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Contemporary Womens Writing最新文献

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Rethinking Contemporary British Women’s Writing: Realism, Feminism, Materialism 反思当代英国女性写作：现实主义、女性主义、唯物主义
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2023-04-06 DOI: 10.1093/cww/vpac015
Jennifer J. Gustar
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引用次数: 0
Contemporary Women’s Ghost Stories: Spectres, Revenants, Ghostly Returns 当代女性鬼故事:《幽灵》《还魂者》《幽灵归来
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2023-04-06 DOI: 10.1093/cww/vpac018
Vicky Brewster
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引用次数: 1
Women, Poetry and the Voice of a Nation 女性、诗歌与民族之声
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2023-04-04 DOI: 10.1093/cww/vpac013
Xiuchun Zhang
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引用次数: 0
Unbecoming Language: Anti-Identitarian French Feminist Fictions 不平衡的语言：反同一主义的法国女权主义小说
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2023-04-04 DOI: 10.1093/cww/vpac016
Joné Šulcaité-Brollo
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引用次数: 0
Novel Approaches to Lesbian History 女同性恋历史研究的新方法
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2023-04-04 DOI: 10.1093/cww/vpac011
Phyllis M. Betz
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引用次数: 0
Introduction: Angela Carter and Japan—A Global Perspective 简介：Angela Carter与日本——全球视野
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2023-02-24 DOI: 10.1093/cww/vpac027
Crofts Charlotte, Ikoma Natsumi
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引用次数: 0
Through the “Magic Mirror”: Adapting Angela Carter’s Japanese Writings for the Silver Screen 透过“魔镜”：将安吉拉·卡特的日本作品搬上银幕
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2023-02-24 DOI: 10.1093/cww/vpad001
C. Crofts
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引用次数: 0
Angela Carter’s Metaleptic Turn: The Possibilities of “a Mutation, of a Revolution in the Propriety of the Symbolic Systems” Angela Carter的形而上学转向：“符号系统礼仪革命的突变”的可能性
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2023-02-23 DOI: 10.1093/cww/vpac025
Karima Thomas
{"title":"Angela Carter’s Metaleptic Turn: The Possibilities of “a Mutation, of a Revolution in the Propriety of the Symbolic Systems”","authors":"Karima Thomas","doi":"10.1093/cww/vpac025","DOIUrl":"https://doi.org/10.1093/cww/vpac025","url":null,"abstract":"\u0000 Angela Carter’s experiences in Japan molded her post-Japan writing: she became more preoccupied with the nature of reality and the status of the subject, which operates for her like Roland Barthes’s empty sign, whose sole reality is its appearance. Carter sought a new model of writing too, which she found partly in bunraku. This paper analyzes the role of bunraku in triggering Carter’s overlapping narrative and ontological frames. That metaleptic turn enables her to disclose the constructedness of the subject in general and the gendered subject in particular. In “The Loves of Lady Purple” and “Flesh and the Mirror,” Carter draws on bunraku for a system of representation that metatextually discloses itself as an aesthetic construction and of its subjects as discursive productions of subjectivity.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41748320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Morning Glories of the Night”: Angela Carter’s Translational Poetics in Fireworks 《夜之朝霞》:安吉拉·卡特在《烟花》中的翻译诗学
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2022-07-01 DOI: 10.1093/cww/vpac022
Martine Hennard Dutheil de la Rochère
{"title":"“Morning Glories of the Night”: Angela Carter’s Translational Poetics in Fireworks","authors":"Martine Hennard Dutheil de la Rochère","doi":"10.1093/cww/vpac022","DOIUrl":"https://doi.org/10.1093/cww/vpac022","url":null,"abstract":"\u0000 Translation plays a central role as a creative method in Angela Carter’s Fireworks (1974). The collection of stories showcases Carter’s multilingual musings on the word hanabi by opening with “A Souvenir of Japan,” which records a brief moment of bliss during the Japanese summer festival, captured in the image of the “morning glories of the night.” It then builds on its literary and cultural resonances in English, French, and Japanese to form a variegated bouquet of stories linked by the flower motif that gives the collection its aesthetic identity. Infused by Carter’s experience of Japan and memories of Baudelaire, Buñuel, and Bashō, Fireworks exemplifies Carter’s translational poetics as a mode of writing blossoming across intertwined languages, cultures, and art forms.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46431289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Angela Carter and Modern Japanese Fiction: Her Reencounter with Western Literary Legacies 安吉拉·卡特与现代日本小说:她与西方文学遗产的再遇
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2022-07-01 DOI: 10.1093/cww/vpac019
Yutaka Okuhata
{"title":"Angela Carter and Modern Japanese Fiction: Her Reencounter with Western Literary Legacies","authors":"Yutaka Okuhata","doi":"10.1093/cww/vpac019","DOIUrl":"https://doi.org/10.1093/cww/vpac019","url":null,"abstract":"\u0000 This paper discusses the echo of modern Japanese literature in Angela Carter’s The Infernal Desire Machines of Doctor Hoffman (1972), which was written in Tokyo and Chiba, paying particular attention to four of the most influential authors in this intertextual novel: Junichiro Tanizaki, Ryunosuke Akutagawa, Yasunari Kawabata, and Yukio Mishima. Significantly, as well as being innovators of Japanese fiction, these writers were also great reinterpreters of Western literary legacies, who constructed their own original styles by absorbing both Japanese and non-Japanese literary traditions. The article, therefore, explores how Carter reencountered Western literary legacies through reading modern Japanese literature in order to clarify her feminist and political responses to the reinterpretation of the European and American canon by authors from the Far East.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48351684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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