THEATERPub Date : 2021-11-01DOI: 10.1215/01610775-9402481
Lily Haje, Nicholas Orvis, Ashley M. Thomas
{"title":"Time Capsule","authors":"Lily Haje, Nicholas Orvis, Ashley M. Thomas","doi":"10.1215/01610775-9402481","DOIUrl":"https://doi.org/10.1215/01610775-9402481","url":null,"abstract":"","PeriodicalId":42152,"journal":{"name":"THEATER","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43678296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
THEATERPub Date : 2021-10-01DOI: 10.1515/9783839458884
{"title":"Radikale Wirklichkeiten","authors":"","doi":"10.1515/9783839458884","DOIUrl":"https://doi.org/10.1515/9783839458884","url":null,"abstract":"In den Theaterwissenschaften entwickelt sich das Forschungsfeld der »festivals studies« stetig weiter. Die Beiträger*innen des Bandes rücken erstmals die Arbeit an Festivals in den Fokus der Betrachtung und diskutieren sie hinsichtlich ihres performativen Potenzials in praxisorientierten Gesprächen, Essays und Aufsätzen. Diese bilden im Zusammenspiel einen Ansatz für eine radikale und ganzheitliche Betrachtung von Theaterfestivals und zeigen das Wechselspiel zwischen Ästhetik, Ökonomie und Kulturproduktion auf.","PeriodicalId":42152,"journal":{"name":"THEATER","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46471847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
THEATERPub Date : 2021-09-03DOI: 10.14361/9783839459638-008
Susanne Schmieden
{"title":"III.3 Exkurs: Ein kurzer Blick auf W. Lippmanns Gesellschaft freier Menschen","authors":"Susanne Schmieden","doi":"10.14361/9783839459638-008","DOIUrl":"https://doi.org/10.14361/9783839459638-008","url":null,"abstract":"","PeriodicalId":42152,"journal":{"name":"THEATER","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48071062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
THEATERPub Date : 2021-09-03DOI: 10.14361/9783839459638-004
Susanne Schmieden
{"title":"II.3 Wie denken Sie darüber? Diderot und die Illusionen der anderen","authors":"Susanne Schmieden","doi":"10.14361/9783839459638-004","DOIUrl":"https://doi.org/10.14361/9783839459638-004","url":null,"abstract":"","PeriodicalId":42152,"journal":{"name":"THEATER","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44899870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
THEATERPub Date : 2021-09-03DOI: 10.14361/9783839459638
Susanne Schmieden
{"title":"Paradoxa über Politik und Theater","authors":"Susanne Schmieden","doi":"10.14361/9783839459638","DOIUrl":"https://doi.org/10.14361/9783839459638","url":null,"abstract":"Paradoxa als »Gegenmeinungen« sind zentrales Gestaltungsmerkmal der Texte von Denis Diderot und Bertolt Brecht. Beide gehören nicht nur zu den bekanntesten Theaterdichtern, sondern sind auch politische Autoren. Dies zeigt sich sowohl in der Wahl ihrer Themen als auch in ihrer Formsprache. Susanne Schmiedens ausführliche Lektüre ausgewählter Texte im Zusammenspiel mit zeitgenössischen theoretischen Diskursen demonstriert, dass Theater, Wissenschaft und Demokratie gleichermaßen Gegenmeinungen als ihre Möglichkeitsbedingung betrachten müssen. Für eine demokratische Gesellschaft gilt, diese nicht nur zuzulassen, sondern zum gemeinsamen Tanz aufzufordern.","PeriodicalId":42152,"journal":{"name":"THEATER","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45409743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}