Memory Transgressed by Female Bodies: Civil Historiography Contrasted with Official Historiography

IF 0.1 3区艺术学 0 DANCE

DANCE CHRONICLE Pub Date : 2024-06-24 DOI:10.1080/01472526.2024.2330280

Zeynep Günsür Yüceil, Özlem Hemiş

引用次数: 0

Abstract

For the past twenty-two years, productions by the Hareket Atölyesi Topluluğu (Movement Atelier Company), an all-female ensemble based in Istanbul, have related to spaces such as the country, the ci...

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被女性身体超越的记忆：民间史学与官方史学的对比

在过去的 22 年里，伊斯坦布尔的全女性乐团 Hareket Atölyesi Topluluğu（运动工作室剧团）的作品涉及国家、城市、文化、艺术、体育、体育运动等空间。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

DANCE CHRONICLE DANCE-

CiteScore

0.40

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0.00%

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期刊介绍： For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.