{"title":"Nonhuman Images: Environment and Emotion in Two Films by Viera Čákanyová","authors":"Antony Fredriksson","doi":"10.1080/01973762.2023.2287325","DOIUrl":null,"url":null,"abstract":"Two films by Viera Čákanyová portray the momentous yet fragile landscapes of Antarctica. Frem (Slovakia 2019) depicts vast and arid vistas from the perspective of a drone whose movements are based ...","PeriodicalId":41894,"journal":{"name":"Visual Resources","volume":"94 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2024-02-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Resources","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01973762.2023.2287325","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
Two films by Viera Čákanyová portray the momentous yet fragile landscapes of Antarctica. Frem (Slovakia 2019) depicts vast and arid vistas from the perspective of a drone whose movements are based ...