Studies in European Cinema最新文献_第7页

Desire as the being in La vie d’Adèle, chapitres 1 & 2/Blue is the warmest colour 欲望就像生活中的存在，第一章和第二章/蓝色是最温暖的颜色

IF 0.2

Studies in European Cinema Pub Date : 2022-05-03 DOI: 10.1080/17411548.2022.2064154

Ying-shan Chen

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引用次数: 0

Post-Unification Turkish German cinema: work, globalisation and politics beyond representation 统一后的土耳其-德国电影:作品、全球化和超越表象的政治

IF 0.2

Studies in European Cinema Pub Date : 2022-05-03 DOI: 10.1080/17411548.2022.2073169

Ecem Yıldırım

引用次数: 0

Women’s affective transactions and the memory of Hungarian (historical) affairs: Istvan Szabo’s The Door (2012) 女性的情感交易与匈牙利(历史)事务的记忆——伊斯特万·萨博的《门》(2012)

IF 0.2

Studies in European Cinema Pub Date : 2022-04-26 DOI: 10.1080/17411548.2022.2064156

Szidonia Haragos

{"title":"Women’s affective transactions and the memory of Hungarian (historical) affairs: Istvan Szabo’s The Door (2012)","authors":"Szidonia Haragos","doi":"10.1080/17411548.2022.2064156","DOIUrl":"https://doi.org/10.1080/17411548.2022.2064156","url":null,"abstract":"ABSTRACTThe article highlights the cinematic portrayal of a woman’s exceptional affective agency against the backdrop of historical trauma, more specifically, of the Holocaust in Hungary, in Hungarian director Istvan Szabo’s The Door (Az ajto 2012) based on Hungarian writer Magda Szabo’s eponymous novel The Door (Az ajto 1987). Through a juxtaposition of the cinematic and the literary text, the article discusses central protagonist Emerenc Szeredas’s affective transaction to save the life of a little Jewish girl in Nazi-occupied Budapest. Emerenc’s ‘affective bargain’ through which she sustains the ‘cruel optimism’ (Lauren Berlant) of love and compassion pits her gendered capital against devalued Jewish life. The film conveys the costs of such an affective transaction and Emerenc’s ultimate failure to achieve ‘the good life’ (Sara Ahmed) of societal expectations. What transpires in The Door at the convergence of cinematic discourse and literary text is female agency constrained within the severely limited terrain of patriarchal economy. In terms of Istvan Szabo’s cinematography, The Door instantiates yet another engagement with the Holocaust as Szabo’s lifelong preoccupation, and it stands for a significant intervention into the current post-Holocaust memory discourse in Hungary.","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"138 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138516709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Seeking another justice in Fatih Akın’s “The Edge of Heaven” (2004) and “In the Fade” (2017) 在Fatih Akın的《天堂的边缘》（2004）和《褪色》（2017）中寻求另一种正义

IF 0.2

Studies in European Cinema Pub Date : 2022-04-22 DOI: 10.1080/17411548.2022.2064157

Melis Öneren Özbek

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Step right up and take a whiff! Does incorporating scents in film projection increase viewer enjoyment? 站起来闻一闻！在电影放映中加入气味会增加观众的享受吗？

IF 0.2

Studies in European Cinema Pub Date : 2022-04-22 DOI: 10.1080/17411548.2022.2064155

J. Solves, Sebastián Sánchez-Castillo, Begoña Siles

引用次数: 0

How to build an ecosystem for the non-fiction cinema? The history and politics of Lussas Documentary Film Festival 如何构建非虚构电影的生态系统?卢萨斯纪录片电影节的历史与政治

IF 0.2

Studies in European Cinema Pub Date : 2022-04-18 DOI: 10.1080/17411548.2022.2064160

J. Rasmi

引用次数: 0

‘What’s your dream?’ The films of femme auteur Andrea Arnold “你的梦想是什么？”女性导演安德里亚·阿诺德的电影

IF 0.2

Studies in European Cinema Pub Date : 2022-04-17 DOI: 10.1080/17411548.2022.2064159

Brian Michael Goss

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Intimate recordings: mediated acts of touching in Future Lasts Forever and Giraffe 亲密的记录:在未来永恒和长颈鹿调解触摸行为

IF 0.2

Studies in European Cinema Pub Date : 2022-04-14 DOI: 10.1080/17411548.2022.2064161

Olivia Landry

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Playbird superstar: Mary Millington and Come Play With Me (1977) as a national box-office sensation 玩鸟超级明星:玛丽·米林顿和《来和我一起玩》(1977)轰动全国票房

IF 0.2

Studies in European Cinema Pub Date : 2022-04-13 DOI: 10.1080/17411548.2022.2064158

V. Barnett

引用次数: 0

Italian Neorealist and New Migrant films as dispositifs of alterity: How borgatari and popolane challenge the stereotypes of nationhood and womanhood? 意大利新现实主义和新移民电影作为另类的配置:布尔塔利和平民如何挑战国家和女性的刻板印象?

IF 0.2

Studies in European Cinema Pub Date : 2022-02-15 DOI: 10.1080/17411548.2021.1968165

Marianna Charitonidou

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引用次数: 1