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4.4 Gewaltexzess und Drastik in Ostermeiers Version von Shoppen und Ficken (3. Ebene, Inszenierungsanalyse) 4.4关于复活节梅尔关于购物和做爱的原型。(一级Inszenierungsanalyse)
IF 0.1 4区 艺术学
THEATER Pub Date : 2021-05-19 DOI: 10.14361/9783839456170-016
H. Speicher
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引用次数: 0
1.3 Die Studie als Beitrag zu einer theaterhistorischen Organisationsforschung (Methodische Innovation) 1.3该研究是对剧院历史组织研究的贡献（方法创新）
IF 0.1 4区 艺术学
THEATER Pub Date : 2021-05-19 DOI: 10.14361/9783839456170-004
H. Speicher
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引用次数: 0
5.5 Das diskursive Nachleben von Emilia Galotti im Ost-West-Kulturkampf um das Deutsche Theater im Jahr 2004 (4. Ebene) 5.5这是2004年埃米莉娅·高卢提的作品，埃米莉娅·戈罗伊提积极参与德国戏剧的文化对峙。(一级)
IF 0.1 4区 艺术学
THEATER Pub Date : 2021-05-19 DOI: 10.14361/9783839456170-022
H. Speicher
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引用次数: 0
5.4 Thalheimers Emilia Galotti und das Theater der Reduktion (3. Ebene, Inszenierungsanalyse) 总共有54个观点。一级Inszenierungsanalyse)
IF 0.1 4区 艺术学
THEATER Pub Date : 2021-05-19 DOI: 10.14361/9783839456170-021
H. Speicher
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引用次数: 0
3.1 Hamlet/Maschine als Bild für die Stasis des Deutschen Theaters in der ersten Hälfte der 1990er Jahre 薪水3.1的哈姆雷特/打字机，是公元前90年代前半叶德国剧院史上的标志
IF 0.1 4区 艺术学
THEATER Pub Date : 2021-05-19 DOI: 10.14361/9783839456170-008
H. Speicher
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引用次数: 0
5.2 Wilms' Berufung und Michael Thalheimers Emilia Galotti als Eröffnungspremiere (1. Ebene, Hausdramaturgie) 5.2威廉的召唤以及迈克尔·泰勒海默的妻子埃米莉娅·加隆提一级Hausdramaturgie)
IF 0.1 4区 艺术学
THEATER Pub Date : 2021-05-19 DOI: 10.14361/9783839456170-019
H. Speicher
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引用次数: 0
1.4 Der Spur einer künstlerischen Idee durch die Organisation folgen (Aufbau der Arbeit) 1.4通过组织（作品结构）追踪艺术理念
IF 0.1 4区 艺术学
THEATER Pub Date : 2021-05-19 DOI: 10.14361/9783839456170-005
H. Speicher
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引用次数: 0
3.5 Das diskursive Nach- und Eigenleben von Hamlet/Maschine (4. Ebene) 3.5哈姆雷特/机器的散漫的来生和自己的生活（4。级别）
IF 0.1 4区 艺术学
THEATER Pub Date : 2021-05-19 DOI: 10.14361/9783839456170-012
H. Speicher
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引用次数: 0
2.1 Theaterarbeit in Stadt- und Staatstheatern nach 1989 2.1 1989年后城市和州剧院的剧院工作
IF 0.1 4区 艺术学
THEATER Pub Date : 2021-05-19 DOI: 10.14361/9783839456170-006
H. Speicher
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引用次数: 0
4.3 Shoppen und Ficken von Mark Ravenhill als prototypisches In-yer-face-Drama (2. Ebene, Textanalyse) 4.3躺在马克·拉文菲尔德作为"银幕级歌剧"一级Textanalyse)
IF 0.1 4区 艺术学
THEATER Pub Date : 2021-05-19 DOI: 10.14361/9783839456170-015
H. Speicher
{"title":"4.3 Shoppen und Ficken von Mark Ravenhill als prototypisches In-yer-face-Drama (2. Ebene, Textanalyse)","authors":"H. Speicher","doi":"10.14361/9783839456170-015","DOIUrl":"https://doi.org/10.14361/9783839456170-015","url":null,"abstract":"","PeriodicalId":42152,"journal":{"name":"THEATER","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42943188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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