DANCE CHRONICLEPub Date : 2024-06-24DOI: 10.1080/01472526.2024.2338340
Adrienne Gibbons Oehlers
{"title":"Casting and Inclusivity in the Broadway Musical","authors":"Adrienne Gibbons Oehlers","doi":"10.1080/01472526.2024.2338340","DOIUrl":"https://doi.org/10.1080/01472526.2024.2338340","url":null,"abstract":"Published in Dance Chronicle (Vol. 47, No. 2, 2024)","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"60 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141730703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
DANCE CHRONICLEPub Date : 2024-06-24DOI: 10.1080/01472526.2024.2330280
Zeynep Günsür Yüceil, Özlem Hemiş
{"title":"Memory Transgressed by Female Bodies: Civil Historiography Contrasted with Official Historiography","authors":"Zeynep Günsür Yüceil, Özlem Hemiş","doi":"10.1080/01472526.2024.2330280","DOIUrl":"https://doi.org/10.1080/01472526.2024.2330280","url":null,"abstract":"For the past twenty-two years, productions by the Hareket Atölyesi Topluluğu (Movement Atelier Company), an all-female ensemble based in Istanbul, have related to spaces such as the country, the ci...","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"38 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141597331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
DANCE CHRONICLEPub Date : 2024-06-24DOI: 10.1080/01472526.2024.2338339
Meghan Quinlan
{"title":"Politics at the Center of Israeli and Palestinian Dance","authors":"Meghan Quinlan","doi":"10.1080/01472526.2024.2338339","DOIUrl":"https://doi.org/10.1080/01472526.2024.2338339","url":null,"abstract":"Published in Dance Chronicle (Vol. 47, No. 2, 2024)","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"2015 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141475338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
DANCE CHRONICLEPub Date : 2024-06-24DOI: 10.1080/01472526.2024.2345514
Michelle LaVigne
{"title":"Christopher Rudd’s Lifted and Gia Kourlas’s Review: Turning a Mirror Towards the White Gaze","authors":"Michelle LaVigne","doi":"10.1080/01472526.2024.2345514","DOIUrl":"https://doi.org/10.1080/01472526.2024.2345514","url":null,"abstract":"Published in Dance Chronicle (Vol. 47, No. 2, 2024)","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141597327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}