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Nonhuman Images: Environment and Emotion in Two Films by Viera Čákanyová 非人类图像:Viera Čákanyová 两部电影中的环境与情感
Visual Resources Pub Date : 2024-02-12 DOI: 10.1080/01973762.2023.2287325
Antony Fredriksson
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引用次数: 0
Don’t Look Askance 不要斜视
Visual Resources Pub Date : 2024-02-12 DOI: 10.1080/01973762.2023.2295169
Ondřej Beran
{"title":"Don’t Look Askance","authors":"Ondřej Beran","doi":"10.1080/01973762.2023.2295169","DOIUrl":"https://doi.org/10.1080/01973762.2023.2295169","url":null,"abstract":"The paper is a discussion of film expressions of environmental emotions, in particular of eco-anger. It discusses several distinctions within the notion of anger (in particular that of honour-relat...","PeriodicalId":41894,"journal":{"name":"Visual Resources","volume":"87 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139753641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Playing with Gender: Trans Men’s Experiences Playing with Masculine Characters, Roles, and Identities in Online Video Games 玩弄性别:变性男子在网络电子游戏中扮演男性角色、角色和身份的经历
Visual Resources Pub Date : 2024-01-10 DOI: 10.1080/01973762.2023.2282853
Jeremy Brenner-Levoy
{"title":"Playing with Gender: Trans Men’s Experiences Playing with Masculine Characters, Roles, and Identities in Online Video Games","authors":"Jeremy Brenner-Levoy","doi":"10.1080/01973762.2023.2282853","DOIUrl":"https://doi.org/10.1080/01973762.2023.2282853","url":null,"abstract":"Previous research illustrates the many ways that video games are constructed for cisgender, heterosexual, and white men. However, I argue that video games may serve as a valuable site of gender dis...","PeriodicalId":41894,"journal":{"name":"Visual Resources","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139410666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Photography and Environmental Activism: Visualising the Struggle Against Industrial Pollution 摄影与环保行动:与工业污染作斗争的视觉化
Visual Resources Pub Date : 2023-12-04 DOI: 10.1080/01973762.2023.2279809
Reviewed by Noemi Quagliati
{"title":"Photography and Environmental Activism: Visualising the Struggle Against Industrial Pollution","authors":"Reviewed by Noemi Quagliati","doi":"10.1080/01973762.2023.2279809","DOIUrl":"https://doi.org/10.1080/01973762.2023.2279809","url":null,"abstract":"Published in Visual Resources: an international journal on images and their uses (Ahead of Print, 2023)","PeriodicalId":41894,"journal":{"name":"Visual Resources","volume":" 26","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138494029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Light, Metabolisms, Elemental Media: Theorising Human Mediality in the Anthropocene 光、代谢、元素媒介:人类世人类媒介理论化
Visual Resources Pub Date : 2023-10-09 DOI: 10.1080/01973762.2023.2253099
Lukáš Likavčan
{"title":"Light, Metabolisms, Elemental Media: Theorising Human Mediality in the Anthropocene","authors":"Lukáš Likavčan","doi":"10.1080/01973762.2023.2253099","DOIUrl":"https://doi.org/10.1080/01973762.2023.2253099","url":null,"abstract":"AbstractThis paper applies concepts of elemental media and metabolisms to the case of cosmic and planetary ecologies that emerge from the interaction between Earth and Sun, manifesting in photosynthesis or carbon isotope chemistry. In doing so, it expands on registers of media theory and environmental studies and prompts the reader to consider the medial and archival affordances of the light-based interactions, and further processes they give rise to. The main aim of the paper is to use these observations to speculate about the human condition in the Anthropocene, characterised by the experience of human mediality. The paper addresses human mediality mainly in the dimension of affective qualities this condition may prompt, and the resulting narrative model of selfhood – the metabolic self. The paper develops its conceptual contribution in close proximity with several artistic examples, especially Eduardo Navarro’s performance In Collaboration with the Sun (2017–2019). The paper is positioned as a contribution to studies of multispecies cohabitation and more-than-human communication, while also developing a narrative strategy for talking about the decentred position of human species in the more-than-human world-making.Keywords: Elemental MediaMetabolismNarrative SelfLightSelfhoodPhotosynthesis Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 James F. Kasting, Daniel P. Whitmire and Ray T. Reynolds, ‘Habitable Zones around Main Sequence Stars’, Icarus 101 (1993): 108–28.2 Lisa Kaltenegger, ‘How to Characterize Habitable Worlds and Signs of Life’, Annual Review of Astronomy and Astrophysics 33 (2017): 443.3 Paul J. Crutzen and Eugene F. Stoermer, ‘The “Anthropocene”’, IGBP Newsletter 41 (2000): 17–18.4 Raymond T. Pierrehumbert, Principles of Planetary Climate (Cambridge: Cambridge University Press, 2011), 58–66.5 Donella H. Meadows, Dennis L. Meadows, Jørgen Randers and William W. Behrens III, The Limits to Growth (New York: Universe Books).6 Benjamin Lazier, ‘Earthrise; or, The Globalization of the World Picture’, American Historical Review 116, no. 3 (2011): 602–30.7 In talking about ‘affective profile’ and ‘affective qualities’, this paper follows terminology established by Rosi Braidotti, ‘A Theoretical Framework for the Critical Posthumanities’, Theory, Culture & Society 36, no. 6 (2019): 31–61.8 Tomás Saraceno, ‘Solar Rhythms’, Studio Tomás Saraceno, https://studiotomassaraceno.org/solar-rhythms/ (accessed June 7, 2023).9 See also Bronislaw Szerzsynski, ‘Planetary Alterity, Solar Cosmopolitics and the Parliament of Planets’, in Environmental Alterities, ed. Cristóbal Bonelli and Antonia Walford (Manchester: Mattering Press, 2021), 204–26.10 Ema Čabová, ‘Sensing the Subtle, Moving Through the Quiet, Performing the Unspeakable’, Fotograf Mag 40 (2021): 29.11 Margaret Boden, ‘Is Metabolism Necessary?’ The British Journal for the Philosophy of Science 50, no. 2 (1999): 231–48.12 Pierrehumbert, Principles o","PeriodicalId":41894,"journal":{"name":"Visual Resources","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135093631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Visibilizing Queer Futures Past: Ekphrasis and LGBTQIA + Representation in the Philippine Archive 可视化酷儿未来的过去:菲律宾档案中的措辞和LGBTQIA +代表
Visual Resources Pub Date : 2023-09-25 DOI: 10.1080/01973762.2023.2249719
Gregorio R. Caliguia
{"title":"Visibilizing Queer Futures Past: Ekphrasis and LGBTQIA + Representation in the Philippine Archive","authors":"Gregorio R. Caliguia","doi":"10.1080/01973762.2023.2249719","DOIUrl":"https://doi.org/10.1080/01973762.2023.2249719","url":null,"abstract":"AbstractThis article interrogates how both visual culture and queer futurity can be made visible in and through the Philippine archive as a case in point. It begins by problematizing a paradoxical specter of futurity that seems to haunt more the Global North. But despite such haunting, the Philippines in the Global South continues to have thin to nil (i.e., nearly absent) envisioning toward a queer futurity, for most Filipino LGBTQIA + scholars seem to still be engaged in recovering “lost histories” from the archives and “thick descriptions” of the present, while focusing more on the textual than the visual. The article then proceeds to discuss mobilizing ekphrasis and representation as main conceptual tools in bridging the temporally opposite projects of queer archiving and queer futurity. It analyzes through ekphrastic re-reading the various LGBTQIA + representations from the Philippine archive – that is, a “palimpsestic site” of colonial confrontations, national (re)construction, and potentially global queer critique. These re-readings along the archival grain juxtapose the archival representations as historically authentic vis-à-vis their more present-day representations as visual proxies. Yet more crucially, the potency of these ekphrastic re-readings – in lieu of visually actual – lies in their capacity to reverberate queer possibilities, re-awakening them from their sleep within the archives, and thus re-mobilizing them toward becoming a useful part of academics, activists, and artists’ “shared arsenal” in re-envisioning and, hopefully in time, reifying such past possibilities into future queer actualities anew.Keywords: EkphrasisRepresentationQueer FuturityMultimediaGlobal SouthLGBTQIA + Historiography AcknowledgementsMy sincerest gratitude to the two anonymous reviewers for their insightful comments on the earlier version of this paper. I also thank my colleagues and friends: to Jesus “Led” Villafuerte (PUP’s Center for Creative Writing/Ateneo de Manila University’s School of Humanities) for introducing me to and thereby correcting some of my articulations concerning the theoretical conversations on futurity; to Rancho Arcilla (Intramuros Administration) and Jeremiah So Adriano (De La Salle-College of St. Benilde) for inviting me as a resource speaker on LGBTQIA + history before their respective institutions, through which I formulated my earlier ideas for this paper; and to Gregg Alfonso G. Abbang (National Museum of the Philippines) and Rafael Pamplona (PUP) for their comments.Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 The terms queer and LGBTQIA+ shall be used interchangeably here, because in Global South context queer often operates simultaneously as an umbrella term for LGBTQIA+, on one hand, and a critical term for practices distrubing heteronormativity, on the other hand. See Audrey Yue and Jun Zubillaga-Pow, eds., Queer Singapore: Illiberal Citizenship and Mediated Cultures (Hong Ko","PeriodicalId":41894,"journal":{"name":"Visual Resources","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135816289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Trichoptera of Panama XXII. Sixteen new microcaddisfly species (Trichoptera, Hydroptilidae). The巴拿马毛蛾第二十二目。微翅蝇十六新种(毛翅目,蠓科)
IF 1.3
Visual Resources Pub Date : 2023-08-08 eCollection Date: 2023-01-01 DOI: 10.3897/zookeys.1174.107314
Steven C Harris, Brian J Armitage
{"title":"The Trichoptera of Panama XXII. Sixteen new microcaddisfly species (Trichoptera, Hydroptilidae).","authors":"Steven C Harris, Brian J Armitage","doi":"10.3897/zookeys.1174.107314","DOIUrl":"10.3897/zookeys.1174.107314","url":null,"abstract":"<p><p>Sixteen new species of microcaddisflies (Trichoptera, Hydroptilidae) from Panama are herein described and illustrated. The majority of these were collected during surveys of Panama's national parks and protected areas during 2017 and 2018, employing both UV and Malaise traps. The new species include: <i>Alisotrichiaeisbergae</i><b>sp. nov.</b>, <i>Angrisanoiabokota</i><b>sp. nov.</b>, <i>Brediniaparaespinosa</i><b>sp. nov.</b>, <i>Cerasmatrichiagarfioza</i><b>sp. nov.</b>, <i>Cerasmatrichiaveraguasensis</i><b>sp. nov.</b>, <i>Costatrichiacalovebora</i><b>sp. nov.</b>, <i>Metrichiacalovebora</i><b>sp. nov.</b>, <i>Metrichiacascada</i><b>sp. nov.</b>, <i>Metrichiachiriquiensis</i><b>sp. nov.</b>, <i>Metrichiaescobilla</i><b>sp. nov.</b>, <i>Metrichialeahae</i><b>sp. nov.</b>, <i>Metrichiatatianae</i><b>sp. nov.</b>, <i>Ochrotrichiaconejoreja</i><b>sp. nov.</b>, <i>Ochrotrichiaparaflagellata</i><b>sp. nov.</b>, <i>Oxyethirapehrssonae</i><b>sp. nov.</b>, and <i>Zumatrichiaculebra</i><b>sp. nov.</b> In total, 506 Trichoptera species are now recorded for the Republic of Panama, distributed among 15 families and 56 genera.</p>","PeriodicalId":41894,"journal":{"name":"Visual Resources","volume":"32 1","pages":"35-74"},"PeriodicalIF":1.3,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10838555/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81331129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nintendo Switch-ing Genders: Bowsette and the Potentiality of Transgender Video Game Mechanics 任天堂性别转换:Bowsette和跨性别电子游戏机制的潜力
Visual Resources Pub Date : 2023-03-29 DOI: 10.1080/01973762.2023.2184234
Jennessa Hester
{"title":"Nintendo Switch-ing Genders: Bowsette and the Potentiality of Transgender Video Game Mechanics","authors":"Jennessa Hester","doi":"10.1080/01973762.2023.2184234","DOIUrl":"https://doi.org/10.1080/01973762.2023.2184234","url":null,"abstract":"","PeriodicalId":41894,"journal":{"name":"Visual Resources","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43039037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vegetable Cutting Machines through Visual Materials: The Mechanization of Communal Canteens in 1958–1960s China 视觉材料下的切菜机:1958 - 60年代中国公共食堂的机械化
Visual Resources Pub Date : 2021-07-03 DOI: 10.1080/01973762.2023.2199949
K. Fan
{"title":"Vegetable Cutting Machines through Visual Materials: The Mechanization of Communal Canteens in 1958–1960s China","authors":"K. Fan","doi":"10.1080/01973762.2023.2199949","DOIUrl":"https://doi.org/10.1080/01973762.2023.2199949","url":null,"abstract":"This article explores the mechanization of communal canteens during the Great Famine (1958–1961), focusing on the development and use of vegetable cutting machines. Communal canteens were one of the most important measures for realizing communism in China. To free female labor for use in the workforce, reduce cooking staff numbers, prepare large numbers of dishes, and provide free meals on time at communal canteens, the central and local governments of the People’s Republic of China promoted the mechanization and semi-mechanization of communal canteens. One of the most important innovations was the reformation of cooking utensils, and the introduction of machines to handle and cook ingredients, including vegetable cutting machines. Based on three types of historical material, this article looks at the historical background of vegetable cutting machine construction and use, and analyzes their use in communal canteens in China. The article finds that the mechanization of communal canteens was in fact merely sloganeering and did not contribute to technological reform in contemporary China.","PeriodicalId":41894,"journal":{"name":"Visual Resources","volume":"37 1","pages":"200 - 222"},"PeriodicalIF":0.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47606240","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A State Avant-Gardism: Alternative Spaces and Cultural Policies in the United States 国家先锋主义:美国的另类空间与文化政策
Visual Resources Pub Date : 2021-07-03 DOI: 10.1080/01973762.2023.2191399
Nicolas Heimendinger
{"title":"A State Avant-Gardism: Alternative Spaces and Cultural Policies in the United States","authors":"Nicolas Heimendinger","doi":"10.1080/01973762.2023.2191399","DOIUrl":"https://doi.org/10.1080/01973762.2023.2191399","url":null,"abstract":"It is well known that the development of alternative spaces in the United States during the 1970s benefited from government subsidies. However, either this fact is downplayed because it seems to taint the image of radical subversion on which the prestige of these spaces is based; or it is criticized as one of the main causes of the institutionalization of the alternative scene, or even as a pernicious way to co-opt and neutralize it. In this article, I examine in more detail the programs set up to support alternative spaces by the National Endowment for the Arts and the New York State Council on the Arts. I also study the interesting case of Artists Space, an alternative space that was directly founded by the second of these two government agencies. I show that this public support, far from having betrayed the original spirit of alternative spaces, has been from their beginnings a necessary condition for their development. This implies revising or, at least, qualifying the common narratives of an institutionalization or a co-option of the alternative spaces by the “art establishment.” However, this unexpected assistance from the state, traditionally rather hostile to experimental art, did result in eroding the critical and antagonistic dimension of the alternative (or avant-garde) art scene – but not in the way it is usually portrayed.","PeriodicalId":41894,"journal":{"name":"Visual Resources","volume":"37 1","pages":"174 - 199"},"PeriodicalIF":0.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42953301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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