峰
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2020-03-01 DOI: 10.1386/jsca_00012_1
Mads Larsen
{"title":"Sealing new truths: Film adaptation as cultural capstone for 101 Reykjavík","authors":"Mads Larsen","doi":"10.1386/jsca_00012_1","DOIUrl":"https://doi.org/10.1386/jsca_00012_1","url":null,"abstract":"When fiction introduces controversial new perspectives, the novel and its film adaptation can play different roles in a cultural discussion. In the wake of globalization and Generation X, the novel 101 Reykjavík (Helgason [1996] 2002) suggested a sex-obsessed slacker identity that most Icelanders rejected or ignored. A later film adaptation (Kormákur, 2000) cut the sharpest edges off the story’s postmodern critique, lessened the protagonist’s immorality, made the narrative more conventional and offered an ending with communal reunification. The film’s success led Icelanders to revaluate not only the novel’s message but their own identity. 101 Reykjavík became the new truth about young Icelanders in the 1990s. This combination of a disputatious novel and a more conciliatory film adaptation is not uncommon with Nordic fiction. For socially ambitious filmmakers, retelling contentious stories in a form more fit for mass consumption can help them bring audiences and nations from old truths to new.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"10 1","pages":"25-44"},"PeriodicalIF":0.3,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45627094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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