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Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques最新文献

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Présentation: Vers une Revue canadienne internationale 演讲:迈向加拿大国际期刊
IF 0.2 3区 艺术学
Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques Pub Date : 2016-10-01 DOI: 10.3138/CJFS.25.2.FM
Jerry E. White
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引用次数: 0
Shooting From the East: Filmmaking on the Canadian Atlantic By Darrell Varga Montreal & Kingston: McGill-Queen’s University Press, 2015 《从东方拍摄:加拿大大西洋上的电影制作》，达雷尔·瓦尔加著，蒙特利尔和金斯顿:麦吉尔-皇后大学出版社，2015年
IF 0.2 3区 艺术学
Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques Pub Date : 2016-10-01 DOI: 10.3138/CJFS.25.2.124
J. Mccullough
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引用次数: 0
Impasses Mineures : Palindromes de Todd Solondz—Aviva, Deleuze, et la poétique de l'image stéréotypée 次要僵局:托德·索隆兹的回文-阿维瓦，德勒兹，和刻板形象的诗学
IF 0.2 3区 艺术学
Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques Pub Date : 2016-10-01 DOI: 10.3138/CJFS.25.2.62
Argyrios Keleris
{"title":"Impasses Mineures : Palindromes de Todd Solondz—Aviva, Deleuze, et la poétique de l'image stéréotypée","authors":"Argyrios Keleris","doi":"10.3138/CJFS.25.2.62","DOIUrl":"https://doi.org/10.3138/CJFS.25.2.62","url":null,"abstract":"Abstract:Cinematic narrative can only function through recourse to social stereotypes that function as the mediators of the relationships that spectators have with the pro-filmic world. Modern cinema has contributed greatly to the bringing forth of various issues in this process, a process that is fundamental to all artistic endeavours. The work of Todd Solondz, clearly an important part of this emancipatory tradition, is based in an ambivalent and extremist usage of stereotypes, which give the work its critical and poetic value. In his film Palindromes, Solondz puts a series of aesthetic and narrative processes into place in order to define the apparent object of the stereotype, all the while recognising its inevitably foundational quality in cinematic fiction. This article offers a study of these processes in the light of Deleuze and Guattari's philosophy of difference, particularly their concept of \"(de) territorialisation.\"","PeriodicalId":41748,"journal":{"name":"Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2016-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69685898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ciné-Forum: Will the Real Joan of Arc Stand Up? Problems of Preservation and Restoration cin<s:1>论坛:真正的圣女贞德会站起来吗?保护和修复的问题
IF 0.2 3区 艺术学
Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques Pub Date : 2016-10-01 DOI: 10.3138/CJFS.25.2.104
J. G. Martin
{"title":"Ciné-Forum: Will the Real Joan of Arc Stand Up? Problems of Preservation and Restoration","authors":"J. G. Martin","doi":"10.3138/CJFS.25.2.104","DOIUrl":"https://doi.org/10.3138/CJFS.25.2.104","url":null,"abstract":"","PeriodicalId":41748,"journal":{"name":"Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2016-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80749969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Canadian Horror Film: Terror of the Soul Edited by Gina Freitag and André Loiselle Toronto: University of Toronto Press, 2015 《加拿大恐怖电影:灵魂的恐怖》，吉娜·弗莱塔格和安德烈·洛伊塞尔主编，多伦多:多伦多大学出版社，2015年
IF 0.2 3区 艺术学
Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques Pub Date : 2016-10-01 DOI: 10.3138/CJFS.25.2.118
Murray Leeder
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引用次数: 0
Self-Exculpatory Imaginings: Reenactment and Observation in The Act of Killing 自释想象:《杀戮演绎》中的再现与观察
IF 0.2 3区 艺术学
Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques Pub Date : 2016-10-01 DOI: 10.3138/CJFS.25.2.39
Michael Meneghetti
{"title":"Self-Exculpatory Imaginings: Reenactment and Observation in The Act of Killing","authors":"Michael Meneghetti","doi":"10.3138/CJFS.25.2.39","DOIUrl":"https://doi.org/10.3138/CJFS.25.2.39","url":null,"abstract":"Résumé:Le présent article examine l'héritage contradictoire du « cinéma d'observation » dans The Act of Killing (Oppenheimer, 2012) : l'importance accordée dans ce film au portrait caractéristique du cinéma direct ; son recours à une représentation de la personnalité découlant quasi-exclusivement de la présentation de soi ; ainsi que la délégation de l'intentionalité par l'entremise de la technologie et des figures diégétiques auto-validantes. Doublée de son engagement à rendre compte de l'importance historiographique de l'artifice et de l'imagination, l'affirmation simultanée – et paradoxale – dans The Act of Killing d'une spontanéité comportementale au cours de ses séquences d'observation constitue également un élément de sa démonstration morale, un aspect qui jusqu'ici a été très sous-estimé. Salué au départ pour son dépassement des frontières du réel, ce « documentaire d'observation de l'imagination » (Oppenheimer) renvoie également les téléspectateurs aux lieux émotionnels personnalisés les plus familiers du cinéma direct. Enfin, cet article soutient que l'échange enchevêtré et non résolu entre les reconstitutions délibérément effectuées et une approche observationnelle plus conventionnelle dans The Act of Killing révèle en fin de compte une source des petites énigmes politiques identifiées par les critiques de ce film.","PeriodicalId":41748,"journal":{"name":"Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2016-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69686209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Balabanov's Bandits: The Bandit Film Cycle in Post-Soviet Cinema 巴拉巴诺夫的强盗:后苏联电影中的强盗电影周期
IF 0.2 3区 艺术学
Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques Pub Date : 2016-10-01 DOI: 10.3138/CJFS.25.2.82
F. White
{"title":"Balabanov's Bandits: The Bandit Film Cycle in Post-Soviet Cinema","authors":"F. White","doi":"10.3138/CJFS.25.2.82","DOIUrl":"https://doi.org/10.3138/CJFS.25.2.82","url":null,"abstract":"Résumé:Aleksei Balabanov, Sergei Sel'ianov et leur société de production CTB ont joué un rôle important dans la culture et la diffusion du cycle de films de bandits dans le cinéma russe. De fait, Le Frère (1997) et Colin-maillard (2005) constituent en quelque sorte les « serre-livres » de ce cycle productif et reflètent les mythes culturels de bandits russes. À mesure que la situation politique et sociale en Russie évoluait, les films, eux aussi, suivaient ce mouvement, en particulier ceux qui glorifièrent et reflétèrent cette période d'anarchie. En plaçant Colin-maillard dans le contexte du cycle de bandits, il devient alors possible d'interpréter le cinéma comme étant un pastiche postmoderne dans lequel Balabanov critique et parodie les films que CTB et lui ont vulgarisés, donnant ainsi à voir une fois de plus une auto-citation cinématographique pour laquelle Balabanov était bien connu.","PeriodicalId":41748,"journal":{"name":"Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2016-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69685975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Cinema, Realism, and The World According to Jia Zhangke 贾樟柯的电影、现实主义与世界
IF 0.2 3区 艺术学
Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques Pub Date : 2016-10-01 DOI: 10.3138/CJFS.25.2.6
David Richler
{"title":"Cinema, Realism, and The World According to Jia Zhangke","authors":"David Richler","doi":"10.3138/CJFS.25.2.6","DOIUrl":"https://doi.org/10.3138/CJFS.25.2.6","url":null,"abstract":"Résumé:Le présent article soutient que dans un contexte où les processus de mondialisation et de numérisation ont compliqué notre idée de ce qui constitue « le cinéma » et « le monde », l'idée du cinéma mondial n'est pas nouvelle en soi, mais elle est plutôt fondamentale à l'avènement du cinéma proprement dit. Plus exactement, j'examine The World (2004, Chine/Japon/France) de Jia Zhangke en tant que texte prototypique du « cinéma mondial », afin de favoriser la juxtaposition de l'expérience du film (et le sens du réalisme et de l'authenticité baziniens qui lui sont souvent associés) avec le phénomène des Expositions Universelles. Bien que cet article procède à un examen du texte en lui-même de façon relativement détaillée, il n'a pas simplement comme objectif de fournir une autre grille de lecture de The World (dont il existe déjà un grand nombre), mais il vise aussi à proposer quelque chose de plus vaste au sujet de l'expérience du film, du discours panoramique du cinéma mondial (en particulier à travers les festivals internationaux du film) et des effets perturbateurs supposés des technologies numériques.","PeriodicalId":41748,"journal":{"name":"Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2016-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69686273","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
C.R.A.Z.Y. By Robert Schwartzwald Vancouver: Arsenal Pulp Press, 2015 作者:Robert Schwartzwald温哥华:阿森纳纸浆出版社，2015
IF 0.2 3区 艺术学
Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques Pub Date : 2016-10-01 DOI: 10.3138/CJFS.25.2.121
A. Loiselle
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引用次数: 0
Surviving Images: Cinema, War, and Cultural Memory in the Middle East By Kamran Rastegar Oxford: Oxford University Press, 2015 《幸存的影像:中东的电影、战争和文化记忆》，作者:卡姆兰·拉斯特加，牛津:牛津大学出版社，2015年
IF 0.2 3区 艺术学
Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques Pub Date : 2016-10-01 DOI: 10.3138/CJFS.25.2.130
Najmeh Moradiyan Rizi
{"title":"Surviving Images: Cinema, War, and Cultural Memory in the Middle East By Kamran Rastegar Oxford: Oxford University Press, 2015","authors":"Najmeh Moradiyan Rizi","doi":"10.3138/CJFS.25.2.130","DOIUrl":"https://doi.org/10.3138/CJFS.25.2.130","url":null,"abstract":"","PeriodicalId":41748,"journal":{"name":"Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2016-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76403606","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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