{"title":"如何构建非虚构电影的生态系统?卢萨斯纪录片电影节的历史与政治","authors":"J. Rasmi","doi":"10.1080/17411548.2022.2064160","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article presents the experience of the Lussas Documentary Film Festival from a historical point of view, following the genealogy of one of the most important events devoted to the non-fiction cinema in Europe and describing the ethical and political challenges behind such adventures. The aim, here, is to study and interpret the key role played by this festival in channelling institutional and public attention to documentary filmmaking in France over the last fifty years. The essay will also highlight the attempt to construct in Lussas an ecosystem based on the association between a minor, non-theatrical cinematic field and a marginal geographic area while putting into practice the principles of autonomous organization by documentary workers themselves.","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"19 1","pages":"252 - 264"},"PeriodicalIF":0.2000,"publicationDate":"2022-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"How to build an ecosystem for the non-fiction cinema? The history and politics of Lussas Documentary Film Festival\",\"authors\":\"J. Rasmi\",\"doi\":\"10.1080/17411548.2022.2064160\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article presents the experience of the Lussas Documentary Film Festival from a historical point of view, following the genealogy of one of the most important events devoted to the non-fiction cinema in Europe and describing the ethical and political challenges behind such adventures. The aim, here, is to study and interpret the key role played by this festival in channelling institutional and public attention to documentary filmmaking in France over the last fifty years. The essay will also highlight the attempt to construct in Lussas an ecosystem based on the association between a minor, non-theatrical cinematic field and a marginal geographic area while putting into practice the principles of autonomous organization by documentary workers themselves.\",\"PeriodicalId\":42089,\"journal\":{\"name\":\"Studies in European Cinema\",\"volume\":\"19 1\",\"pages\":\"252 - 264\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-04-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in European Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17411548.2022.2064160\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in European Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17411548.2022.2064160","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
How to build an ecosystem for the non-fiction cinema? The history and politics of Lussas Documentary Film Festival
ABSTRACT This article presents the experience of the Lussas Documentary Film Festival from a historical point of view, following the genealogy of one of the most important events devoted to the non-fiction cinema in Europe and describing the ethical and political challenges behind such adventures. The aim, here, is to study and interpret the key role played by this festival in channelling institutional and public attention to documentary filmmaking in France over the last fifty years. The essay will also highlight the attempt to construct in Lussas an ecosystem based on the association between a minor, non-theatrical cinematic field and a marginal geographic area while putting into practice the principles of autonomous organization by documentary workers themselves.