发布求助
文献互助 智能选刊 最新文献

Music Sound and the Moving Image最新文献

筛选
英文 中文
‘A Swarm of Sound’ “一群声音”
IF 0.1
Music Sound and the Moving Image Pub Date : 2022-07-01 DOI: 10.3828/msmi.2022.2
Zachary Bresler, S. Hawkins
{"title":"‘A Swarm of Sound’","authors":"Zachary Bresler, S. Hawkins","doi":"10.3828/msmi.2022.2","DOIUrl":"https://doi.org/10.3828/msmi.2022.2","url":null,"abstract":"\u0000This article explores the idea of audiovisual immersion through the portal of the virtual reality music video. Our focus falls on a close reading of Björk’s video, ‘Family’, which addresses questions of immersion in relation to user-experience, staging, and technological innovation. This article draws on the authors’ responses to the video by considering the implications of VR immersion in a new generation of music video productions. As part of the methodology on offer, a model for music analysis is devised for conceptualising virtual audiovisual space (VAVS) and the inextricable relationships between production and compositional design.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44807946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Soundtracking the City Break: Library Music in Travel Television 城市休息的音轨:旅游电视中的图书馆音乐
IF 0.1
Music Sound and the Moving Image Pub Date : 2022-07-01 DOI: 10.5406/19407610.15.2.01
Toby Huelin
{"title":"Soundtracking the City Break: Library Music in Travel Television","authors":"Toby Huelin","doi":"10.5406/19407610.15.2.01","DOIUrl":"https://doi.org/10.5406/19407610.15.2.01","url":null,"abstract":"Abstract:Library music is used extensively in television production, but its central role is overlooked by scholars and viewers alike. Using travel television as a case study, this article examines the process of selecting library music and the impact of its use—especially when the same tracks function across multiple series.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"49 1","pages":"24 - 3"},"PeriodicalIF":0.1,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76397774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Narrating the Uncanny: The Music of Les Revenants 讲述神秘:《荒野猎人》的音乐
IF 0.1
Music Sound and the Moving Image Pub Date : 2022-07-01 DOI: 10.5406/19407610.15.2.02
Edward Venn, A. McAuley
{"title":"Narrating the Uncanny: The Music of Les Revenants","authors":"Edward Venn, A. McAuley","doi":"10.5406/19407610.15.2.02","DOIUrl":"https://doi.org/10.5406/19407610.15.2.02","url":null,"abstract":"Abstract:This article explores the narrative function of music in the French TV drama Les Revenants and its connection to the literary tradition of the fantastic. It argues that the music enacts the narrative device of hesitation to provide generic, timbral, tonal, semantic, and temporal ambiguity and, in doing so, gives voice to the show’s characteristic fantastical presentation of the Freudian uncanny.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"39 1","pages":"25 - 43"},"PeriodicalIF":0.1,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89862019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Narration, Voice, and Character in the Soundtrack to David Fincher’s Gone Girl 大卫·芬奇《消失的爱人》原声配乐中的旁白、声音和角色
IF 0.1
Music Sound and the Moving Image Pub Date : 2022-07-01 DOI: 10.5406/19407610.15.2.03
Trevor Penoyer-Kulin
{"title":"Narration, Voice, and Character in the Soundtrack to David Fincher’s Gone Girl","authors":"Trevor Penoyer-Kulin","doi":"10.5406/19407610.15.2.03","DOIUrl":"https://doi.org/10.5406/19407610.15.2.03","url":null,"abstract":"Abstract:This article looks at how the soundtrack for the movie Gone Girl operates on several different narratological levels: it represents characters, it expresses character psychology, and sometimes even seems controlled by one particular character. In this way, it informs how we read the dynamic between the film’s two married protagonists.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"12 1","pages":"44 - 59"},"PeriodicalIF":0.1,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88193757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contributors to Issue 16:1 第16:1期投稿人
IF 0.1
Music Sound and the Moving Image Pub Date : 2022-07-01 DOI: 10.3828/msmi.2022.5
{"title":"Contributors to Issue 16:1","authors":"","doi":"10.3828/msmi.2022.5","DOIUrl":"https://doi.org/10.3828/msmi.2022.5","url":null,"abstract":"","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42771165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Electric Ladies in Playback 回放中的电动女士
IF 0.1
Music Sound and the Moving Image Pub Date : 2022-07-01 DOI: 10.3828/msmi.2022.1
Amy Skjerseth
{"title":"Electric Ladies in Playback","authors":"Amy Skjerseth","doi":"10.3828/msmi.2022.1","DOIUrl":"https://doi.org/10.3828/msmi.2022.1","url":null,"abstract":"\u0000Playback, the process of separately recording actors’ images and voices in cinema and media, has a long history of cultural stereotyping. This article analyses how performers are typecast when media technicians manipulate sound/image synchronisation in lip sync and dubbing. Inspired by Janelle Monáe’s oeuvre, I focus my study through the figure of the electric lady - female simulacra who are programmed by heteronormative, patriarchal operators. I trace the electric lady back to talking machines (Faber’s Euphonia) and early phonograph recordings (minstrelsy and opera singer Agnes Davis) to show how proto- and post-phonographic notions of playback are bound up with racialised and gendered stereotypes. Drawing on the work of Alice Maurice, Mary Ann Doane, Jennifer Fleeger, and others, I illustrate how industrial practices of playback reproduce the sounds and images of ideal femininity and obedient Others. In her ‘emotion picture’ Dirty Computer (2018), Monáe transforms history’s electric lady from obstinate object to empowered subject by unmasking homogenising operations of playback. Monáe lip syncs as multiple personae to showcase the material heterogeneity of her Black, queer, and feminist identities. Ultimately, Monáe’s hybrid personae mobilise Doane’s notion of the masquerade in their defiance of playback norms that would bind Monáe to racialised and gendered images.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43657744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Disney Requiem? Iterations of the “Dies irae” in the Score to The Lion King (1994) 迪士尼安魂曲?《狮子王》(1994)配乐中反复出现的“末日”
IF 0.1
Music Sound and the Moving Image Pub Date : 2022-04-01 DOI: 10.5406/19407610.15.1.03
Daniel Trocmé-Latter
{"title":"A Disney Requiem? Iterations of the “Dies irae” in the Score to The Lion King (1994)","authors":"Daniel Trocmé-Latter","doi":"10.5406/19407610.15.1.03","DOIUrl":"https://doi.org/10.5406/19407610.15.1.03","url":null,"abstract":"Abstract:In Hans Zimmer’s score to The Lion King (1994), the “Dies irae” melody not only functions as a standard shorthand for death (as in many scores) but is also of underlying structural importance in several of the film’s cues. Thus, the tune retains a sense of secularized association with death while reclaiming some of its spiritual associations with the Requiem Mass.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"43 1","pages":"38 - 66"},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83680617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music Production Technology in New Nollywood Soundtracks: Context, Application, and the Effect of Globalization 新诺莱坞配乐中的音乐制作技术:背景、应用和全球化的影响
IF 0.1
Music Sound and the Moving Image Pub Date : 2022-04-01 DOI: 10.5406/19407610.15.1.02
Obumneke S. Anyanwu, E. Sylvanus
{"title":"Music Production Technology in New Nollywood Soundtracks: Context, Application, and the Effect of Globalization","authors":"Obumneke S. Anyanwu, E. Sylvanus","doi":"10.5406/19407610.15.1.02","DOIUrl":"https://doi.org/10.5406/19407610.15.1.02","url":null,"abstract":"Abstract:New Nollywood refers to a segment of Nigerian cinema that began in 2012. The industry is based in Lagos and focuses on Hollywood-style approaches to film and film music. Generally, very little has been written about technologies in the film music of Nigerian cinema. This article is the first to focus explicitly on the impact of modern music production technology in New Nollywood soundtracks. Adopting descriptive as well as survey and historical methods of research, this article reveals what the specific and available technologies for film music in New Nollywood were and currently are; how the practitioners have employed them; as well as how the effects of such technologies have shaped the industry’s cultural and economics choices. In addition to a review of the broad literature on cinema and film music, the methodology also relies on studio observation sessions with current industry practitioners as well as an analysis of the New Nollywood film The Bling Lagosians (2019). Taken together, findings reveal that the quality of New Nollywood film music is fluid and reflective of changes to the economic, cultural, and technological preferences of practitioners.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"35 1","pages":"22 - 37"},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81637136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Frank Sinatra and Constructions of Female Power and Fantasy in RKO’s Higher and Higher (1943) 弗兰克·辛纳屈与RKO《越高越高》(1943)中女性权力与幻想的建构
IF 0.1
Music Sound and the Moving Image Pub Date : 2022-04-01 DOI: 10.5406/19407610.15.1.01
Katie Beisel Hollenbach
{"title":"Frank Sinatra and Constructions of Female Power and Fantasy in RKO’s Higher and Higher (1943)","authors":"Katie Beisel Hollenbach","doi":"10.5406/19407610.15.1.01","DOIUrl":"https://doi.org/10.5406/19407610.15.1.01","url":null,"abstract":"Abstract:This article demonstrates how American teenage girls used Frank Sinatra’s vulnerable celebrity persona during World War II, specifically his character in the 1943 film Higher and Higher, to cultivate fantasies in which they held power in their romantic relationships, a luxury they generally did not enjoy in their wartime realities.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"34 1","pages":"21 - 3"},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73384985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
[Inaudible] Point of Audition Representations of Deafness and the Cochlear Implant in A Quiet Place (2018) [听不见]耳聋的听觉表现和在安静的地方植入耳蜗（2018）
IF 0.1
Music Sound and the Moving Image Pub Date : 2021-12-01 DOI: 10.3828/msmi.2021.8
Gabrielle Berry
{"title":"[Inaudible] Point of Audition Representations of Deafness and the Cochlear Implant in A Quiet Place (2018)","authors":"Gabrielle Berry","doi":"10.3828/msmi.2021.8","DOIUrl":"https://doi.org/10.3828/msmi.2021.8","url":null,"abstract":"Abstract:Interrogating point of audition (POA) sound through the silences, noises, and closed captions of A Quiet Place’s critically lauded soundscapes, this article examines the ways point of audition aurally and rhetorically constructs deafness, technology, and the audio-viewer. In its sonic rendering of the post-apocalyptic world, A Quiet Place actively involves the audio-viewer in its fantastical conceit and ‘fantasy’ of deafness, folding the audience into the complex cyborgian politics and potential of the malfunctioning cochlear implant. This diegetic technological breakdown merges and tangles with the technology of the film, the point of audition sound highlighting the immersive capabilities and audist expectations of cinematic soundscapes. Yet, in this straining towards ‘immersion’, the uncaptioned silences of Regan’s point of audition further accentuate issues of access, raising questions of the composition and meaning of immersion and silence. Through the shades of silence and sharp whining feedback of A Quiet Place, this article ultimately details the possibilities and complications of analysing point of audition sound, in the process, illustrating the harmonic resonation of the studies of sound, deafness, and disability. This article is the winner of the 2020 Claudia Gorbman Graduate Student Writing Award, selected by the Sound and Music Special Interest Group of the Society for Cinema and Media Studies in conjunction with Music, Sound, and the Moving Image.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"104 ","pages":"109 - 131"},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41284441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信