THEATERPub Date : 2024-02-01DOI: 10.1215/01610775-10918584
T. Sellar
{"title":"Locations and Dislocations","authors":"T. Sellar","doi":"10.1215/01610775-10918584","DOIUrl":"https://doi.org/10.1215/01610775-10918584","url":null,"abstract":"","PeriodicalId":42152,"journal":{"name":"THEATER","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139876825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
THEATERPub Date : 2024-02-01DOI: 10.1215/01610775-10918584
T. Sellar
{"title":"Locations and Dislocations","authors":"T. Sellar","doi":"10.1215/01610775-10918584","DOIUrl":"https://doi.org/10.1215/01610775-10918584","url":null,"abstract":"","PeriodicalId":42152,"journal":{"name":"THEATER","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139816881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
THEATERPub Date : 2024-02-01DOI: 10.1215/01610775-10918682
Khalid Y. Long
{"title":"Post-9/11 Theater and Transnational Feminism","authors":"Khalid Y. Long","doi":"10.1215/01610775-10918682","DOIUrl":"https://doi.org/10.1215/01610775-10918682","url":null,"abstract":"","PeriodicalId":42152,"journal":{"name":"THEATER","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139824229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
THEATERPub Date : 2024-02-01DOI: 10.1215/01610775-10918710
Victoria Fortuna
{"title":"Opacity in Motion","authors":"Victoria Fortuna","doi":"10.1215/01610775-10918710","DOIUrl":"https://doi.org/10.1215/01610775-10918710","url":null,"abstract":"","PeriodicalId":42152,"journal":{"name":"THEATER","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139812406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
THEATERPub Date : 2024-01-05DOI: 10.14361/9783839471920
Giovanna-Beatrice Carlesso
{"title":"Theater, Terror, Tod","authors":"Giovanna-Beatrice Carlesso","doi":"10.14361/9783839471920","DOIUrl":"https://doi.org/10.14361/9783839471920","url":null,"abstract":"Christoph Schlingensiefs autoreferenzielles Theater verhandelt Kunst- und Künstlerdiskurse im Kontext avantgardistischer Theorie und Praxis. In detaillierten Text- und Aufführungsanalysen nimmt Giovanna-Beatrice Carlesso zwei der komplexesten und anspielungsreichsten Inszenierungen des Autor-Regisseurs in den Blick, um ein dichtes Netz aus intermedialen Selbst- und Fremdzitaten im Nexus von Kunst, Terror und Tod zu entwirren. Dabei beleuchtet sie erstmals die longue durée des Künstlerdramas und erforscht dessen Weiterentwicklung durch Schlingensief in Zeiten der Postdramatik.","PeriodicalId":42152,"journal":{"name":"THEATER","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140513501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
THEATERPub Date : 2024-01-05DOI: 10.14361/9783839470244
Gunter Lösel
{"title":"Die dunkle Seite des Spiels","authors":"Gunter Lösel","doi":"10.14361/9783839470244","DOIUrl":"https://doi.org/10.14361/9783839470244","url":null,"abstract":"Spiel und Theater sind vielfältig verbunden, aber solange der Spielbegriff mit Harmlosigkeit assoziiert ist, nimmt er dem Theater Schärfe und Wirksamkeit. Gunter Lösel fragt deshalb nach einer Begriffserweiterung, die auch die dunkle Seite des Spiels umfasst. Zwischen Spiel, Wirklichkeit und Fiktion entwickelt er ein »Dreiweltenmodell des Theaters« und geht der Frage nach, warum die Spezies Mensch ein performatives Spiel entwickelt hat, in welchem sie sich negative Handlungen oder konflikthafte Situationen vor Augen führt. Durch Verbindungen zu Spieltheorie, Gaming, Philosophie, Performance-Studies und KI entsteht ein Reflexionsraum, der so den Widerspruch zwischen Harmlosigkeit des Spiels und Wirkungsmacht des Theaters auflöst.","PeriodicalId":42152,"journal":{"name":"THEATER","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140513701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
THEATERPub Date : 2024-01-05DOI: 10.14361/9783839468531
Alina Paula Gregor
{"title":"Performance und Irritation","authors":"Alina Paula Gregor","doi":"10.14361/9783839468531","DOIUrl":"https://doi.org/10.14361/9783839468531","url":null,"abstract":"Wie kann ein anderer Theaterunterricht aussehen? Welche neuen Möglichkeitsräume eröffnen sich, wenn die Sicht der Akteur*innen mit in den Unterricht einfließt? Alina Paula Gregor stellt die Theaterpädagogik als eine Handlungswissenschaft vor und setzt sich spielerisch-experimentell mit Performancekunst und der Bedeutung von Irritationsmomenten auseinander. Durch ein künstlerisch orientiertes Vermittlungskonzept und praxeologische Forschung legt sie dar, wie zeitgenössische Theater- und Performancearbeit als Impulsgeber über vielfältige Irritationsmomente wirken kann - und somit zur Gestaltung alternativer Unterrichtsmodelle anregt.","PeriodicalId":42152,"journal":{"name":"THEATER","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140513554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}