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Against Stereotypical Representations 反对刻板印象
Film International Pub Date : 2022-12-01 DOI: 10.1386/fint_00192_1
Hania A. M. Nashef
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引用次数: 0
Childhood Transformation Rooms in David Lean’s Oliver Twist (1948) and Vincente Minnelli’s Gigi (1958) 大卫·里恩的《雾都孤儿》(1948)和文森特·明内利的《吉吉》(1958)中的童年改造室
Film International Pub Date : 2022-12-01 DOI: 10.1386/fint_00193_1
George Toles
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引用次数: 0
Exploitation as Artefact 作为人工制品的开发
Film International Pub Date : 2022-12-01 DOI: 10.1386/fint_00197_5
William Blick
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引用次数: 0
Personal Confrontation in and with Wilderness vs. the Comforts of Community 荒野中的个人对抗vs.社区的舒适
Film International Pub Date : 2022-12-01 DOI: 10.1386/fint_00194_1
Jay A. Gertzman
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引用次数: 0
Introducing Short Film, the Great Neglected Art Form of Our Age 介绍短片，我们这个时代被忽视的艺术形式
Film International Pub Date : 2022-12-01 DOI: 10.1386/fint_00188_1
Benjamin George Coles
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引用次数: 0
Parting Words: Viewing films one image at a time; or, remembering Hannah Frank (1984–2017) 临别赠言:一次看一个画面;或者，记住汉娜·弗兰克(1984-2017)
Film International Pub Date : 2022-12-01 DOI: 10.1386/fint_00200_7
T. R. Merchant-Knudsen
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引用次数: 0
Editorial Issue 102 社论第102期
Film International Pub Date : 2022-12-01 DOI: 10.1386/fint_00199_2
Daniel Lindvall
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引用次数: 0
Women Producers, Writers, Illustrators and Directors in BoJack Horseman 《马男波杰克》的女制片人、编剧、插画师和导演
Film International Pub Date : 2022-12-01 DOI: 10.1386/fint_00186_1
Jenny Paola Ortega Castillo
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引用次数: 0
Exploring Images of Community, Collectivity and ‘The People’ within Emergent Discussions of a Folk Cinema 在民间电影的紧急讨论中探索社区、集体和“人民”的形象
Film International Pub Date : 2022-12-01 DOI: 10.1386/fint_00187_1
Jamie Chambers
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引用次数: 0
A Transcending Social Space 一个超越的社会空间
Film International Pub Date : 2022-12-01 DOI: 10.1386/fint_00198_1
Chet Domitz
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引用次数: 0
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