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The Outfit, a Gangster Metanarrative 黑帮元叙事《服装》
Film International Pub Date : 2022-09-01 DOI: 10.1386/fint_00176_1
Ken Hall
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引用次数: 0
Bing Crosby : Nemesis of an actor’s director 宾·克劳斯贝:演员导演的死对头
Film International Pub Date : 2022-03-01 DOI: 10.1386/fint_00160
Tiela Garnett
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引用次数: 0
Almost Understood : Rehearsals for life and death in John Huston’s The Misfits (1961) 几乎被理解:约翰·休斯顿的《异类》(1961)中的生死排练
Film International Pub Date : 2022-03-01 DOI: 10.1386/fint_00157
G. Toles
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引用次数: 0
The Bollywood Item Girl, New Femininity and Hypersexualization 宝莱坞项目女孩，新女性气质和过度性化
Film International Pub Date : 2022-03-01 DOI: 10.1386/fint_00151
J. Gwynne, Arukshita Anand
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引用次数: 0
Realizing Dance on Film : An interview with Sam Asaert 在电影中实现舞蹈:对山姆·阿萨尔特的采访
Film International Pub Date : 2022-03-01 DOI: 10.1386/fint_00162
Tom Ue
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引用次数: 0
Parting Words: Back to the Story : Narrative and Narration: Analyzing Cinematic Storytelling 告别词:回到故事:叙事与叙事:分析电影叙事
Film International Pub Date : 2022-03-01 DOI: 10.1386/fint_00166
M. Sorrento
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引用次数: 2
Disciplining the Reader : Epistolary Cinema and the relentless superego in Michael Haneke’s Caché 管教读者:迈克尔·哈内克的《书信体电影》和无情的超我
Film International Pub Date : 2022-03-01 DOI: 10.1386/fint_00156
J. Clemence
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引用次数: 0
Not All Talk : Josh and Benny Safdie’s Uncut Gems (2019) 不是所有的谈话:乔什和本尼萨夫迪的《未切割的宝石》(2019)
Film International Pub Date : 2022-03-01 DOI: 10.1386/fint_00164
Thomas Puhr
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引用次数: 0
Australia’s Outback Wonderland : Dreams of the Other in Nicolas Roeg’s Walkabout and Ted Kotcheff’s Wake in Fright 澳大利亚的内陆仙境:尼古拉斯·罗格的《漫步》和泰德·科切夫的《惊魂夜》中的他者之梦
Film International Pub Date : 2022-03-01 DOI: 10.1386/fint_00153
Kierran Argent Horner
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引用次数: 0
Danger, Dread and Decadence : Giallo Essentials (Yellow Edition) 危险、恐惧与颓废:吉亚洛要件(黄版)
Film International Pub Date : 2022-03-01 DOI: 10.1386/fint_00163
J. Carr
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引用次数: 0
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